Right-Before-The-Deadline-Hugo-Nominations

[okay, apparently wordpress published this post... and then unpublished it. I don't even know. If you're getting an update twice, let me know?] 

Oh, hi everyone! Enjoying the beginning of March? (SNOW, URGH, PLEASE STOP)

Hey, what day are we? The tenth?

Why does that sound ominous?

OH CLAUDE, THE HUGO NOMINATIONS ARE DUE MARCH 10TH! TODAY! TODAY! TODAY!

Now would be a good time to panic!

MAYDAY! MAYDAY! MAYDAY!

I meant to put my recommendations up, oh… weeks before? But I’ve been having blog troubles (and real life troubles, which tend to lead to blog troubles), so you’re getting these much later than I would like. But hey, if you’re seeing this post, it means I managed to get my nominations written up before the deadline!

At this point, that’s a pretty major victory for me.

(we’re just going to forget the fact that it’s FOURTEEN HOURS before the deadline, okay? MAJOR VICTORY OVER DEPRESSION = forgetting how close the call was)

So! First things first! If you have no idea what these bloody awards are, let me explain!
The Hugo are arguably the most prestigious speculative fiction awards in the world. Sure, it says “Science Fiction Awards” on the tin, but let’s face it, these awards are as much for Fantasy as they are for SF, or authors like Neil Gaiman, NK Jemisin and Catherynne Valente would never be nominated.

(I do think it’s harder for fantasy material to win the Hugos, but that’s another post).

Here’s the crucial bit: the Hugos are a fan award, which means that Random Fans can, in theory, influence the process.

… Hey! Are you a fan? Do you care about awards? Do you complain about nominations for days after they’ve been announced? Consider voting (and nominating for the Hugos)! More voters = better.

Details! Important details! You need to be a member of WorldCon to nominate and vote . And the way you become a member is by paying $60.

No joke, $60 is a pretty hefty sum for the privilege of voting. At least it is for me, your friendly neighborhood feminist batwoman student blogger. There are, however, some benefits that offset the cost. As a Hugo Voter, you get the voting packet, which contains almost all the novels, short stories, novellas, movies, shows, fanzines etc. nominated for the Hugo awards. It would cost you a shitload more than $60 to get all those books/movies/novellas etc. on your own.

Another fun fact! If you buy a membership for a WorldCon, you get to nominate for the next year’s Hugos. I was a member of last year’s WorldCon (ChiCon), so I get to nominate this year, even though I haven’t bought a membership for 2013 yet.

Reminder to any fellow ChiCon members: if you paid to nominate/vote last year, or if you paid to go to ChiCon, YOU CAN NOMINATE THIS YEAR. You can’t vote without a new membership, but you can nominate. So nominate! In the next fourteen hours! Because you only have until 11:59 EST.

For everyone else – it’s too late to sign up to nominate, but if you are interested in voting this year, there’s more information on how to sign up here.

Okay! Now, without further ado, the fun part: MY super-last-minute nominations for the Hugos.

(note: not all categories are filled out, because I am just one woman, and I have not read/watched everything in the SF/F field. I’ve tried to restrict my recommendations to fields that I actually know something about).

Novel: 

1. The Killing Moon by NK Jemisin

At first, I thought I only had one nominee in the novel category because I just hadn’t read enough 2012 books. But looking back over my reading log… nope. I actually have read quite a few 2012 books. I just haven’t been impressed by very many of them (oh, BURN) (sorry, China Mielville and Elizabeth Bear. Better luck next time!)

There was one (okay, two) notable exception.

NK Jemisin’s The Killing Moon, and the sequel, The Shadowed Sun.

The Killing Moon NK Jemisin

Honestly, if NK Jemisin’s The Killing Moon doesn’t make it onto the ballot, I will side-eye fandom forever. For my money (if I had any money), it’s not only the best book Jemisin’s ever written, it’s the best novel published in SF/F last year. Jemisin’s worldbuilding and magical systems have never been better. And the plot. GAAAAH, THE PLOT.

A digression here: I think there’s a big difference between a book that should win the Hugo, and a book that CAN win the Hugo. Two years ago, I thought that Feed (Mira Grant) and The Hundred Thousand Kingdoms (NK Jemisin) SHOULD have won the Hugo over Blackout/All Clear. But I didn’t think The Hundred Thousand Kingdoms COULD win the Hugo (too much sex! Plus, politics).
Moreover, a someone fairly engaged in social justice, I’m always interested in seeing books nominated that deconstruct, or challenge the more conservative aspects of the SF/F genre. At the same time, I recognize that those books aren’t likely to win, precisely BECAUSE they challenge conservative (and popular) aspects of the genre.

The point of the digression? I think The Killing Moon is one of those rare books that both SHOULD and COULD win the Hugo Award for best novel.

Whenever I think about The Killing Moon, I keep coming back to one word: tight. The plot is tight. The worldbuilding is tight. The characters are tight. The prose is tight. Everything is crafted with such skill that I think the more challenging aspects of the book can just – slide by, unnoticed. Jemisin’s first book, The Hundred Thousand Kingdoms was a much more obvious confrontation and reconstruction of the epic fantasy genre, which is why I think it was so controversial. Don’t get me wrong – Jemisin’s Dreamblood books are just as engaged in challenging the epic fantasy genre. But it’s – quieter. The progressive politics of The Killing Moon can probably slide by more conservative voters in a way the politics of The Hundred Thousand Kingdoms could not.

It’s sneakily political.

The second book in the duology, The Shadowed Sun was also published in 2012 (and I also loved it), but NK Jemisin specifically asked that fans nominate The Killing Moon (so her books aren’t in competition with one another), and I’m following her wishes.

I would also be very interested in seeing Catherynne Valente’s The Girl Who Fell Beneath Fairyland and Led the Revels There and/or Frances Hardinge’s A Face Like Glass on the nomination ballot. I have not read either book, although I enjoy both authors and I’ve heard good things from people I trust about these particular works.

I’d like to see one of them on the ballot because they’re young adult fantasy novels written by women. While young adult novels occasionally make it onto the ballot (and win), it’s my impression that those Chosen Few tend to be by men (e.g. Neil Gaiman’s The Graveyard Book). Again, this is just a theory, but I think there’s a tendency to assume that young adult novels written by men can still be Serious Literature, while young adult novels written by women cannot, even if those women have written Serious Literature in the past.

Thus, I would not be surprised if China Mielville’s foray into YA, Railsea, made it onto the ballot, but I think Valente or Hardinge’s novel would be far more interesting choices.

Best Fan Writer:

Wait, that’s not the category after Best Novel!

…Except for me. Because Best Fan Writer is the category I care about the most.  I love cultural criticism. YOU MAY HAVE NOTICED… since I started an entire blog for just that purpose.

Best Fan Writer is also a category that I’ve found drearily boring in past years – the same writers are usually nominated year after year after year. And, to the surprise of no one, the nominations tends to be dominated by white men (it’s been six years since the final ballot included more than one woman).

Point being: there are tons of brilliant, diverse, interesting writers talking about SF/F. More of them should be recognized.

1. Foz Meadows.

I want to be Foz Meadows when my blog grows up. Her work on racism, sexism, and other forms of oppression in SF/F is unparalleled. She’s articulate, passionate, and thorough: her arguments are brilliant, her research is impecable.

Oh, and she’s extraordinarily entertaining.

Examples: PSA: Your Default Narrative Settings Are Not Apolitical, Politics, YA and Narrative, Racism, Revealing Eden and STGRB, Rape Culture in Gaming

2. Mark Oshiro of MarkReads and MarkWatches

When someone suggested Mark Oshiro for this category, I went “Oh duh, why didn’t I think of him?”

How do you even describe Mark? He’s been reading – and watching – lots of the most important shows and books in SF/F for his two sites, MarkReads and MarkWatches. His reviews are simultaneously insightful and hilarious. He’s perpetually unprepared for plot twists, and perpetually prepared to fall madly in love with new books.

You have not lived until you’ve read – or watched – a Mark Oshiro review.

I can’t tell you how much I love him. He just brings such JOY to his work (while also calling out problematic shit!)

It’s a rare writer who can critique a genre while simultaneously reminding you of why you’re in love with it.

Examples: Mark Reads Revealing Eden (if you want to see Mark dying over terrible writing and racism), Mark Watches Doctor Who: The Angels Take Manhattan, Mark Watches The Legend of Korra: The Revelation, Mark Reads Wild Magic Chapter 3

3. Ana Mardoll of Ana Mardoll’s Ramblings

Ana Mardoll’s website is filled with smart, thorough deconstructions of important genre books – Twilight, the Narnia Books, Buffy, The Hunger Games etc. Her coverage of disability in SF/F is particularly interesting. Like Mark Oshiro, she’s incredibly thorough with her analysis – her deconstructions often go chapter by chapter, and each post can go well over 2000 words.

I suspect she’s overlooked by the SF/F community because she doesn’t fit our model of a fan writer – she’s a feminist/social justice blogger who writes about genre fiction a lot. And that’s part of the reason I’d like to see her and Mark Oshiro on the ballot – their very presence would expand what we see as “fan writing.”
Plus, I am personally a fan of bloggers like Ana Mardoll, who talk about genre fiction in one post, feminism in the next, and the wives of Henry VIII in the third. Because fuck, that’s the kind of blogger I want to be – so I do love seeing it done well.

Examples: “L” is for Madonna-Whore Complex (deconstructing an article about Twilight that is, if possible, EVEN MORE problematic than Twilight), Twilight: Carried in the Arms of Assholes (fascinating exploration of the appropriation of disability in the Twilight series), Buffy: Freebird (talks the character of Joyce and emotional abuse, and WHOA, I DID NOT SEE IT BEFORE, BUT NOW I DO), The Hunger Games: A Question of Agency

4. Catherynne Valente

I am a huge fan of Catherynne Valente as a fiction writer – but I am, if possible, an even bigger fan of her as a non-fiction writer. No joke, I’ve re-read her Guest of Honor speech for MythCon… five times?

Valente is particularly important as a commentator on fandom and fan writing itself. Yes, very meta of me! Christopher Priest ranted about the Clarke Awards; Catherynne Valente looked at the fan reaction to his post, and turned it into an entire discussion of sexism in fandom. Her post on the Readercon debacle reminded us that Genevieve Valentine’s experience was actually workplace harassment. And when people attacked Valente for refusing to repudiate Requires Hate, Valente wrote a post that simultaneously explored her own problematic behavior (cultural appropriation), and discussed a wider fandom problem. 

Valente does not write often, but when she does, she is on fire.

Other examples: Girl Grit: Feminism, Westerns, Sherlock and Erasure

5. NK Jemisin:

I almost didn’t put NK Jemisin on my final ballot, because I didn’t want more than two professional authors in the fanwriter category. And then I was all “What are you even doing, Suzanne?” because Jemisin’s voice is so critical to the way I think about the field. She, like Valente, has some of the best commentary on fandom on the interwebs. Her posts on sexism, racism and oppression in fan spaces are brilliant and provocative (example discussing racism in fandom)

She also wrote smart posts about video games, on why magic doesn’t need to make sense, and on the use of  sexual violence in her own books.

Yes, it’s frustrating that Jemisin can simultaneously be both a brilliant fiction writer, and a brilliant fan writer. But she is, so I must recognize her.

Honorable Mentions: I read so many people who deserve a nomination, and sadly, not all of them can end up on my final ballot.

Tansy Rayner Roberts, for her discussions of Domesticity in Doctor Who, her series on Women in Comic Books, her Xena posts, and her article on Historically Authentic Sexism in Fantasy.

Liz Bourke, for her series Sleeps With Monsters on Tor.com (The Smurfette Principle is a good example of the series)

Abigail Nussbaum, for being the essayist and reviewer I wish I were, and for her spectacular, worldview-changing article Women and Horses, which asks: “Why are we, on the one hand, outraged by the deaths of horses on the set of Luck, and on the other, casually accepting of the potential mistreatment of human women on the set of Game of Thrones?” (particularly when those women are underage).

Best Related Work: 

Chicks Dig Comics edited by Lynne M. Thomas and Sigrid Ellis. Has lots of very fun, very smart articles, and is responsible for introducing me to Kelly Sue Deconnick, Amanda Connor, Greg Rucka and Marjorie Liu.

Best Graphic Story:

1. Saga, Volume 1 by Brian K. Vaughn and Fiona Staples

Saga is… strangely unepic, for a story named “Saga” that opens with a tale of star-crossed lovers from warring civilizations. Rather than aiming for obvious epic themes, Vaughn makes the comic an intimate, almost domestic, story about an odd couple escaping from the forces that want them dead… all while trying to take care of their newborn (urgh, diapers!)
The plot is weird and brutal. The worldbuilding is ridiculous, and I mean that as a compliment. Staples and Vaughn’s worldbuilding strategy seems to consist of throwing random stuff at the wall, and seeing what sticks – but they’re talented enough that it works out beautifully. And the characters are both atypical and compelling.

2. Nimona by Noelle Stevenson

A ridiculously fun, well-drawn webcomic I stumbled on a few weeks ago. It chronicles how the adventures of Lord Balister Blackheart, the biggest name in Supervillainy, go terribly wrong when he takes on a sidekick: Nimona, a shapechanging teenager.

It’s hilarious and it has lots of fun meta-commentary about superheroes, epic fantasy and villains. I’m in internet love.

Also, Sir Ambrosius Goldenlion (Lord Ballister Blackheart’s greatest enemy) has The Best Hair. Nomination for that alone, quite frankly.

Best Dramatic Presentation, Long Form: 

I’m not going to talk about my reasons for these, because they’re not strikingly different from what I’ve seen on other lists.

1. The Hunger Games
2. The Avengers
3. The Dark Knight Rises
4. Brave
5. The Legend of Korra, Season One.

Okay, about the last: I had some SERIOUS problems with the first season of The Legend of Korra (LOK). In fact, I just finished it last night, and spent a good hour ranting at my boyfriend. But I still think the series had incredible animation, some brilliant plots (alongside less-than-brilliant-ones) and wonderful characters (Tenzin! Chief Bei Fong! Korra! Asami!)
Is it perfect?
No.
But I would like to see it on the ballot. 

Best Dramatic Presentation, Short Form: 

I have zero nominations here, because I am so not caught up on current SF/F television. I will say that I would be very happy to see episodes that AREN’T from Doctor Who on this list. Have you considered The Legend of Korra, My Little Pony, Community or Fringe for nominations? You should!

Best Professional Artist: 

Listen, I’m not an expert on art, and usually, I wouldn’t care about this category. But because I am a professional misandrist and I hate all men* – and also because very few women are ever nominated in this category – I wanted to find women artists who deserved a nomination.

And yes, this is rather necessary. From my cursory research, I don’t think a single woman has been nominated for this category in the last DECADE.

*(May Not Be A Factual Statement)

1. Julie Dillon (AKA: Why The Hell Hasn’t She Been Nominated)

I regularly use her art as wallpaper for my computer. Can you blame me?

Julie Dillon breaking through

Breaking Through

The Dala Horse (Julie Dillon)

The Dala Horse (Julie Dillon)

2. Fiona Staples

Stapes is responsible for both the interior illustrations, and the covers for Saga. I don’t usually notice the art in comic books, but Staples’ work is so richly, gloriously bizarre that I can’t NOT notice.

Saga Issue one cover fiona staples

Saga, issue one

Saga Chapter 3 Fiona Staples

Saga chapter 3

Saga Fiona Staples

The Stalk (Saga)

3. Kathleen Jennings 

I’m a huge fan of Jennings’ lovely, whimsical book covers – I particularly love how she uses wraparound effects. Her illustrations for Eclipse Online are also wonderful.

Kat Jennings

The Memcordist by Lavie Tidhar, illustrated by Kat Jennings

Stranger Things Happen by Kelly Link

Cover and Dustjacket for Stranger Things Happen by Kelly Link

4. Amy Reeder 

I’ve been a fan of Amy Reeder’s for a very long time – even though I wasn’t aware of it. My wordpress icon? The Batwoman picture?

Amy Reeder Batwoman

Batwoman by Amy Reeder

Yep! Drawn by Amy Reeder.

Although the Batwoman franchise tends to be known for JH Williams’ artwork, some of the most iconic covers come from Reeder’s pen (I am using one of them as my wallpaper right now). And her artwork on the creator-owned Halloween Eve is stunning. I wish I’d known I was a fan of hers before!

Amy Reeder Halloween Eve

Halloween Eve

Batwoman Amy Reeder

Batwoman, Issue 9 by Amy Reeder

5. Ana Juan

Hat Tip to The Book Smugglers for this recommendation – I was trying to find a fifth nominee, to no avail, when their post on Hugo nominations came out. I’ve loved the artwork in Catherynne Valente’s Fairyland books, but I never looked up the artist. Juan’s work is beautiful, whimsical, and a bit off-kilter.

Fairyland Ana Juan

Ana Juan

The Girl Who Fell Beneath Fairyland And Led The Revels There by Catherynne Valente

Best Fan Artist 

1. Kathleen Jennings, for all her daleks on her blog – and specifically, for drawing Daleks into all of our favorite books and movies.

2. Noelle Stevenson for Nimona (not a professional work – she’s not, as far as I can tell, getting paid). Because her work is fun and beautiful and witty, and reminds me of nothing so much as Kate Beaton

Nimona by Noelle Stevenson

Best Semi-Prozine: 

The Mary Sue: A guide to geek girl culture. I love The Mary Sue, and they serve my primary source of SF/F news. The writers are funny and incisive, the coverage is wide-ranging, the politics are feminist and progressive.

Best Fanzine: The Book Smugglers: I am counting The Book Smugglers as a fanzine rather than as fan writers, because there are TWO writers on The Book Smugglers. And they deserve a nomination for all the work they do. My god, they publish a post a day, and although Ana and Thea don’t cover speculative fiction exclusively, they do write a whole lot about the genre. Their book reviews are wonderful and incisive, and their genre commentary is always on-point.

Ana and Thea also host an annual blog event called Smugglivus, when they invite authors and bloggers to talk about the year past. It is responsible for introducing me to waaaaaaay too many good books.

Best Fancast: 

Galactic Suburbia (and not just because they put me on their award honors list!)

Galactic Suburbia is a feminist podcast, and thus I am contractually obligated to love them. Fortunately, they make it easy on me, by being perpetually wonderful, and funny, and outraged. Plus, they keep me up to date with all of the Australian Speculative Fiction news (important, since I am a provincial USian).

Last year, I said I was nominating them “because they are awesome. And they make me read ALL the good books.”

And they are still awesome, and making me read all the good books. I really hope they make the ballot again this year.

****

PHEW.

And with that, my friends, my Hugo Nominations are in!

*****

A couple brief announcements, for those of you who haven’t fallen asleep yet!

1. For the purposes of me not getting super-confused ALL THE TIME, I’m now going by the name I use in non-internet life (Suzanne). I get SUPER-CONFUSED whenever anyone uses the name “CD” to refer to me. And although this is a pseudonymous blog, I don’t think using my real name will cause anyone to figure out my ultra-secret identity.
So yes, from now on, I am Suzanne (and my preferred pronoun is “she”).

Of course, you are also welcome to refer to the blog name, full stop (Culturally Disoriented), or to call me The Feminist Batwoman (even though I am NOT the Feminist Batwoman. LET’S BE CLEAR).

2. I have a tumblr! Which has absolutely zero original content. I just reblog a lot of kittens and GIFS. But if you’re interested, I’m over at Feminist Batwoman (although, again, I AM NOT THE FEMINIST BATWOMAN).

3. Content has been slow here! For lots of reasons. Mostly, but not solely medical. I switched antidepressants over winter break, and unfortunately, the new medications caused some pretty brutal side effects. So I am now OFF those antidepressants, which means I am off antidepressants completely, and the transition has been… rough. I also ended up at the ER twice for totally unrelated reasons, because my body hates me right now.
Anyway, content is likely to REMAIN slow for a bit. But I am still here, so bear with me! There’s a GIANT POST OF DOOM coming up. It has lots and lots of statistics! About women in SF/F television! IT IS GIANT! The research is DONE. So it is ALMOST READY.


Galactic Suburbia put out their Annual Award… and I’m on the Honors List

I had a medical procedure yesterday – nothing serious, but rather painful. And I’ve spent the last 24 hours “enjoying” the cramps and stabbing feelings, and making copious use of naps/painkillers.

I woke up from my nap an hour ago, rather dazed, and checked my inbox.

… And apparently this blog is on the honours for the Galactic Suburbia Award.

Kristen Bell sloth GIF

The first response from me, upon opening Alex’s email, was: “WHAT JUST HAPPENED IN MY INBOX?”

Then I fell back onto the bed, convinced that the painkillers were giving me hallucinations.

Followed by me listening to the latest Galactic Suburbia podcast in full, and realizing that no – this was definitely not a hallucination.

And then I fell on the bed again.

Stitch fake death GIF lilo and stitch

GUYS. WOMEN. PEOPLE OF ALL GENDERS.

DO YOU KNOW
HOW MUCH
I LOVE
GALACTIC SUBURBIA?
(as evidenced by my explosion of SQUEE when they were nominated for the Hugos last year)

I’m being calm about this. So: Galactic Suburbia is a feminist speculative fiction podcast. A Hugo-nominated feminist speculative fiction podcast, to be precise!

They have a yearly award for activism and communication that advances the feminist conversation in the field of speculative fiction in 2012.  

… and I am on the honors list.

Barney's Head Explodes GIF

Barney’s Head Explodes HIMYM

Clearly I have not yet gotten to the “acceptance” phase of the process.

I remember hearing Galactic Suburbia calling for nominations for the award in their last episode. And my reaction was something along the lines of: ” I hope that in a couple years, I’m producing commentary good/interesting enough to be considered for the shortlist.”

Manny Modern Family GIF

THIS BLOG IS NOT EVEN ONE YEAR OLD. I’m a college student rambling on the internet when I should be sleeping/doing homework.

…I’m speechless.

Here is the full Award, with the Winner and the Honours list:

Winner: Elizabeth Lhuede for the Australian Women Writers Challenge. Lhuede created the Australian Women’s Writers Challenge to respond to the inequity in women’s work being read, reviewed and treated seriously in Australia. In the lead up to 2012, Australia’s National Year of Reading, Lhuede decided to do something to help redress this imbalance and raise awareness of Australian Women’s Writing. Lhuede created the AWW to encourage people to examine their reading habits, and commit to reading and reviewing more books by Australian women throughout 2012.

Honours List: 

Kirstyn McDermott, for the creation of the female stick figure in an episode of her podcast, the Writer and the Critic (episode 19). McDermott pointed out that the standard stick figure is not inherently male nor female, and so created a female stick figure – which looks exactly like the male stick figure, but with a female stick figure after it – bringing attention to the idea of the male as default.

Julia Rios for her podcasts and discussions about moving beyond the 101 – feminism 101, sexuality 101 etc.

Genevieve Valentine for starting the discussion about sexual harassment at SF/F conventions. Specifically, for blogging about how the Readercon Board ignored its zero-tolerance harassment policy when she reported being sexually harassed by a Big Name Fan. As Alisa Krasnostein on Galactic Suburbia put it, the conversation led to enormous fallout, but as a result, policies for conventions have changed, and people have started looking at what we want SF/F fandom to be like, in terms of safety

The phenomenon of (and the arguments AGAINST) the Fake Geek Girl – specifically, for the spectacular responses to (mostly) men complaining about Fake Geek Girls. There were too many posts and responses to choose just one for the shortlist, but the discussion around whether women can be “real geeks” has been fascinating conversations on the internet.

Jim Hines (returning nominee!) for his modeling of how SF/F covers portray women in unrealistic ways. Hines brings attention to the issue by trying to replicate the poses himself – and recently used his posing to raise lots and lots of money for the Aicardi syndrome foundation. Humor and fundraising and feminist social issues, all at once!

Anita Sarkeesian for her TEDx talk, where she discusses her experience of the internet harassment she experienced as a result of her kickstarter project Tropes v. Women in Video Games.

The Hawkeye Initiative - a tumblr that brings attention to the way women are portrayed in comic book art. In the Hawkeye Initiative, people redraw comic art that depicts women in horrible ways… with Hawkeye – thus transposing the pose from the female body to the male body, and showing how ridiculous the poses are in the first place.

Seanan McGuire for her blog post Thing I Will Not Do to my Characters, in which she discusses why she will never write her female characters being raped. This was a response to a fan saying that if McGuire doesn’t depict her female characters getting raped, it wouldn’t be realisitc.

Liz Bourke for her Sleeps With Monsters column on Tor.com.

The Girl Who Wrote a Letter to Hasbro about how if she picked a female character in Guess Who, it was really easy for her opponent to win because there were many more male characters than female characters on the board. Led to some really important conversations about gender issues in board games for children.

Geena Davis for her activism and analysis in the field of children’s television, and more specifically for a speech on gender equality in children’s television.

An honorary mention for the Australian Prime Minister, Julia Gillard, for her speech against misogyny in parliament this year. 

Oh, and, er… me.

The more I listened to Alex, Tansy and Alisa talking about the Award list on the podcast, the more my brain exploded. I’m on an honours list with Seanan McGuire and Jim C. Hines and Genevieve Valentine and Anita Sarkeesian and Liz Bourke and Julia Rios and Elizabeth Lhuede and Kirstyn McDermott.

Mulan tea pouring GIF

Martha Jones GIF

Like I said earlier, this blog has been running for less than a year. And I can’t… quite express how amazing it is that Galactic Suburbia think my work belongs on a list with these people, who have done so much inspiring, brilliant work on issues of  gender in the world of speculative fiction and fandom.

I feel extraordinarily honored to be on this list, with these people (and the Hawkeye Initiative/the Fake Geek Girl Discussion!). Thank you so much to Galactic Suburbia for including me. And thank you to Celia Powell, who I believe nominated me).

Steven Colbert GIF
Now if you’ll excuse me, I think I need to indulge in some celebratory SQUEEEING.
… and get more painkillers.

****

(Galactic Suburbia’s full episode is here)

(I will update the blog with the exact descriptions of the winner and honors list just as soon as they are out).

(Also, if you’re not listening to Galactic Suburbia, and you’re interested in gender issues and/or SF/F… you should consider listening. They’re delightful and inspiring and they make my walk to campus much more enjoyable)


Return of the Feminist Batwoman: Post-Election Edition!

Psst! You! Readers! is CD around?

No? Oh, FANTASTIC. I’m just going to let myself in, then! You guys don’t mind if I take over blogging duties for the day, right? Right!

Feminist Batwoman Returns Bat Woman

Hello!

Yes, yes, it’s me. The Feminist Batwoman. Champion of Intersectional Feminism and Enemy of Restrictive Gender Roles!

I know. Very exciting. I keep meaning to drop in and blog, but C.D. is kinda paranoid, and she doesn’t want me around. Something about the police putting her in jail for being harboring a vigilante blah blah blah.

Also, she’s convinced that people think SHE’S the Feminist Batwoman. Which is obviously not true. CD and I have actually never met! How can we be the same person if we’ve never met!

Anyway. I think the problem with C.D. is that she just doesn’t have trust. I mean, I love that woman, but… seriously. You guys aren’t going to turn me in, right? I’m the Feminist Batwoman! I fight for Intersectional Feminism and Gender Equality Throughout the Shadows of the Interwebs.

AND I have a fabulous mask. Why would anyone turn me in?

Feminist batwoman Returns 2

See what I mean about the fabulous mask?

So now that we’ve established that you aren’t going to turn me in, let’s turn back to CD.

Have you guys noticed that she’s a bit… off, recently? She keeps writing about all this UBER-depressing stuff, and going on long rants and freakouts. Now, as the Feminist Batwoman, I fully support long rants and freakouts, but…

I’m worried that CD has lost her joy.

I mean – did you SEE what happened two weeks ago? The American Election? SHE SHOULD BE OVER THE MOON ABOUT THAT! She should be blogging kitten GIFs and celebratory confetti and explosions ALL THE TIME.

The activist joy should be EVERYWHERE!

Feminist Batwoman Returns 4

So, you know. I thought I would cheer up CD (and bring on the return of the Kitten GIFS!) by reminding her of all of our Great Victories this month.

Maybe if CD remembers all the happy things that happened, she’ll be happier! Can’t hurt, right?

Let’s start at the top:

#1:  Mitt Romney, oppressive douchebag and plutocrat supreme… Defeated!

I will not have to spend the next four years tracking down and defeating his Legion of Anti-Roe judges! I will not have to fight his attempts to turn over Obamacare and get us in more wars and cut the budget for food stamps and medicare and medicaid and social security and education. And hey, we won’t have to deal with his racism and sexism and homophobia and transphobia and classicism and general… barfiness.

My costume is already SUFFICIENTLY covered in the Barf of Oppression just from fighting to defeat Mitt Romney’s campaign. I’ve had to go to the dry cleaners ten times this election cycle. They’re giving me REALLY weird looks.

Imagine what I would look like if he were president. *shudder*

The Batwoman Bat Woman Hydrology

Just COVERED in slimy oppressive barf

2. President Obama (a somewhat too-conservative-for-my-taste but generally pretty-decent- president) won. And President Obama is someone I can work with. He’s the man who brought us Sonia Sotomayor and Elena Kagan and Obamacare and who ended Don’t Ask Don’t Tell and who passed the mini-dream act. He saved the economy and made insurance companies cover contraceptives and signed the Lilly Ledbetter fair pay law. He passed a bill that made it a hate-crime to commit an assault on someone based on their sexual orientation; he extended employment benefits to same-sex partners of federal employees and he became the FIRST SITTING US PRESIDENT to come out in favor of marriage equality. Oh, and he extended health insurance to four million uninsured kids (why, in the name of the Holy Batmobile, do we have FOUR MILLION uninsured kids in the richest country in the world? QUESTIONS).

Like I said. I can work with this guy.

Batman and Batwoman, Batwoman comics, Batwoman hydrology, feminist batwoman

It can’t be any harder than dealing with Batman.

All good news so far, right? All news that should make CD happy, right?

It gets better.

3. In Maryland, Maine and Washington, people voted to legalize same-sex marriage. YES THEY DID. We broke the 32-state losing streak (including a loss in my – I MEAN CD’s – home state of Wisconsin) with a three state victory! We finally got a popular victory for same-sex marriage!

(although I object to people’s fundamental human rights being put on the ballot, but if they’re going to be put on the ballot, this is the desired outcome)

Batwoman Kate Kane Gay Batwoman Comics JH Williams Greg Rucka

Gay rights being of particular interest to the Feminist Batwoman for… obvious reasons.

Moreover, Minnesota had an amendment on the ballot that would have defined marriage as between one man and one woman. You know what happened? Voters said NO. AGAIN FOR THE FIRST TIME

Batwoman Bat Woman Kate Kane Batwoman 0 JH Williams

BOOOOOM

I’d like to take this opportunity to congratulate my fellow Anti-Oppression Superhero Alliance member, The Queer Question (also known as Renee Montoya), who led the charge in the fight for same-sex marriage. The Question knows how to stop the Forces of Oppression, y’all.

Renee Montoya The Question Rene Montoya Batman Comics DC

Renee Montoya AKA The Queer Question

Has CD cheered up by now? If she hasn’t, I have even MORE good news for her (because this election is just the gift that keeps on giving).

4. The next American congress will have the highest number of female senators in recorded history: twenty

(which: it is super-gross that 20 is a HIGH number of women in the senate. But we’re getting better).

And let’s talk about those women! Because it’s not just that we’ve got more women senators and representatives – it’s that the ones we’ve got are incredible.

Elizabeth Warren won a senate seat in Massachusetts. I’m quite fond of that woman. She scares Wall Street half-to-death, and is already fighting the Forces of Economic Oppression. Go Warren!

Elizabeth Warren for Senate, Senator Elizabeth Warren, Warren Elizabeth

All she needs is an awesome mask. attribution: Tim Pierce

Tammy Baldwin WON A SENATE SEAT in Wisconsin! Tammy Baldwin is now Wisconsin’s first female senator – and the first openly gay member of the senate in US HISTORY.

I’m a huge fan of Tammy Baldwin’s. She’s been my CD’s representative for years (since I’m CD is from Madison).  Her work in the House was incredible; and I fully expect great things in the Senate.

CD, of course, was terrified that Tammy Baldwin – an openly gay woman from the hellmouth of hippie-liberalville (Madison) would have no chance of being elected in Wisconsin. And I do like proving CD wrong.

Tammy Baldwin Senate Tammy Baldwin Senator Wisconsin Senate Race 2012

She’d also look pretty great in a mask

Claire McCaskill defeated Todd Akin (aka: “Mr. Legitimate Rape”). She won the Mississippi Senate seat – one that almost  NO ONE thought a democrat could hang onto – by fourteen points. Because she is an incredible campaigner and she knew how to let Todd Akin hang himself by his own rope.

Claire McCaskill Senate McCaskill Claire Missouri Senate Race

Totally deserves an awesome mask

And to cap off our list of amazing women senators, Mazie Hirono won Hawaii’s open senate seat, thus making history as the USA’S first Asian American female senator. Whoo!

Mazie Hirono Senate Mazie Hirono 2012 Senate Hawaii

She needs a mask, pronto

My good friend and fellow Anti-Oppression Superhero, the Anti-Racist Black Bat (Cassandra Cain) (who happens to be one of the few Asian members of the DC Universe) is REALLY excited about Mazi Hirono’s election.

Cassandra is also rather pissed that it took until 2012 for an Asian-American woman to be elected to the Senate.

Cassandra Cain Batgirl Bat Girl DC Black Bat

Cassandra Cain AKA the AntiRacism Black Bat

The fun doesn’t even stop with senators! The great state of Illinois elected Tammy Duckworth to the House of Representatives. Duckworth served in the Iraq war, where she lost both legs. She is the first female war veteran with disabilities elected to the US House of Representatives.

Tammy Duckworth US Congressional Repreentative Illinois 2012

Awesome woman would also look awesome with mask

You will not be surprised to know that Disability Rights Oracle (Barbara Gordon) was thoroughly pleased by Duckworth’s election!

Batman Barbara Gordon Oracle Disability

Barbara Gordon AKA Disability Rights Oracle

And the great State of Hawaii elected Tulsi Gabbard, another female war veteran – AND the first Hindu member of the US House of Representatives.

Tulsi Gabbard Hawaii, US Representative Hawaii 2012 Hindu

Representative-Elect Tulsi Gabbard of Hawaii, who would  look fabulous in a mask

But the best part of this election – and yes, we haven’t even gotten to the best part yet – wasn’t just that a League of Awesome Women were elected.

5. It was that the League of Awesome Women (in conjunction with the Anti-Oppression Superheroes) defeated the Evil Alliance of Rape Apologists.

Richard Mourdock Paul Ryan Todd Akin League of Rape Apologists

The Alliance’s Leaders are pictured above.

OH YEAH.

Senate candidate Richard “Rape Babies are a Gift From God” Mourdock? DEFEATED.

Senate candidate Todd “If It’s A Legitimate Rape, the Female Body has ways to Shut That Whole Thing Down” Akin? DEFEATED!

House candidate John “The Rape thing” Koster? DEFEATED.

House candidate Joe “‘there is no such exception as life of the mother” Walsh? DEFEATED. By the way, Mr. Walsh, if pregnancy can’t actually kill women, what happened to  Savita Halappanavar?

Vice Presidential Candidate Paul “Rape is just another method of conception” Ryan? DEFEATED.

All congratulations are due to The Consent Culture Batgirl (Stephanie Brown) who took point in the Anti-Oppression Superhero Alliance’s battle with the Evil League of Rape Apologists. I think we can agree she did a pretty fabulous job, no?

Batgirl Stephanie Brown Batgirl Robin Spoiler Consent Culture

Stephanie Brown AKA Consent Culture Batgirl

So, overall, I think the forces of Anti-Oppression did pretty well this election cycle, no?

We defeated the forces of oppression and darkness and plutocracy! We brought down the Evil Alliance of Rape Apologists! We elected a swath of Awesome Women!

Feminist Batwoman Returns Election 5

Time to celebrate, Feminist Batwoman style!

Its definitely party time at the Anti-Oppression Superhero Alliance Headquarters, if you know what I mean!

(No, I don’t mean an orgy. Get your minds out of the gutter).

Stephanie Brown Cassandra Cain Black Bat Batgirl Party

Anti-Racism Black Bat and Consent Culture Batgirl Hugging it Out!
(art by 89g)

Party! Party! Party!

Batwoman Batman February Cover Kate Kane JH Williams

I bought SO MANY STREAMERS

And I totally think CD should join us in this great party of activist joy, don’t you? Now that she’s undoubtedly been cheered up by all our good news!

Wonder woman batman wonder woman pictures

Kyriarchy-Blasting Wonder Woman is Bringing ALL the Confetti!

I mean, come on. We won! Time to stop moping and stop ranting and smell the Victory Flowers, no? Or else CD is going to go all Batman, and be angsty 99% of the time, and no one wants that, do they?

Ordinary Batman Adventures Cat Litter

See what I mean? ALWAYS Angsty. Even around kittens!

It’s time to bring the joy to CD, ANTI-OPPRESSION PARTY STYLE!

I’m just going to check CD’s agenda book and see when she’s got a free slot for the party, shall I? Then we can all persuade her to go.

Huh. Can’t find CD.’s agenda, but… there’s this blog post draft on CD’s computer. I’ll just go ahead and read it (Hey, I’M not Consent Culture Batgirl. Privacy is not my only priority. Also, CD and I are the same person friends!)

Feminist Batwoman Election Returns 6

Well, this blog post is disturbing.

And by disturbing, I mean:

What.

The Everloving.

Fuck?

Montana voters passed a state ballot measure that puts in place a parental notification law: any person under the age of 16 who seeks an abortion needs to notify their parents.  A PARENTAL NOTIFICATION LAW?

Well, HOW COULD THAT POSSIBLY GO WRONG?

OH GREAT, and IT KEEPS GOING.

After helping to pass Texas’ abortion sonogram law, Texas State Senator Dan Patrick is trying to cut off Rural Texans’ access to abortion. Because there’s nothing Dan Patrick cares about more than controlling women’s personal medical decisions!

The head of the Maine Republican party thinks there was voter fraud, because “dozens’ of black people showed up to vote, and no one in rural Maine knows any black people! Mitt Romney says Obama won because he gave “gifts” to women, young people, Latinos etc. Paul Ryan blames the urban vote (*cough* people of color *cough*).

Okay, I know I was complaining that CD seems really pissed off these days? BUT THIS? THIS IS PISSING ME OFF ALL OVER AGAIN.

Scott Walker is trying to end same-day registration in Wisconsin, because the best way to follow up an election full of voter suppression is MORE voter suppression.

In Kansas, the city of Selina passed a proposition that overturns the city’s protections from discrimination for gay, lesbian, bisexual and transgender people. The City of Hutchinson also overturned their city’s discrimination protections.

ARGLEBARGLE.

Proposition 35 passed in California. It raises the penalty for those convicted of sex trafficking to as high as life in prison, which SOUNDS great, until you figure out that survivor groups were against the proposition. Why? Because the bill conflates sex trafficking and sex work, which means that both sex workers and sex trafficking survivors could be penalized, put in jail, put on sex offender registries etc. The bill will probably have a much worse effect on sex workers and victims than it will on actual bad guys. Melissa Gira Grant wrote a smarter and longer analysis of the problems with Proposition 35.

… And Oklahoma passed a constitutional amendment that bans affirmative action practices in state government hiring, education and contracting. But that’s okay, because apparently they weren’t using affirmative action anyway! And it’s not like there’s institutional racism or sexism in the USA, because, as everyone knows, we live in a post-racist and sexist society.

Feminist Batwoman Election 7

… yeah, okay. Maybe there’s a reason CD is still angry. Hell, I’M ANGRY.

You know what? Victory party canceled. We can have a victory party later. I can use the streamers to tie up some misogynists. Kyriarchy-Blasting Wonder Woman can use the helium from the balloons to power her invisible jet. We can throw the confetti in the eyes of the racists.

CD’s right. Our activism isn’t over, not even after this victory. People are still being oppressive asshats. A woman’s ability to choose is still under fire. People of color are still being targetted. Homophobia is still ruining lives. Misogyny is still rampant.

Time to get back to work.

ANTI-OPPRESSION SUPERHERO ALLIANCE, ASSEMBLE!

Batgirl Incorporated Barbara Gordon Oracle Batgirl Stephanie Brown Batgirl Incorporated Stephanie Brown Batgirl Cassandra Cain Black Bat Barbara Gordon Oracle

Renee Montoya Batman Comics the Question Batwoman Bat woman Kate Kane Batman Hydrology

Oh, uh – before I leave to go fight oppression, could you guys do me a favor?

Could you NOT tell CD that I was here?

Like, keep it all hush-hush?

Feminist Batwoman Election Returns 9

Also, you really don’t have to mention that I changed my mind and actually, we can’t celebrate yet because there are so many other things wrong in the world we need to deal with.

She doesn’t need to know she was right. That woman is not a gracious winner.

Just keep it… quiet, is my point. Okay? Okay!

Feminist Batwoman Election Returns 10

Great! I’ll be back soon, faithful readers! In the meantime, I will go forth into the Shadowy Corners of the Interwebs and Fight  Against Restrictive Gender Roles and All the Other Forces of Oppression!

Until next time.

- Your Friendly Interweb Feminist Batwoman.

Feminist Batwoman Election Returns 11

EDIT:

CD HERE. WHAT THE HELL DID YOU DO WITH MY BLOG, FEMINIST BATWOMAN?

… oh, fuck. I knew I shouldn’t have had that half-glass of beer and put on the mask left my computer unattended. The Feminist Batwoman is devious. Super-devious. And in no way related to me. Ignore the shot of my shoulder in the last picture. That’s not my shoulder. I’m not the Feminist Batwoman. Yeah. I had nothing to do with this.

I need to change my passwords. AGAIN.

Anyway. Sorry about that, everyone. I’ll try to stay away from the mask keep a better eye on my computer in the future.

Although I do agree with the Feminist Batwoman’s point. We did win a big victory this November, and we should celebrate. But we should remember that there’s still a war on. It’s not time to lay down our weapons yet.

As Consent Culture Batgirl always says:

Stephanie Brown Batgirl Batman comics Bryan Q. Miller
I’m not ready for this to be the end of the fight. There’s so much ground to cover still. More misogyny and racism and homophobia and ableism and transphobia and oppression to uncover and stop. A new, better society to build.
What are you still fighting for?
ETA 2: Okay, FINE, ONE CELEBRATORY KITTEN GIF. But only because of the marriage victories in Maryland, Maine and Washington and Minnesota. And because of Tammy Duckworth and Tammy Baldwin and Claire McCaskill and Elizabeth Warren and Maizie Hirono and Tulsi Gabbard.
Kitten GIF kitten and mother GIF

Have a celebratory kitte

(Hat Tip to Flyover Feminism, The Rachel Maddow Show, The Melissa Harris Perry Show and Shakesville for giving me (and the Feminist Batwoman) all our election news, both good and bad)


Batman and the Case of the Missing Women

*MASSIVE SPOILER FOR THE DARK KNIGHT RISES, I AM NOT EVEN JOKING, IF YOU DON’T WANT TO BE SPOILED, DON’T READ THIS POST*

So. Er. Did anyone notice that here really weren’t any women in The Dark Knight Rises?

Audrey Hepburn Shock gif

U Serious, Girl?

Everyone Else On the Internet: “… No?”

Yeah, I’ll admit this seems like an out-of-place critique. Compared with Batman Begins and The Dark Knight, The Dark Knight Rises was practically FLOODED with women.

We had not one, but two female characters! They both had big important roles! And both of them were defined by more than just Bruce Wayne’s romantic interest in them!  We finally – FINALLY – got Catwoman.

But I, the resident Feminist Batwoman, still have some complaints about the presence (or lack thereof) of women in the movie.

In the immortal words of Selina Kyle:

Selina Kyle Catwoman Deal With It

Okay, so, I will gladly admit that there are actual women in The Dark Knight Rises. I will even gladly admit that they are interesting, well-rounded characters. We have Miranda/Talia. We have Selina Kyle. We even have Selina’s friend Jen. And then we have, er…

Other women?

Hem.

A quick search of IMDB informs me that the other women included Maids #1-#3, a female security guard, and Ra’s Al Ghul’s wife, who never talks (and honestly, we never even see her face).

So… not so much in terms of “other women.”

Oh, but maybe The Dark Knight Rises just doesn’t have a lot of named characters! Maybe that’s why there aren’t that many named women!

er… no.

Least you ask, there are some fifteen-odd named male characters in The Dark Rises, including Bruce Wayne, Fox, Alfred Caine, Commissioner Gordon, Blake/Robin, Dr. Pavel, The Mayor, Strykker, Daggert, Ra’s Al Ghul and Foley.

Talia Al Gul GIF

“Equal Representation is a strong phrase to throw around The Dark Knight Rises, Bruce.”

It’s a product of how few women there are in action movies full stop that we look at two (or three) women in a superhero movie as a lot. Named female characters in The Dark Knight Rises are vastly outnumbered by named male characters. So while I’m pleased that we’re finally moving towards having more well-rounded, interesting female characters…

I’m not ready to start baking feminist cookies yet.

cookies baking gif

No cookies for you, The Dark Knight Rises.

Okay, so, not a lot of named female characters in The Dark Knight Rises. Sure.

But frankly, it wasn’t the lack of named female characters that struck me. It was the lack of unnamed female character. The lack of female extras.

The lack of women in the movie’s background.

The Dark Knight Rises is filled with people. The filmmakers must have hired thousands of extras to create all of their crowds; it is, after all, a film about a city.

And most of the crowds are divided into very specific groups: Groups of terrified civilians. Groups of Bane’s henchmen. Groups of cops. And groups of young children.

According to my very un-sophisticated analysis, the four “groups” that were the most important in terms of the plot were the henchmen, the cops, the prisoners (both in the Gotham and the Bane children) and the children. All four get big chances to shine, both as heroes and as sympathetic (or antipathetic) figures. There are, I will admit, a lot of shots of terrified crowds, but they’re more important in terms of atmosphere than in terms of thematic importance. The scene of the police advancing on the henchmen, or the children stuck on the bridge, is much thematically important, in my understanding of the movie, than the shot of all the bankers screaming as they exit the stock exchange.

Perhaps most importantly, the henchmen/prisoners, the children and the police serve as mirrors to the larger themes of the movie: sacrifice, service, loyalty and family. The children and the police are the two sides of Bruce Wayne – the innocent, wronged child, and the protective, warrior-adult. The police, moreover, are the lawful side of Batman’s quest – they too, work to protect hte civilian population.  The henchmen are the more brutish manifestations of Bane and Talia Al Gul. And the prisoners are in the middle – symbolic of Bane and Talia’s past, but also of Bruce’s challenges. They are the dark side of the population of Gotham, the angry hordes hidden inside prisons, just waiting to be released.

So. Four major groups of people. Huge thematic importance. Thousands of extras.

And you know what?

There aren’t a whole lot of women in those groups.

In fact, in most of those groups, there are no women at all.

Catwoman Selina Kyle Anne Hathaway GIF

Selina Kyle: “Not a whole lot of women ’round here…”

Try to think of a female policewoman in The Dark Knight Rises. Any. There were hundreds of police officers in that movie, both in and out of uniform. They’re everywhere.

And I will be highly impressed if you manage to find one woman in the mass of teaming cops.

I saw the movie twice; the second time I was specifically looking for these elusive background women. I think I managed to catch a glimpse of one female cop near the middle of the movie. I can’t be sure.

Sure, I think we could probably find one or two women cops, if we looked hard. But one or two women in a group of hundreds – or thousands – of policemen?

… that’s all kinds of ridiculous.

And I will bet you actual cash (not a lot of it – remember that I’m a poor college student) that you cannot find a single female henchman. Again, I looked pretty damn carefully, and I did not see any.

There are a LOT of henchmen in The Dark Knight Rises.

None of them are women.

Bane’s group of merry terrorists are solely and exclusively male.

Not surprisingly, there are also no female prisoners

(with the notable exceptions of Selina Kyle and Talia Al Gul, but crucially, but women are cited as EXCEPTIONS. Selina is in a men’s-only prison, as is Talia Al-Gul, and in fact, prisoners are so coded as male that no one guesses the escaped prisoner (Talia) might be female. Also, both Talia and Selina are named female characters – there are no random female prisoners walking around as extras).

So yeah. Women can’t be “normal” bad guys (henchmen/prisoners) and they can’t be “normal” good guys either (the police).

Now, I can hear the objections already.

Oh, well, that’s just ACCURACY, that is. Because there AREN’T a lot of female cops or bad guys in real life, so The Dark Knight Rises is just being ACCURATE. 

Veronica Mars GIF

OH REALLY?

I HAD NEVER THOUGHT OF THAT.

(that was sarcastic, in case you couldn’t tell).

Okay, Point the First:

The Dark Knight Rises is about a man who dresses up like a bat and fights bad guys in the dark of the night. I’m not sure it’s going to win any prizes for accuracy. Also, that part where Bruce Wayne’s back is broken and all his cartilage has been destroyed, but he gets back to top physical form in less than, like, two months?

TOTALLY ACCURATE.

Point the second: There aren’t female terrorists or female cops in real life?

Selina Kyle Bitch Please GIF

What she said.

… no.

In the United States, most local police departments have at least 12% female officers. In big cities like Detroit, Philadelphia and Chicago (one of the places where the Batman series was filmed), nearly one fourth of cops are women. In Canada, TWENTY PERCENT of cops are women.

Female cops EXIST.

Rookie Blue Cop Celebration Women GIF

“HURRAH, I am not a construct of someone’s imagination!”

There is no good reason why, in a movie with dozens of shots of hundreds of police officers, we can’t spot more than one or two female officers. That would indicate a 1% female enrollment, which is SIGNIFICANTLY lower than the actual rate, even if you take the lowest one one (12%).

Missy Peregrine Rookie Blue GIF

“Yo, you may not believe female cops exist, but this female cop can still *shoot* you.”

And henchmen? No female henchmen? Oh, right, there have never been any women involved in terrorist movements, or resistance movements, or populist uprisings.

… with the small exception of ALL the terrorist movements/ resistances/ populist uprisings.

There are women suicide bombers and female members of terrorist groups. Some populist resistance groups/ freedom fighters are mostly female. It’s ridiculous that I even need to do a  historical overview, because women freedom terrorists are so damn ubiquitous it would be like trying to prove the existence of MALE terrorists.

[Sidenote: I'm about to cite a whole host of groups that have been classified by the west as terrorist organizations. This does not mean that I personally believe they are terrorists; it's just that the popular western imagination SEES them as terrorists, so they're organizations that someone like, say, Nolan, would look to to craft Bane's group]

Here are just a few examples of women in terrorism: Women have been central figures in Sri Lanka’s Tamil Tigers (a group that pioneered female suicide squads), Chechen terrorism (the “black widows”), the liberation movement in Algeria (where women smuggled weapons, planted bombs and served as spies), the Shining Path in Peru, the Japanese Red Army (founded and led by a woman), the Weathermen of the United States and the Ku Klux Klan of the United States (okay, these guys are definitely terrorists, no qualifications needed. They’re also racist assholes).

And that’s just the tip of the iceberg of female involvement in terrorist groups.

Believing that a Bane-like revolt movement would not have any female participants involves such a willful ignorance of history and social realities, it’s somewhat mind-boggling.

The tales of your incompetence devil wears prada gif

Details of your historical incompetence…

Miranda Priestly Meryl Streep GIF

Of course, the place where the whole “but there aren’t that many women in those groups ANYWAYS” argument *really* falls apart is with the children.

Correct me if I’m wrong, but there are usually approximately the same number of male and female children, right? That’s a thing, right?

So why the hell are there no female children in The Dark Knight Rises? (I will get to the notable exception later; don’t kill me).

Uuurgh.

I mean, the filmmakers even make a POINT of coding children as male: they make sure to specify that Blake went to a home for young boys and when Blake tries to save the children, he returns to that same home for young boys. When the Wayne Mansion is converted into an orphanage, it’s pretty clear that it’ll be a boy’s orphanage (I didn’t spot any girls in the crowd of children running in, and I was looking pretty closely).

Where the fuck are all the female children, that’s what I want to know. Do they get fancy orphanages? Are there any organizations taking care of them? Does anyone bother trying to save the orphan girls during the nuclear explosion?

Why don’t they matter enough to be a part of the narrative?

Did some kind of plague kill all the girls?

OHMIGOD, HAVE THEY ALL BEEN KIDNAPPED?

BATMAN! GET ON IT.

Do women just pop out of the ground, fully-formed, like Athena from Zeus’s head?

Selina Kyle Princess Diaries Gif

How Ladies are Made: MAKEOVERS.

What aggravates me is that children – or, more precisely, boys – are SUPER important thematically. The orphan boys represent Bruce Wayne’s past; they also represent Gotham’s future protectors (since both Blake and Bruce were once orphaned boys). Moreover, they’re symbolic of what Batman has to protect, both with his fortune (by building orphanages) and with his life (by sacrificing himself so the boys don’t die).

[note that even in the previous movie, The Dark Knight, the child Batman saves at the end is a boy]

And women are completely excluded from that. They’re excluded from this narrative of loss, and eventual growth:

They don’t get to be protected. They don’t get to be the orphans who grow up to be heroes. They’re not part of Gotham’s future.

Because all the children in The Dark Knight Rises are boys, the Batman cycle is an exclusively MALE cycle: young boys with dark pasts grow up to protect other young boys.

It’s also quite disappointing to see this lack of girls in the movie because of Selina Kyle. In the comics, Selina Kyle was also an orphan. After her parents died, she was put in a juvenile detention center; she escaped and, in order to survive, she became a child prostitute. Later, she transformed into Catwoman in part to protect and feed (with her ill-gotten gains) her fellow child-prostitutes.

Thus, in the comics, Selina Kyle serves as another side of Bruce Wayne’s narrative of loss and protection. The movie, however, refuses to let her mirror Bruce in that way.

Selina Kyle proves that the Batman story – the story of loss and eventual heroism – is not an exclusively male narrative; instead, The Dark Knight Rises CHOSE to make it an exclusively male narrative.

Selina Kyle Steals Car GIF

“Personally, I cope with my history of loss by wearing driving fast cars and wearing fabulous masks. Who does that remind you of?”

***

Random People object: ARE YOU SAYING NOLAN IS EXCLUDING WOMEN BECAUSE HE HATES THEM AND HE’S A MISOGYNIST? YOUUUUU SUCK.”

Answer: Yes, I do suck, but for other reasons.

And to be fair: No, I do not think Nolan and his fellow filmmakers excluded women on purpose. I think it was almost entirely unconscious.

That’s what so damn depressing.

I will bet you a giant pile of jellybeans that when Nolan and Co. looked over their crowds of policemen, henchmen and children, none of them thought: “Huh, there aren’t a lot of women.”

And I will bet you another giant pile of jellybeans that most people who saw the movie weren’t thinking that either.

In fact, both the filmmakers and their audiences probably saw these giant, male-dominated crowds, and thought it was perfectly normal.

They also probably didn’t think “oh, look at all those men.”

They probably thought: “Oh, look at all those people.”

If you’re casting for a pretty gender-neutral group of extras – like, say, policemen or children (yes, I think policemen are gender neutral), you would assume that in a gender-neutral world, people would cast their crowds approximately 50-50. But in our world, you can cast an entire set of extras as men and not have anyone (except me) bat an eye

Because men are the default.

That’s why we don’t notice when we see all-male crowds, or all-male movies. Men are the default. Men are people. You grab women when you specifically want a woman (like for Catwoman), but you don’t cast women to just be people. People are men.

That’s why feminists – including me – did a happy dance when Barack Obama used a default female pronoun to describe the life of an average American child. Because we’re so used to thinking of these average workers, average children, average voters – as men.

Women are other.

If men weren’t the default, I guarantee you that I would not be the only person ranting about this gender inequality. I don’t think people didn’t notice it because they’re sexist, I think people didn’t notice it because we’re used to having men be the default. I don’t think Nolan cast his extras this way because he’s sexist, I think he cast the movie this way because he’s used to having a male default. Need a random bit character? Cast a man!

Hell, if men weren’t the default, there would be tons of female henchpeople serving Bane, and no one would say anything, because of course women are henchpeople, why wouldn’t they be?

Catwoman Batman GIF

Selina: “For the record, Bruce, I’m totally willing to take you on as a henchperson, even if you are a man.”

***

Here’s the really important part. The part I think everyone – mostly superheroes – need to understand.

If you assume a male default, you’re REALLY SHOOTING YOURSELF IN THE FOOT.

Look, the only reason Miranda/Talia managed to pull off her whole “hiding in plain sight” routine is because everyone assumed the “child” that climbed out of the prison was a boy. The child had short hair, no one called her a “girl” – so Bruce assumed it was a boy, and thus assumed it was Bane. If he hadn’t assumed it was Bane, maybe he would have, you know, done research to check the evidence.

And the reason the cops let Selina Kyle go during the bar shoot-out scene is because they assumed that a frightened, screaming woman couldn’t have anything to do with the kidnapping. WHOOOPS.

Assumptions are a dangerous thing. Because we’re so used to seeing women in action movies as a single role – the love interest – most of the audience didn’t even consider that Miranda/Talia could be anything but that.

You assume a male default, you’re basically allowing women an automatic advantage of surprise.

batman catwoman gif PSYCHE

PSYCHE!

…And I really don’t think someone like Selina Kyle or Talia Al Ghul needs any more advantages. They’re pretty badass already.

Women can be bad guys. Women can be cops. Women can be children (no shit). Once we start moving away from these huge inequities and gendered assumptions, we won’t have to construct plots based on the major surprise of “OH MY GOD, THE CHILD WAS A GIRL.”

So yeah, I’m not giving The Dark Knight Rises a feminist cookie. Like I said, I appreciate that there are more named female characters. I’ll appreciate it even more when women aren’t treated like exceptions or like “surprise bad guys” or Othered in various ways. And I’ll appreciate it EVEN MORE when I can see a crowd of police ready to take on the bad guys… and half of both the bad guys and the police are women.

Thinks women are people cookie

I’m keeping this cookie for now.

There’s a point in The Dark Knight Rises where one of the Baddy McBadGuys (Daggert), flush with his evil victory, says “Hey, can we get some girls in here?”

You know what, Mr. Baddy McBadGuy? Much as I disagree with your morals, I very much agree with the sentiment. Can we get some girls in these movies?

… I don’t think it’s going to bring the quality of the action down.

Selina Kyle fighting GIF

***

GIANT POSTSCRIPT:

I should note that I loved The Dark Knight Rises. LOOOOVED it. I want to follow Selina Kyle around and give her buckets and buckets of roses and champagne and pearls. I want to give Alfred a big hug. Hell, I even want to give Talia a high-five for pulling one over Bruce Wayne. You are one BAMF, Talia. I salute you.

And I was SOBBING through the end.

snape crying harry potter gif

EVERYONE in the theater could probably hear me.

Stitch crying lilo and stitch gif

HOW CAN YOU DO THIS TO ME, NOLAN?

I just have a lot of feelings about these characters

And for the next three days, I was just like:

I don't know what my feelings are doing

Kristen Bell sloth GIF

tina fey high fiving angels liz lemon

So… yeah.

I really loved The Dark Knight Rises.

Which I think speaks to the fact that art is COMPLEX, and people are COMPLEX, and we can have COMPLEX feelings, and be having joygasms over awesome things while also pointing out the ways in which they suck.

It is possible to like problematic things, everyone!

Talk amongst yourselves.

 

[BRUCE WAYNE x SELINA KYLE OTP]


My Feminist Soapbox

[This is a very silly post. You have been warned]

I’ve gotten an unusually high number of visitors on my blog in the past two weeks. Not coincidentally, I’ve also gotten my first “you are the worst person in the world” comments.
Amy Adams Enchanted Excited

I am, of course, terribly excited about this new development. Whoo! I have enough traffic that I’ve got vehement disagreement!

They may even be trolls. It’s hard to tell.

But still! Troll-like comments. Oh, I am marvelously excited about this!

Doctor Who Matt Smith Excited

EXCITED!

Buried beneath the comments about how “feminists are all misandronists” (does anyone know what a misandronist is, out of curiosity? Right now, I’m going for a cross between a misandrist and an android) and the comments telling me how offensive I was, and the ones explaining that I was everything that was wrong with the world…

… there was actually a point I thought was worth addressing, from the Very Long Comment Left by a Very Concerned Commentator:

“So for the love of the gods, get off your soap boxes and relax. Maybe have a bit of fun for a change.”

Now, I have to admit, I was very confused by this… suggestion. I mean, I appreciate the sentiment, don’t get me wrong! It’s nice to know that the Very Concerned Commentator, despite thinking that I’m a horrible person, does want me to have fun.

My reaction, however, wasn’t so much: “Oh, god! They’re right! I must immediately stop blogging and go to an amusement park instead!”

It was more along the lines of: “But…I am having fun.”

Yes. Seriously. I know you’re skeptical. But I am having fun. Not just low-level fun either.  I’m talking Lord of the Rings Marathon fun. Giant ice cream-party-fun. Playing with a kitten fun. Learning to do a handstand fun. Digging a space-time tunnel to Shakespearian England fun.

Serious. Fun.

Albus Dumbledore and Severus Snape Dancing

I’m talking Albus Dumbledore and Severus Snape dancing levels of fun.

Hey, I get it. Maybe writing giant 5000-word-rants isn’t your thing. And that’s fine. Some people toilet-paper houses. Some people  climb Mount Everest without bottled oxygen. Some people parachute out of airplanes. Some people belly-dance. Some people dip their fries in milkshake. Some people watch the Star Wars prequels (*shudder*). To quote the inestimable Hoban Washburne:

Wash Firefly Some People Juggle Geese

And some people – me – write self-righteous feminist analyses of pop-culture. Because that’s my idea of fun. Bizarre, I know, but I love deconstructing stuff. I love ranting. I love writing. Fuck, I would do this for free…

… and in point of fact, I do. (unless someone is paying me without my knowledge, which seems unlikely)

So I appreciate your concern, my dear past-and-future commentators. But rest assured that it’s fine. I am having fun.

Which leads me to point #2 of My Dearest Very Concerned Commentator’s Concern. They suggested – several times – that I should get off my soapbox.

I’m going to assume that My Dearest Very Concerned Commentator was not, in fact, referring to an actual soapbox, but was referring to my blog. Mostly because I don’t own a soapbox, and the Very Concerned Commentator has no way of knowing whether or not I own a soapbox, and sometimes people use metaphors… and yeah.

The soapbox is probably a metaphor for the blog. Right.

Again, this is interesting advice. But as we’ve seen, I actually enjoy writing this blog, so not writing it would mean having less fun, which directly contradicts their prior advice to have MORE fun -

So in spite of my deep gratitude and appreciation for My Dearest Very Concerned Commentator’s advice… I did not follow their instructions.

Mulan GIF matchmaker tea awkward

Wait! Wait! Before you spill all your tea in shock! Let me explain!

Ahem.

Very Concerned Commentator is right. This blog is my soapbox.

Which means I get to talk about whatever I want on it.

Kittens! Puppies! Feminist rants! American Idol! Science Fiction! More kittens! Stupid jokes! Weird GIFS! EVEN MORE KITTENS! FEMINIST KITTENS!

Whatever I want.

Now, you may disagree with what I write. That’s perfectly fine. You may think what I care about is trivial. That’s also perfectly fine. You may argue with what I write. Again: perfectly fine.

You can even get your own soapbox/blog and talk about what you want on it. You can talk about how wrong I am for hours and hours and hours and hours. Have fun (and I don’t mean that sarcastically)!

Kitten playing with Tumblr

Fun! WHEEEEEEE!

Hell, you don’t even have to read me! Unlike a real soapbox, where you’re stuck listening to whatever dolt is ranting on the public square, no one is forcing you to read this blog. Absolutely no one. If you don’t want to read my rants… don’t.

But you cannot tell me to get off my soapbox.

Because I built it and I will stay on it as long as I damn please.

Feminist Soapbox Feminist Batwoman

See! There’s my soapbox! My feminist soapbox. Isn’t it awesome? It isn’t exactly a soapbox – I’m pretty sure it used to contain books, not soap – but it’s pretty close. And the colors are shiny.

…Yes. Yes, I did literally build a soapbox to stand on. Or sit on.

Yes. Yes, in fact, I did take that comment way too far. WAAAAAAY too far.

Even though playing with markers was pretty fun.

[By Jove, I love the smell of sharpie in the morning. Smells like... gender equality.]

Feminist Soapbox Feminist Batwoman

I Have A Soapbox and I Know How To Use It

Let’s recap, shall we?

Yes, everyone, this blog is my soapbox. Yes, everyone, I am having fun on my blog/soapbox.

No, you cannot tell me to get off my soapbox. Not unless you want me to take your comment waaaaaaaay too literally and spend an hour-and-a-half building an actual soapbox.

*sigh*

I know everyone was deeply concerned about these questions. Now that they have been answered, feel free to go about your normal business!

Community Hug

Problem solved!

Feminist Batwoman – I mean, Culturally Disoriented – out.

Starbuck Wink battlestar Galactica

*Any resemblance between Culturally Disoriented and the masked vigilante and Protector of Gender Equality known as the Feminist Batwoman is purely coincidental. Even though they’re wearing the same mask. And they’re never in the same place at the same time.

It’s. A. Coincidence. They have absolutely nothing to do with one another. Like Bruce Wayne and Batman.

**Also, if anyone knows what a misandronist is… page me.

*** If you would like to build your own feminist soapbox (or anti-racist/LGBT/trans-issues/star wars/whatever soapbox), please do! But remember that actual cardboard boxes are quite flimsy, and probably won’t support your weight. My cat fell through the box when she jumped on it. Cardboard = not the best idea.

Why does mine work? I propped it up with a giant stack of books underneath.


Final Thoughts on American Idol and the Season of the Robot Women

So, you know how sometime, I stop covering Sci-Fi/Fantasy, and instead write about gender and race issues on American Idol?

… yeah, this is one of those days. I’m sorry. But for some reason, I cannot rest until I finish writing up my thoughts about this season. I need to give my thoughts on the White Guy With Guitars Phenomenon. I need to talk about the continued robotization of Female Contestants. I need to talk about Jessica Sanchez’s race problems. And I need to squee about the awesome singing.

If it makes you feel better I promise that I will not write another American Idol post until… next season.

My fascination with American Idol began in Season 10, when I fell madly in love with Haley Reinhart, the blues-rock singer who never got the respect she deserved.* By all rights, my fascination should have stopped after Season 10 – Haley Reinhart was gone, and I’d never been a fan of the show in the first place. But I kept watching. And then I got obsessed.

Haley Reinhart What is and what should never be led zepplin

Haley Reinhart (still my favorite)

Partly it’s the singing. Yes, in spite of all my cynical presuppositions, there are some bloody incredible singers on American Idol. And I love watching them.

But mostly? Mostly it’s the sociological stuff. I find it fascinating  – and disturbed – that the five last winners were all white men (with guitars). I’m fascinated – and disturbed – by the ways the fans act. I’m fascinated – and disturbed – by American Idol commentary. I’m fascinated – and disturbed – by the producer manipulations.

Frankly, American Idol is a bizarre back window into America’s psyche. And I just can’t look away.

1. The Phillip Phillips Victory and the White Guy With Guitars Phenomenon

Remember when I randomly wrote a giant post explaining why women can’t win American Idol? And then a few weeks later, I wrote a second post expanding on the lack of female winners?

Guess what?

A woman did not win American Idol this year.

Phillip Phillips beat Jessica Sanchez in the finale, making him the fifth “White Guy With Guitar” winner in a row on American Idol. The other four are David Cook, Kris Allen, Lee Dewyze and Scotty McCreery. [White Guy With Guitar is often abbreviated as "WGWG"]

I am shocked [okay, that's a lie. I'm not shocked at all].

Watching the fandom reaction to Phillip Phillips’ victory was… interesting. To say the least.

Someone would say: “Oh, boo, another White Guy With Guitar.”
Then the next person would say: “You’re a racist.”

Or someone would say: “And that’s 5 WGWG winners.”
Then the next person would say: “That’s racist! You’re discriminating against Phillip Phillips because he’s white and male!”

I never entered these discussions –  I was already violating rule #1 of keeping one’s sanity on the internet (Never Read The Comments). I was not going to violate rule #2  (Never Enter A Comments Argument).

The thing is, I’m one of those people who thinks that the five-year winning streak by white men is troubling. And it’s not because I hate all white men, or because I think Phillip Phillips is untalented, or because I think Phillip Phillips’ gender and race disqualifies him from victory.

So let me explain myself.

First, I want to clear something up: it is not racist, nor is it sexist, to point out that Phillip Phillips is a white man. It is not racist, nor is it sexist, to point out that he’s the fifth white man in a row to win American Idol. These are facts. If you’re arguing that Phillip Phillips doesn’t deserve to win idol because he’s a white man, then yes, that is discriminatory. And if you’re arguing that the WGWG streak proves White Men are better singers, then yes, that is racist. But to remark upon the phenomenon is not discriminatory in-and-of-itself.

When potentially problematic patterns emerge – when, for example, five white men win a competition in a row – it is normal and responsible to ask questions about the process.

And that’s the key here: the pattern. If you voted for Phillip Phillips over Jessica Sanchez, good for you! If you prefer a male contestant in any given year, I have no problem with you. If you prefer a white contestant in any given year, I have no problem with you [if you always like the white contestants and never like contestants of color, however, you might want to examine your internal biases]. The problem is not with any one person’s individual voting decision. The problem is with the pattern. Because once we rack up all the individual choices made over the last four years, and we map them out, the pattern is pretty damn clear: white men have a much easier time on Idol.

Again: I think it’s perfectly fine a white male singer to be the best, most consistent and most original singer on any given year. My problem is when people start trying to argue that every white male singer was the best, most consistent and most original singer on any given year. I don’t care what you say, there is no way you can argue that every single white male winner was a better, more consistent and more interesting singer than all his competitors. There is no way. And yet all five of these white male winners not only won their seasons, but none of them ever appeared in the bottom 3 contestants, no matter how poorly they performed

Women have a much harder time on Idol. People of color have a much harder time on Idol. And women and people of color cannot win Idol anymore. This is a fact. At this point, there is literally nothing a woman or a person of color (or a woman of color) can do to win the show. It has all been done.

This year was a case study in proving that no matter what female and non-white contestants do, they cannot beat a white male contestant. With Elise Testone, Jessica Sanchez, Skylar Laine and Hollie Cavanagh, we had the best group of female singers on Idol in at least five years. They were original, they were interesting, they had an enormous amount of talent, they all had huge shining moments.With the exception of Hollie Cavanagh, who had a few bum weeks but then came roaring back, all of these women were consistent: they made very few mistakes. Meanwhile, with Joshua Ledet, we had – as far as I’m concerned – the best male vocalist on Idol since Adam Lambert. Joshua Ledet was incredibly consistent and high-powered; he almost always exceeded expectations.

I will gladly admit that Phillip Phillips had a good run. But I defy you to argue that he was more consistent than Jessica Sanchez or Joshua Ledet. I defy you to argue that he was more original than Skylar Laine or Elise Testone. I defy you to argue that he had as many standout performances as Jessica, Joshua or Skylar. I defy you to argue that Joshua’s take on Runaway Baby, or Hollie Cavanaugh’s turn on Bleeding Love deserved a bottom three finish while Phillip Phillips’ Time of the Season didn’t. I defy you to argue that Phillip Phillips’ pitch problems were any less egregious than Skylar Laine’s country twang.

My point is: Phillip Phillips had flaws; he had bad performances, but they never seemed to matter. No matter how good, how exceptionally incredible Phillip Phillips’ competitors were, or how terrible Phillip Phillips was, he was never shaken. He never went to the bottom three. And they had no chance of beating him.

And that’s my problem with the White Guy with Guitar phenomenon. White men have it unfairly easy, while anyone who isn’t a white man has it unfairly hard. It’s a perfect example of white male privilege at work. It’s not that the five WGWG winners were untalented. It’s not that they didn’t work hard. It’s not that they don’t deserve good things, or that they’re bad singers. It’s just that, for them, things were easier. The standards were obviously lower (again: they never landed in the bottom three. Ever). Meanwhile, as I’ve detailed in my prior two posts on American Idol, the standards were much higher for women and for people of color. To completely purloin John Scalzi’s explanation of white male privilege: white men play the Idol game on the lowest difficulty setting. And women and people of color play it on a much, much higher difficult setting. [If you haven't read John Scalzi's post on the Lowest Difficulty Setting, you should; it's brilliant]

As Michael Slezak once put it: “Am I going to argue that women have had an easy time on Idol in recent years? Absolutely not. You have to perform better than the men to stay in the competition [...] and sometimes that doesn’t even work.”

The playing field is not level.

That’s my problem.

2. All Women are Robot Members of the Robocalypse

Speaking of American Idol and Gender issues! I’d like to share the #1 thing I learned on American Idol this year: all women are robots. They’re probably also all preparing to kill us in an attempt to institute the robocalypse… but I’m not sure about that yet.

a) All Female Contestants on Idol are Robots

Jennifer Lopez, critiquing Elise Testone: “they [the audience] want to know that you’re a person. That you feel things.”

After Jennifer Lopez said this to Elise Testone, I may or may not have thrown a magazine at the television screen (there were no witnesses. You can’t prove anything).

First, Elise Testone is a person. She doesn’t need to prove it. This isn’t Battlestar Galactica; contestants aren’t required to take Cylon detection tests.

Second, Elise Testone is the last person I would call robotic. Elise Testone is the anti-Lady Gaga. She has no poker face. Over the course of the season, it was nearly impossible for Testone to hide how she was feeling [a problem, since she couldn't hide her disappointment, anger or sadness].

Then again, maybe I shouldn’t be surprised that Elise Testone was called out for not being “human” enough. Because there is not a single female contestant this season who has not been called “a robot” or “inauthentic” or “soulless” either by the judges or by the fans.

Every. Single. Female. Contestant. has been called a robot. Every single one.

Men, on the other hand? Almost NEVER get the robot criticism.

Case in point: On the final performance episode, the top 2 singers have to repeat their favorite performance. So both singers are, by definition, doing something unoriginal. And neither Jessica Sanchez nor Phillip Phillips (this year’s top 2) made any radical changes to their re-interpretations of their chosen songs.
Let’s look at Jennifer Lopez’s critique of the two, shall we?

“I’ve seen Jessica do that before. And I just feel like that’s authentic Phillip right there.”

Wait, what? You’ve ALSO seen Phillip Phillips do that before. You’ve seen him do exactly. the same. thing.

Two contestants repeat a song. The female one? Inauthentic. Mimic. The male one? Authentic.

Yeah, no.

This whole thing leads me to believe that the “inauthentic” and “robotic” criticism is a lot less about the individual singer, and a lot more about… their gender.

Yes, indeed, all female contestants are robots.

b) All female fans are robots

Random fan critique: ” Oh Please. WGWGs win because young girls always vote for the cute guy.”

There is no myth floating around the idol fan-o-sphere that drives me more nuts than the myth that “teen girls are ruining the show because they always vote for the cute guys.” It’s also, sadly, the most pervasive myth. [And it's the reason behind my original Why Women Can't Win Idol post]

One of the more disgusting things about this critique is that it makes “cute guy” equal to “white guy.” So men of color can’t be cute? Girls aren’t attracted to guys of color?

Joshua Ledet Crazy Little Thing Called Love

I must not be a girl because I find this young gentleman (Joshua Ledet) very attractive.

Also, it’s incredibly heteronormative. Has anyone heard of lesbians? And bisexual women? They exist.

But what’s most annoying about the “teen girls always vote for the cute guys” myth is that it assumes that teen girls are entirely ruled by their hormones, and that they’re thus incapable of making an informed decision. They can’t just like Phillip Phillips because they like his music. No, it has to be because he’s a cute guy. That’s why.

And it needs no evidence! No market research, no rigorous studies, no sample size, no nothing. Because everyone knows that when a cute white guy strums on his guitar, teen girls become mind-controlled drones and start speed-dialing the cute white guy to safety.

Teen girls are robots. Their programming?
Vote for the cute white guy.

… Does anyone else see a trend here?

I find it endlessly hilarious (and by hilarious, I mean rage-inducing) that if fandom isn’t blaming the White Guy With Guitars phenomenon on teenage girls being completely mindless robots, we’re blaming it on female contestants being robotic.

What is it about being female that makes it so easy for people to compare you to a machine?

Female performers cannot be authentic. They can be great  singers. They can even be perfect singers. But they cannot be authentic, real, human singers.
Heart and soul? Only guys have that. Women just sing the notes.
Authenticity? Only guys have that. Women can only mimic.
Charm? Only guys have that. Women are cold and soulless.

Female fans cannot be authentic. They cannot vote for a contestant because they like that person’s music. They cannot vote for a contestant because they enjoy their performance style. They don’t watch Idol because they want to see true music.
No, they can only watch for the cute boys. And they can only vote for the cute boys
Only men can be real fans. Men vote for the best singer. Men watch the show because they care about music. Women watch the show for eye-candy.

So, from my viewing of American Idol, I have concluded that men are people and women are robots.

It’s the robocalypse, people. And I, for one, welcome our new robot overlords.

3. Jessica Sanchez and Racism

Okay, let’s be clear. I am supremely unqualified to discuss this topic. I am white. I also know almost nothing about discrimination against Asians in the United States; I know even less about discrimination against Filipinos in the United States.

Thus, my ability to analyze the discourse surrounding Jessica Sanchez is… limited. To say the least.
Usually in these circumstances, I go: “hey, look at all the smart, qualified people who have written about this! Read their stuff!”
But unfortunately (and bizarrely), no one else has really talked about this issue.** Or if they do, they aren’t doing it in any depth – it’s all “Jessica Sanchez was voted off, so America is racist!” Or”No, America isn’t racist!”

But the issue of Jessica Sanchez’s race, and how it played into her run on Idol, deserves some discussion.

So I’m going to try here. [If you've seen or read any pertinent commentary, please let me know. I'm begging you.]

Point the first: Jessica Sanchez is American. [This will be important later]
Point the second: Jessica Sanchez’s father is Mexican American. Her mother is Filipina. Jessica Sanchez is thus of both Latin@ and Asian (Filipino) heritage. She’s mixed race.

Jessica Sanchez Stuttering

Jessica Sanchez performing “Stuttering”

Crucially, Sanchez’s Mexican heritage was almost never discussed, either on the show, in American Idol commentary, or in fan circles. She was described as primarily Asian-American or Filipino-American.

I’ve written two long posts about how American Idol systematically disadvantages female contestants. But in the case of race – at least, in the case of race this year – I did not see a lot of institutional discrimination. The show itself was not putting Jessica Sanchez at a disadvantage because of her race (although they did put her at a disadvantage because of her gender).

But the fans and the critics are another story.

I’ve seen loads of comments on fan sites and on American Idol articles that say that Jessica Sanchez’s talent is a “cheat” because her “Asian parents” have been raising her to “compete” from “childhood.” She’s a “trained-since-birth” robot. Because her family is Filipino, they’ve “chosen one child to train as a prodigy.” She has a “tiger mom” who has trained her “since birth” to “win Idol,” and thus Sanchez doesn’t “deserve to win.”

It’s the “Well, of course she’s doing well in Math. She’s Asian” argument.

This, to me, is on the same level as the “Asian-Americans are stealing all the science jobs” rhetoric we see in the news. Or the massive”Asian-Americans have an easier time getting into college” freakouts.

As I like to put it when I’m being particularly sarcastic:”Oh no! Americans of color are actually doing okay! They’re doing well in school! They’re doing well on TV shows! They’re getting decently-paid jobs! Only real [white] Americans are allowed to get those things! We have to panic now!”

And the whole makes me want to throw myself off a cliff.

[Fortunately, I don't live near any cliffs]

This “She’s successful because she’s Asian” argument is a particularly vicious way of dismissing Jessica Sanchez’s achievements. By these standards, Sanchez didn’t get to American Idol through hard work, determination, talent and luck. She didn’t get there because she loved singing. No, she got there because her family was Asian, so they “trained” her.

Moreover, Idol commentary and fan discussions have made Sanchez’s hard work the equivalent of an “unfair advantage.” No one is going “look how focused and dedicated Jessica Sanchez is.” Instead, they’re acting like her hard work is the equivalent of cheating.

I’m sorry, someone’s going to have to explain this to me: Jessica Sanchez is a hard worker, therefore she’s a cheater? Wait, what? Isn’t working hard to achieve your goals the opposite of cheating? [If working hard makes people cheaters, I think I'd best turn myself in to my University's Academic Counsel]

I keep wanting to tell these people: You don’t think Phillip Phillips worked his butt off to get where he is today?

But somehow, it’s okay for Phillip Phillips to work hard. On the other hand, it’s suspect for Jessica Sanchez to do the same thing.

Frank Wu, a critical race theorist, explains this better than I will: “The model minority myth hurts Asian Americans themselves. It is two-faced. Every attractive trait matches up neatly to its repulsive complement, and the aspects are conducive to reversal. [...] To be hard working is to be an unfair competitor for regular human beings, and not a well-rounded, likable individual.” (Wu, Frank. Yellow: Race in America Beyond Black and White)

People perceived Asian-Americans as being an “unfair competitors” for regular human beings – and by regular human beings, they mean “white Americans.”

I think this is exactly what happened to Jessica Sanchez. Because she was perceived as a hard-working Asian singer, people saw her as having some kind of “unfair” advantage over other (mostly white) contestants like Phillip Phillips. Where Phillip Phillips’ hard work makes him a likeable individual, Jessica Sanchez’s hard work makes her robotic and unlikeable.

So yes. It’s racist. And it’s disgusting. And I’m sick of reading this kind of commentary. If you don’t like Jessica Sanchez’s singing, fine. Just say that. If you prefer another singer, fine. Just say that. If you think Jessica Sanchez has no emotional connection to her lyrics, fine. Just say that. But don’t accuse Jessica Sanchez of being some sort of Asian dragon-lady with “unfair advantages” over her competitors. Because yes, that’s racist.

The other really disturbing thing I see in commentary and fan forums is the discussion around Jessica Sanchez’s appearance.

Around top 8 week, I started noticing that, on the fan forums I visited and on youtube clips of Jessica or Hollie Cavanagh’s performances, there was a kind of universal consensus that Hollie was the beautiful one, and Jessica was…  not. Even people who said they preferred Jessica as a singer would say things like “but she’s not pretty like Hollie.”

This turned into a mini-phenomenon. I saw it everywhere. If you do a google search, you’ll find that there are a whole lot more results for “Jessica Sanchez ugly” than for “Hollie Cavanagh ugly.” And most of the negative commentary on Jessica’s appearance also talks about her race.

There were also entire lines of comments that argued that Jessica Sanchez shouldn’t win Idol because she doesn’t “look American” and it would be confusing if the winner of Idol wasn’t American. I counted fifty of those comments when I was compiling youtube clips for this post, and then I couldn’t do it anymore.

Pardon me for the temporary rant: Jessica Sanchez is an American. Jessica Sanchez looks American. Because she is an American. The End.

Someone, somewhere, will have to explain to me what these people mean by “looking American.” Because I think they mean “white.”

And, you know, I realize the internet can be a terrible place. I do. I really do. I know that people are asshats. But that doesn’t make their conduct okay, and it certainly doesn’t mean we shouldn’t talk about it.
Let me put it this way. If there were no racial bias, Jessica Sanchez and Hollie Cavanaugh would probably get the same amount of “ha ha, she’s ugly” trolling. But because we tend to see white people as the “standard” of good looks, Jessica Sanchez gets the brunt of the “ugly” criticism.

Hollie Cavanagh American Idol Season 11

Hollie Cavanagh

Jessica Sanchez American Idol Season 11

Jessica Sanchez

Oh, yes. Now that I see their photos right next to each other, it’s SO CLEAR that Hollie is prettier than Jessica.

//sarcasm//

I would probably have let the ugly/pretty rant drop if it weren’t for the fact that the exact same thing happened with Phillip Phillips and Joshua Ledet.

Again, many commentators pegged Phillip Phillips as the winner, because they argued that women and girls would vote for the cute boy.

But no one ever said Joshua Ledet has a chance of winning the “cute boy” vote. Once Colton Dixon was gone, everyone assumed that Phillip Phillips was the show’s only male heartthrob.

Phillip Phillips Heartthrob American Idol Season 11

Phillip Phillips

Joshua Ledet

Joshua Ledet

Oh, yes. It’s so obvious that Phillip Phillips is the only attractive one of these two guys. SO OBVIOUS.

[This is one of those cases where my personal taste goes completely against the public consensus, because I happen to think Phillip Phillips is somewhat bland, while Joshua Ledet is a Stone Cold Fox.]

My point here is: there’s a pattern where only white contestants are labeled – either by fans or by commentators – as attractive. The entire “girls will only vote for cute boys so White Guys with Guitars will always win” inherently assumes that only white guys count as cute. This is probably not that surprising to anyone who has studied race issues in the United States, but it’s still disturbing. And we should talk about it.

So yes. Racism has an impact on American Idol. And we should talk about it. We’re probably not going to, and if we do, it’s going to be along the lines of “white people experience discrimination too!”… but I’m holding out hope.

AHEM!

Now that I’ve finished covering the year in misogyny and racism, let’s… end on a high note, shall we?

Here are some of the great things about American Idol this year:

1. Michael Slezak, Melinda Doolittle and Jason Averett

Michael Slezak remains my favorite American Idol commentator of all times. There is no one who is funner to read or to watch. His boundless enthusiasm, his passionate love for the show and the singers, his burning hatred of producer manipulations – he’s amazingly addictive.

Slezak is my hero. Someday, if I work hard enough, and hide my female roboticness long enough, I might aspire to be half as entertaining and incisive a writer as he is.

Some actual quotes for our edification: “I can’t fathom what (aside from Uncle Nigel sending volts of electricity into their chairs) prompted the judges to give Deandre a Standing O for a vocal this week that was about as pleasant as listening to a Snowy Owl sink its talons into a frightened prairie dog and carry it back to the nest for disembowelment.” (Top 9 recap)

On Skylar Laine’s “Show Must Go On” “It was like watching the very first space shuttle take off, and you didn’t know if it was going to make it up into the atmosphere, and then it was like – oh my god, we’re in outer space. We’ve conquered outer space.”

Michael Slezak is also one-third of the team behind Idology, a weekly American Idol video recap where Slezak joins Melinda Doolittle, the third place finisher of American Idol Season 6, to discuss the week’s results.

Melinda Doolittle Michael Slezak Idology

Idology with Melinda Doolittle and Michael Slezak

I love Idology with the passion of a thousand hopeful American Idol contestants. I love it because Slezak and Doolittle are having so much damn fun – sometimes Doolittle makes Slezak laugh so much I worry they’ll have to call an ambulance. The two have incredible chemistry.I also love Idology because the producer, Jason Averett, intercuts each video with amazing, hilarious clips from movies and TV shows. And it is glorious.

Averett is the invisible third commenter who makes himself known through his editing and his hilarious captions. During the first few weeks of the competition, for example,  Slezak and Doolittle argued over whether Colton Dixon or Phillip Phillips had a better shot at the title. Averett kept intercutting their discussions with a photo of Phillips and the caption “Spoiler: This Guy.”

Anyways. I love Michael Slezak. I love Jason Averett. I love Melinda Doolittle. I love Idology. I can’t wait for them to come back next year.

I only have two small quibbles [because you know me; I can't ever just like something. I have to find all the problems]

One: Idology is too short. Last year, we had thirty minute episodes, so Slezak could really get into the nitty-gritty details. And he could invite guests, he could have guest performers etc. If possible, I’d like the longer length back, thank you very much.

Two: I really appreciate Slezak’s commitment to calling out the anti-female shenanigans on Idol. But I would also really like it if he stopped calling JLo a skank. Look, she’s a terrible judge, and I’m fine with you making fun of her and her singing and her terrible critiques. Just don’t use gendered slurs to insult her. You don’t use racist terms of insult Randy Jackson; don’t use misogynistic slurs to insult Jennifer Lopez. And stop saying that she’s setting back the feminist movement, or women’s rights. It’s annoying. One of the main points of “rights” is that they don’t go away just because one woman acts badly.

Reason #2 American Idol was awesome this year?

2. There were some damn fine Singers

It bears repeating: there were some damn fine singers. I don’t think there’s been a season where I’ve liked as many people as I did this year. Moreover, when we got to the top 10, there wasn’t a single singer that I actively disliked. I wasn’t a huge fan of Hollie or Phillip, particularly near the end, but I thought they were fine.

In contrast, last season there was exactly ONE singer I still liked by the time Top 9 rolled around (the inimitable Haley Reinhart).

Haley Reinhart House of the Rising Sun

Gratuitous Haley Reinhart Cameo!

This season, I fell madly, passionately in love with Joshua Ledet and Jessica Sanchez. They were phenomenal. Unbelievable. And earth-shatteringly good. Joshua was all whiskey-soaked raspiness, unbridled emotions and glorious, explosive energy; Jessica Sanchez was gorgeous, finessed vocals; lovely rawness combined with a perfect range and a magnificent, terrifying power.

I don’t care what they sing. I will buy all the CDs. And the singles. Whatever. Everything. All the time.

Jessica Sanchez Joshua Ledet Knew You Were Waiting For Me

My personal top 2 this season

I was also deeply in love with Skylar Laine and Elise Testone. They are tremendous. Elise Testone is bluesy and rocky and her voice is so wonderfully bizarre. Skylar Laine proves I can enjoy country music: she was artistic, original and gutsy, and she had a massive voice on top of everything else.

Skylar Laine The Show Must Go On

Skylar Laine

Elise Testone Whole Lotta Love

Elise Testone

So yes. In spite of the misogyny, the racism, the producer manipulation, the judging issues… there were still damn fine singers on American Idol this season, and they gave some damn fine performances.

Because it’s my blog, and I’m ridiculously self-indulgent, I’ve compiled a list of my favorite twenty performances this season. And because it’s my blog, I don’t even have to be embarrassed that more than 1/2 of them are Joshua Ledet or Jessica Sanchez performances. [Okay, I am embarrassed. But I'll live]

In conclusion! Hurrah for Season 11! And thank god I’ve got six months to recuperate before Season 12.

[These performances are in NO PARTICULAR ORDER. Don't hurt me]

0. Jessica Sanchez You Are So Beautiful (also known as “suck it, trolls)

1.Elise Testone Whole Lotta Love (also known as “Hey, robots sing pretty good, don’t they?”)

2. Skylar Laine Stay With Me 

3. Jessica Sanchez Love You I do (also known as “C.D. falls madly in love with a contestant for the first time this season”)

4. Joshua Ledet No More Drama (also known as “Wait, why didn’t he make the final two again?”)

5. Jessica Sanchez and Joshua Ledet’s duet I Knew You Were Waiting For Me (also known as “C.D.’s personal top 2 make the world explode through sheer awesomeness”)

6. Hollie Cavanagh Bleeding Love

7. Joshua Ledet When A Man Loves A Woman

8. Elise Testone No One

9. Jessica Sanchez Everybody has a Dream 

10. Joshua Ledet Ready For Love (also known as “Joshua becomes C.D.’s other favorite contestant’)

11. Skylar Laine The Show Must Go On (also known as “Michael Slezak thinks this is the equivalent of conquering outer space”)

12. Phillip Phillips Volcano (I will admit, I’ve never really gotten Phillip Phillips. But I got him on this song).

13. Jessica Sanchez Sweet Dreams (also known as “the best song I’ve bought on iTunes in months”)

14. Jessica Sanchez Bohemian Rhapsody

15. Jessica Sanchez The Prayer (also known as “I’m not religious and I actually started crying in the middle of this song”)

16. Jessica Sanchez, Deandre Brackensick and Candice Glover It Doesn’t Matter Anymore (Candice better come back next year, is all I’m saying)

17. Jessica Sanchez And I Am Telling You (I actually held my breath for the last minute. The entire song was like jumping out of a plane at 10,000 feet and landing in a side-split handstand)

18. Joshua Ledet It’s a Man, Man, Man’s World (with Jessica Sanchez’s And I Am Telling You, the best ten minute block of the season. My brain almost exploded when these two songs happened back-to-back. The awesome was impossible to contain).

19. Jessica Sanchez’s duet with Jennifer Holiday on the finale (I take it all back. This was the best three minutes on the show on this season. Period. No questions asked. Do not mess with these two ladies. They will destroy you.)

Public Service Announcement: Haley Reinhart’s first CD, Listen Up, just came out. Buy it; it’s incredible.

P.S: Apologies for the spotty posting schedule. Fair warning: it may get spottier. I’ve been having some health-related problems, and they’ve been getting steadily worse over the past week or so. Hopefully I can keep a two-to-three post a week schedule… but I just started a medication that’s supposed to help my migraines and the side effects for the first two weeks are brutal. So if I disappear, my apologies.


The Friendship that Dares Not Speak its Name: Female Friendship in Science Fiction and Fantasy.

Xena Warrior Princess Lucy Lawless Angry

“Is anyone here going to be my friend? Anyone? I have a shiny sword!”

[Content note: This is another one of my giant tl;dr posts of doom. Be forewarned before you venture into the abyss]

I’ve decided that I don’t want to be a Sci-Fi/Fantasy hero. Sure, the armor/spacesuits/dresses would be cool. And I’d like to fight a glorious battle. Or meet an alien. Or turn into a dragon. Or turn into a dragon while I meet an alien and wear a cool spacesuit dress.

But.

I’ve been noticing something weird about SF/F heroes. Specifically the female ones.

They don’t have a lot of friendships with other women.

Hell, there are some SF/F movies/books/etc. where the women barely speak to each other at all.

Is it just me, or does it sometimes feel like all those heroines have been cursed by a horrific spell? A spell that prevents them from making friends with other women without dying instantaneously?

Or do they just all have allergies to other women?

Because something’s going on. And I’d like to know what.

Sci-Fi/Fantasy has quite a few iconic male friendships – you’d be hard-pressed to find a book, tv series or movie that didn’t have a prominent friendship between two men.

Frodo and Sam. Spock and Kirk. Han Solo and Luke Skywalker. Ender Wiggin and Bean. Hugo and Charlie on Lost. Saul Tigh and Bill Adama in Battlestar Galactica. Magneto and Professor Xavier.

But iconic female friendships?

I can’t think of many.

And lest you ask, I’ve been thinking about this a lot. When I first got the idea for this post, I went through my reading lists for the past three years. I scoured the web. I look through my bookshelves. I looked through my brother’s bookshelves. I lurked around Amazon.com for three hours.

After a good week of research, I concluded that not only were there very few Sci-Fi/Fantasy narratives where female friendships featured prominently, there were very few Sci-Fi/Fantasy narratives where female friendships featured at all.

Black Widow Scarlett Johansson

” Look, it’s not that I don’t want to be friends with women, it’s just that for some reason, I’m never allowed to talk to them onscreen.”

Part of the problem, I suspect, is that women are still underrepresented as characters in Sci-Fi/Fantasy. We’re still stuck in the “lone woman” or “exceptional woman” phase of gender equality. Consider all the movies/books/comic books etc. where there is exactly one major female character. Black Widow in The Avengers.* Trinity in The Matrix. Wonder Woman in the early years of The Justice League. Petra in Ender’s Game. Molly Million in Neuromancer. Eowyn in The Lord of the Rings. 

[*Emphasis on major. I liked Maria Hill and Pepper Potts as much as anyone else, but they weren't on the same level of importance to the narrative as Thor, or Black Widow, or even Nick Fury]

Hell, Mulan in Mulan, while we’re at it. Even feminist narratives often have “lone women,” because so many of them tell stories of the first woman to join the army/become a knight/become a scientist/fly to the moon/play professional foozball. And, don’t get me wrong, stories about how women overcome the odds to join male-dominated professions are important.

But what about the stories after that one? What about the one where there are finally two female superheroes? What about the one where the science lab has a 50-50% gender distribution? What about the one where the army has an entire squadron of female knights?

Where are the stories about women mentoring other women? Where are the stories of women who have been best friends since childhood? Where are the stories where two wacky women are thrown together on an intergalactic adventure? Where’s my female Sherlock Holmes and Watson duo?

Where are my stories of epic sromances (rather than bromances) where the (female) hero would cut through entire armies to save their (female) friend?

[By the way, I fully purloined the term "sromance" from a blog post written by the fabulous Karen Healey]

Mulan Sword reflection

“Touch my BFF, and I will cut you.”

Those stories are a lot rarer.

We’re not that interested, it seems to me, in telling stories where there are many women, not just one. We’re not that interested in portraying worlds where women are the norm rather than the exception. We’re still stuck on the “lone women” phase of gender equality.

We’re not that interested in portraying relationships between women. We’re still stuck on how women relate to men.

***

Even when there are multiple women in an SF/F narrative [HALLELUJAH], they rarely ever meet. Or speak. Or have any kind of relationship. Maria Hill and Black Widow in The Avengers? Never say one word to each other. Eowyn and Arwen in The Lord of the Rings? They’re in love with the same man, they’re fighting the same enemy… they never speak. In the Game of Thrones series, there are several important female characters, but they’re rarely in a room together. And if they are, they’re not friends. They’re enemies.

You would think women in Sci-Fi/Fantasy narratives would have something to say to one another. Even if it’s along the lines of:

“So, what’s it like to be the only woman in a group of superheroes?”
“Oh, you know. It’s not bad. Reminds me of that time I was stuck in an airport in France…”

Or:

“Hey, you know where I can get some tampons in the middle of this god-forsaken wilderness?”

Or just a plain, normal, non-gendered conversation like:

“Wow, we’re about to get eaten by a dragon.”
“That’s a problem.”
“We should run.”
“I agree. RUN!”

But no, apparently not. Apparently women just can’t talk to each other in SF/F.

It’s very bizarre. Because – and I hope SF/F authors and scriptwriters know this – there are a lot of women in the world.

It is practically impossible for a woman to go through her life without having a conversation with another woman. It is practically impossible for a woman to go through a single day without talking to another woman. Women are everywhere. Heck, I’ve even  heard they make up 50% of the earth’s population.

Given these parameters, it makes absolutely no sense that the majority of female SF/F characters almost never talk to women. The only way they could pull it off is if they were actively avoiding talking to other women.

This is why I suspect that female heroes of SF/F are all under some terrible curse that prevents them from speaking to other women. It’s the only logical explanation.

[[It's either that, or most authors are doing a terrible job of representing women's reality... and since authors have never historically struggle with representing female experiences, I think we can safely rule this explanation out. Right?]]

So. There’s a curse.

And if there is, I must be honest with you: I don’t think I want to be an SF/F hero anymore.

Because I wouldn’t want to live a life without female friends.

It would be horrible. Are you kidding me?

For one thing, how the hell am I supposed to go into battle and save the world without my female friends by my side?

Don’t get me wrong. I have friends who are guys. I would not want to give up those friendships either; some of my best friends are men. But women are friends with men in SF/F narratives, so that’s not really an issue.

[I feel like all my guy friends who read this are going to go: "You don't love me? " and run away. So, pre-emptively: "NOOOO, guy friends! I do love you! Don't leave me!"]

But frankly, most of my closest, most important friendships have been with other women.

The friends who know my deep, dark secrets? Mostly women. The friends who know that I spent a year of my life breaking into my house through a window instead of telling my parents I’d lost the keys? Mostly women. The friends who have survived my propensity for seven hour walks? Mostly women. The friends who put up with my social anxiety, my inability to answer emails and phone calls? Mostly women. The friends who tortured me with high-school drama? Mostly women. The friends who listen to me rant about stuff they’re completely uninterested in? Mostly women.

The friend I have epic conversations with when we pull simultaneous all-nighters? A woman. The friend who talked me through my academic insecurities? A woman. The friend who rearranged my work schedule when she realized I was exhausted – even though it meant she was picking up extra hours? A woman. The friend I went camping for (I hate camping)? A woman. The friend I went running for (I hate running)? A woman. The friend I stopped writing a paper for so that I could help her find her cat? A woman. The friend who turned me into a compulsive biker? A woman.

If I were an SF/F heroine, I would want these women on my team. I’m just saying.

That’s, I think, why the lack of female friendships in SF/F is so striking to me. When I look at the friends I would walk through fire for, the friends I would fight armies for, the friends who I cannot imagine life without – most of those friends are women. And when I look around me at women I know, I see that yes, in fact, these women too, have friends who are female.

Women are friends with women. Imagine that.

Female friendships aren’t an urban legend. They aren’t a statistical anomaly. They’re not all hiding in the forests like werewolves. Unless the nine places I’ve lived in my life have been exceptions to the norm, female friends are a fairly common phenomenon.

Elizabeth Swann Pirates of the Caribbean Keira Knightley

“Where the frack are all the other women in this blasted movie? Did they get eaten by the Kraken?

So just for the sake of realism, there should be a few more female friendships in SF/F.

Not to mention the fact that female friendships are interesting.
They’re fun. Exciting. Dramatic. Low-key. Tense. Anguished. Tortured. Competitive. Sweet. Bizarre. Twisted. Cool. Captivating. Multifaceted.

If you’re not writing about female friendships because you think they’re boring? You’re not too clever. And if you’re not reading books with female friendships because you think they’re boring? You’re missing out.

Isn’t it sad that we can imagine faster -than-light-travel, fire-breathing dragons and cyborgs, but we can’t imagine two women talking to each other?

Is there really a curse? A curse that says: two women can’t be friends in SF/F? Two women can’t speak in SF/F? Women can only relate to men, and to no one else?

Well, if there is, I’m sick of it. I want to see as many awesome female friendships in SF/F as there are awesome male friendships.

I’m breaking out the curse-breaking equipment, people. I’m compiling a list. A list of SF/F narratives that do have awesome female friendships.

Because it’s time to end the darn curse.

Here, in no particular order, are nine SF/F narratives with prominent female friendships. Seven books; one TV show; one Comic Book series.

I know these are not the only SF/F narratives with prominent female friendships. I have not read everything. I have not seen everything. Heck, I haven’t even ever seen Star Trek (I’m working on it!). So this list is not meant to be comprehensive. I’m sure I’m missing things – and I’d love to hear suggestions!

Curse-breakers, unite!

[And now I feel like I'm either in Pirates of the Caribbean or a Tomb Raider movie. For the record: if this curse-breaking turns into an epic quest where we all become living skeletons and have to pour the blood of Orlando Bloom on a giant pile of gold to end the terrible curse... my apologies]

****

1. Trickster’s Choice and Trickster’s Queen by Tamora Pierce

Trickster's Queen cover Tamora Pierce

This was a tough one, because Tamora Pierce always does a fantastic job with female friendships. Keladry and Lalasa. Keladry, Yuki and Shinko. Alanna, Thayet and Buri. Alanna and Daine. Sandry, Tris and Daja. Beka Cooper and Clara Goodwin.

Pierce’s female friendships are all the more impressive because most of Tamora Pierce’s protagonists are women entering male-dominated professions. Two of her series (Song of the Lioness and The Protector of the Small) follow the journeys of the first women to train for Knighthood. Yet even though Alanna and Kel are surrounded by men (and make friends with men) they managed to be friends with women too. Female friendships are the norm in Pierce’s writing, not the exception.

The Trickster duology, however, probably has more friendships between women than any of Pierce’s other series.

After being kidnapped and sold into slavery in the Copper Isles, Aly discovers that the Raka natives are finally ready to throw their luarin overlords. And they need a spymaster. Aly, through bad luck, trickery and manipulation, gets herself that job.

The Raka rebellion aims to put a Queen, not a King, on the throne of the Isles. It’s quite a gender-equal revolution: women and men both act as warrior, spies, mages and leaders. Not surprisingly, Aly cultivates quite a few important friendships and alliances with other women, from her cautious loyalty to Duchess Winnamine (the stepmother to the potential heiress), her easy camaraderie with Chenaol (Aly’s first friend in the Copper Isles and the rebellion’s weaponmaster), her wary “please-don’t-hit-me” friendships with Ochubo (head of the Raka mage network) and Junai (her bodyguard) and her long-distance friendship with Daine.

Aly’s most important friendship, however, is with Dovesary Balitang, a clever and wise thirteen-year-old half-Raka noblewoman. The rebels believe Dove’s older sister, Sarai, is the prophesied twice-royal Queen. Aly’s relationship with Dove is arguably the most important relationship in the book, full stop – the two women’s admiration, wariness and respect for one another is fascinating to watch. And their evolving friendship becomes integral to the rebellion’s success.

It’s a genuine sromance. And it always makes me tear up.

“I don’t need a maid,” Dove said. “I need a friend.” [...]
“I will be your friend till the end of time,” Aly told the younger girl.

2. Beauty Queens by Libba Bray

Beauty Queens Libba Bray Cover

Friends don’t let friends wear Maybelline

Picture this: a plane full of teen beauty queens crash-lands on a desert island. They must survive. They must practice their pageant walks for the Miss Teen Dream pageant. They must keep exfoliating. And they must foil the plans of an evil organization of evil people hidden in a giant evil volcano at the center of the island. [ Yes, this is speculative fiction. It's a dystopia. Don't argue with me]

And there are explosions.

I know you just ran away from the computer screaming “WHY HAVEN’T I READ THIS YET?” I know. I feel your pain.

This novel is a high-wire act. It would have been so easy for Bray to spend the story making fun of the teen pageant queens and their silliness. But no. Beauty Queens is a satire, yes, but not of the teen girls themselves. It’s a satire of everything in our society that constrains them, that dis-empowers them, that puts them in competition with one another, that forces them to conform to silly gender norms.

Instead of being a “let’s make fun of the silly girls who parade around in swimsuits and sashes,” book, Beauty Queens is about how all these women – the dumb ones, the blonde ones, the silly ones, the mean ones, the women-hating ones, the ones with trays stuck in their head, the ones who love lipstick and the ones who love swordfighting – are actually awesome. It’s a book that’s incredibly supportive of girls and their friendships and their culture. It’s a book that’s also incredibly good at portraying a diversity of female experiences – we have, among others, a transwoman, several women of color, a lesbian character, a deaf girl, a die-hard beauty Queen and a girl who hates beauty pageant (among others). And it’s a book that manages to be critical of oppressive gender norms all while being fantastically optimistic about the potential for making those gender norms explode (and the potential to live fulfilling lives in spite of them).

As the book goes on, the teen beauty queens stop being wary acquaintances playing their prescribed pageant roles and learn to respect and like one another as real people. These developing friendships allow the teen beauty queens to unravel the secrets of the island – and the secrets of their own identity. They discover who they are outside their beauty queens personas. And then they blow things up.

Empowerment and blowing things up.

You want to read this. Trust me.

Mary Lou: “Maybe girls need an island to find themselves. Maybe they need a place where no one’s watching them so they can be who they really are.”

3. Power and Majesty by Tansy Rayner Roberts

Tansy Rayner Roberts Power and Majesty

In Power and Majesty, the first book of the Creature Court trilogy, Velody, a dressmaker, discovers that she is the potential new King of the Creature Court, a group of magicians who defend the city of Aufleur during the night. The Courtiers are almost all men; the King has always been a man. Should she become King, Velody would be the first woman to ascend to the throne.

Power and Majesty is one of the rare books where a woman enters a male-dominated profession yet still manages to maintain her old female friendships. She beats the curse! Whoo!

Velody lives with her two best friends: Rhian, a former rich girl whose family disowned her for going into business, and Delphine, a florist recovering from an old trauma. Rhian and Delphine are as important in Velody’s journey as the beautifully dangerous men of the Creature Court.

Rayner Roberts’ portrayal of Velody, Rhian and Delphine’s love and loyalty for one another is beautiful, smart and insightful.When Velody enters the Creature Court, her first priority is protecting her friends. She battles other Courtiers to keep them from hurting Rhian and Delphine.  When Rhian and Delphine discover that Velody’s the (potential) new King, their first priority is protecting her. They enter into the dark world of the night to support their friend (as best friends do).  They enter into the world of the Creature Court, I should add, almost completely defenseless, since Rhian and Delphine, unlike Velody, have no magic. But they want to protect their friend, and they find ways to do it. Because that’s what you do for your best friends. You go into the night and you fight the bad guys and you find ways to protect them. No matter what.

And it proves that yes, stories about women entering male-dominated fields are not incompatible with stories about powerful female relationships. It’s sad that more writers haven’t realized this.

I haven’t read the next two books in The Creature Court trilogy because they are only available in North America via kindle, and my kindle is down for the count (if anyone knows where I lost my power cord, please tell me!) But reviews assure me that the Rhian/Velody/Delphine relationship remains a huge part of the series. I can’t wait.

“From that day forwards, Delphine pretended she had intended to take the ribboning apprenticeship all along, and neither Velody nor Rhian every challenged her on it.
That was what friends did.

4. Air by Geoff Ryman

Air Geoff Ryman cover

I’ve talked about Air before, in my “Eight Great Books of Science Fiction for Women” post. Possibly because I love it madly.

Chung Mae lives in Kizuldah, a small village in the fictional country of Karzistan. One day, the authorities conduct a world-test of a new technology called Air. Air is like the internet – in your head. The villagers, who don’t own computers or television, are thrown into a panic by this test. One person dies.

Chung Mae, who is nothing if not resourceful, realizes that the village needs to adapt quickly if the villagers are going to survive the full implementation of Air. She launches a large-scale campaign of preparation. And the people she recruits for her campaign?
Other women.

The women are the engines of change in Kizuldah; it is through their relationships, their ambition and their pragmatism that the town survives. Chung Mae and her friend Wing Kwan, for example, use the television to set up a fashion business selling traditional clothes to fashion houses in the USA. Chung Mae and her friends – and rivals – fight and bicker. They create alliances and friendships; they hide their activities from men; they roam out in the world; they help one another protect their families. It’s one of the most realistic portrayals of female friendship I’ve ever read. These relationships are familiar to me. The women are  real people, and their friendships ring true – intense, fulfilling, and sometimes destructive.

“Kwan looked sober. “We’ve been through a lot together.”
“Oh! You could say that ten times and it would still not be enough.”
“But we came through.”
“We came through.”
Kwan hugged her. “You can stay, you know.”
Mae touched her arm. “I really do not know what I would have done if my friend Wing Kwan had not been so kind. There would have been nowhere else for me to go.”

5.The Freedom Maze by Delia Sherman

delia Sherman freedom maze cover

I don’t think it’s a coincidence that three of the nine things I’m recommending are young adult novels (The Trickster series, Beauty Queens and The Freedom Maze) Young Adult SF/F tends to do a lot better in the female friendships department. Perhaps because YA has a wide female readership and authorship, and female friendships have become an established YA trope.

The Freedom Maze is a very recent read of mine, and I can’t recommend it enough. Sophie, a teenager living in 1960s Louisiana is spending a long, boring summer at Oak Cottage while her mother takes accounting classes in the city. One day, Sophie wanders into the garden maze. When she comes back out, she’s been transported to 1860 – the adventure-story-loving Sophie assumes this is the start of a grand time-travel trip.

But things go wrong very quickly: the Martineau family mistakes Sophie for a slave because of her tanned skin, and put her straight to work.

Sophie begins to form friendships with her fellow slaves – specifically with Africa, a smart, strong hoodoo practitioner who helps protect other slaves from their white owners, and with Antigua, Africa’s headstrong daughter. As she becomes closer to these two women, Sophie moves deeper into the reality of slavery. Like Kindred (another time-travel slave-narrative), The Freedom Maze pulls no punches in its depiction of slavery. Sophie’s experiences as a slave are horrific, a far cry from the “Gone with the Wind”-esque picture of happy darkies she’s been taught.Her allegiance to her old ideas of racial politics, her family (the Martineaus) – and even the time period of her birth – begin to fade away. Instead, Sophie relies on Africa and Antigua’s help to survive – and in return, helps devise a plot to save Antigua from being sold downriver to New Orleans.

The novel is very much concerned with the similarities (and disparities) of women’s experiences across races and time periods. It’s also a brilliant portrayal of the way black women’s friendships and relationships helped slaves survive, and even gain agency, under horrific conditions.

“Come with me then,” Antigua turned to her, eyes glinting in the lamplight. “Come take the boat with me, we be free together.”

6. The Female Man by Joanna Russ

The Female Man Joanna Russ

The Female Man is one of the most important SF/F works of the 20th century. It a difficult, confrontational, knotty novel that will chew up your brain and spit it back out. And it’s almost entirely centered around women’s relationships with other women.

The story follows four women on four parallel worlds. Joanna lives in a world much like ours. Jeannine lives in a world where the Great Depression never ended and Adolf Hitler died in 1936. Janet comes from Whileaway, an all-woman planet where the men died in a plague eight hundred years ago. Jael’s world, meanwhile, is a dystopia where men and women are engaged in a literal “battle of the sexes.”

Near the beginning of the novel, Janet mysteriously shows up in Jeannine’s world, then manages to drag Jeannine to Joanna’s world (our world). Eventually all three women end up on Jael’s world. The four women become friends and allies (with varying degrees of success) as they try to understand their predicament. The novel is, essentially, an incisive and moving examination of how women relate to other women. Who are these women to one another? What are their experiences of womanhood? Can they understand one another across these vast cultural differences?

Complex interpersonal relationships between four women who are essentially the same woman (they share the same genes)? Parallel worlds? Feminist utopias?
Count me in.

7. Yoko Tsuno by Roger Leloup

Yoko Tsuno On the Edge of Life Cover Roger Leloup

I almost didn’t include Yoko Tsuno –  though it includes some of the most interesting and intense female friendships I’ve encountered in Science Fiction – because it’s a french comic book series.

And I didn’t think there were any English translations.

BUT THERE ARE.

Two of Yoko’s alien adventures have been translated as “The Adventures of Yoko, Vic and Paul.” Six of her other books have English translations – The Frontier of Life, The Time Spiral, The Prey and the Ghost, Daughter of the Wind, The Dragon of Hong Kong and The Morning of the World. Most of these are out of print, but you may be able to get them at libraries or amazon (I saw some cheap copies). I don’t know if the translations are any good, so this isn’t a ringing endorsement… but I’ll try to find out.

Anyways. Back to the point. The series, which served simultaneously as my introduction to science fiction and as my introduction to comic books, follows Yoko Tsuno, an electrical engineer  who has a propensity for getting herself involved in epic adventures. It’s an action series, and a science fiction series. But it’s also a series which, at it’s core, is about friendship. Yes, Yoko has her constant traveling companions, Vic and Paul. But Vic and Paul are a background noise; they’re not central to the series. Yoko’s most important friendships are with women: of the 23 books I’ve read, 18 feature a prominent friendship between Yoko and another woman.Indeed, most of Yoko’s adventures come about because she’s trying to help a friend.

And instead she ends up in the middle of a volcanic eruption.

Yoko is deeply, fiercely, uncritically loyal to the women she becomes friends with. It does not matter if you’re a criminal, an heiress, a time-traveler, an alien, an assassin or a rogue scientist: if Yoko likes you, she’ll be friends with you. And once she is, she will walk through fire for you. Or travel to a galaxy a hundred light-years away for you. Or fight the devil for you (this is an actual plot; I am not even kidding). Or time-travel for you.

Honestly, Yoko is a bit like James Bond. Every movie, Bond has a different girl he sleeps with; every book, Yoko has a different woman she become friends with. Unlike Bond, however, Yoko stays close to these friends, who remain important characters throughout the series. Her navigation of her complex relationships with a diverse group of women is a highlight of comic books.

James Bond. Except with less sleeping around. And more awesome.

Yoko Tsuno Khany Roger Leloup

Yoko and her friend Khany, the leader of Vinea

Eva: “Careful! Do you always drive this fast?”
Yoko: “Yes – when I think I’m about to find a friend.”

8. The Orphan’s Tales by Catherynne Valente

Catherynne Valente The Orphan's Tales In the Night Garden Cover

Someday, I will stop raving about Catherynne Valente’s Orphan’s Tales, and everyone will breathe a sigh of relief. But today is not this day.

Yes, on top of being a feminist retelling of A Thousand and One Nights, The Orphan’s Tales features women who talk to other women. Lots of women who talk to other women, in point of fact. There are many tales, and there are many female friendships. There are also many male friendships and many male-female friendships, all of which are rendered exquisitely by Valente’s  storytelling.

Listing the many female friendships in this series would take far, far too long. So I’ll just focus on the crew of the Maidenhead.
The Maidenhead is an all-female ship: the Captain, the navigators, the deckhands – all of them are women. All of them are also monsters – satyrs, three-breasted women, fox-women etc. They go around the world, rescuing other monstrous women and welcoming them into their ranks. They mentor one another – one of the most important friendships is the one between Tomomo, the Maidenhead’s first Captain, and Saint Sigrid, the Maidenhead’s second Captain. And they become renown the world over… before disappearing mysteriously in the deep blue sea.

Sigrid, an old woman who worships Saint Sigrid (and who used to be a bear), befriends Snow, a white-haired orphan. The two of them go on an epic quest to discover the location of the Maidenhead; they eventually get themselves swallowed by the same giant whale who swallowed the Maidenhead a few hundred years ago.

This is an epic, “fight-armies-for-you,” “get-swallowed-by-a-whale-for-you,” group of awesome, loyal, sromantic female friends. The kind I always look for in my fiction.  And it is glorious.

“Of course we’ll take you,” The Saint said. “Tommy bade us never turn away a recruit. We are a family of monsters, and the birth of new beasts is a cause for joy.”

9. Xena: Warrior Princess

Xena and Gabrielle

Don’t mess with success

I couldn’t make this list without putting Xena: Warrior Princess on it. Xena and Gabrielle are perhaps the only truly iconic female friendship in SF/F culture.* They’re our Kirk and Spock, our Frodo and Sam, our Holmes and Watson.

{when I say “iconic,” what I mean is: everyone knows about them}

And yes, I know. They’re sleeping together. We all know they’re sleeping together. It’s a truth universally acknowledged in Xena fandom that Xena and Gabrielle are a couple.

But despite all the queer subtext, the two women never have a relationship on-screen. As far as the show is concerned, they’re just very close friends. Very, very close friends. So  I think it’s safe to call them friends for the purpose of this list.

Besides, they started as friends.

Xena: Warrior Princess follows the travels of Xena and her companion, Gabrielle, as Xena tries to make up for her dark past as a warlord by saving the helpless. There are a lot of explosions. And swordfighting.

The two women are constant companions. Gabrielle is initially a naive farmgirl who joined Xena to have adventures (and avoid an arranged marriage), while Xena is… a formerly evil warlord. Many of the individual stories involve Xena saving Gabrielle (or Gabrielle saving Xena). And the major emotional arcs in the series center around Xena and Garbrielle’s friendship.

They’ve died for each other. They’ve fought armies for each other. They’ve saved – and killed – each other’s children. They’ve gone to heaven and hell together. They were crucified together. They raised a daughter (Hope) together. The show calls them “soul mates.” They’re reincarnated together.

They’ve got the most epic friendship of all times, is what I’m saying. As far as I’m concerned, Kirk and Spock, Frodo and Sam and Holmes and Watson can all go take a hike. It’s Xena and Gabrielle all the way for me.

Xena: “Gabrielle, the love that we have, it’s stronger than Heaven or Hell. It transcends good or evil. It’s an end in itself! Our souls are destined to be together.”

[Ares, upon discovering that Xena is pregnant]
Ares: “I didn’t know you were looking for a father.”
Xena: “I’m not.”
Ares: “Well then, someone clearly has the job.”
Xena: “Yeah, Gabrielle. “

Xena and Gabrielle Friends

Xena: “So… you’ll be my friend?”
Gabrielle: “Sure! I love a woman with a shiny sword.”
Xena: “HAHA, we’ve beaten the curse!”
Gabrielle: “The curse?”
Xena: “The curse that says no two women in SF/F can speak to each other without dying.”
Gabrielle: “Yeah, I’m pretty sure that’s a myth.”
Xena: “Uh, Gabrielle, we live in ancient Greece. One of our best friends is a Centaur. The other ones are Amazons and Gods. It’s quite mythic around here.”
Gabrielle: “Okay, so it’s not a myth. It’s an urban legend.”
Xena: “You’re an urban legend.”
Gabrielle: “Oh, ha-ha. You’re lucky I like your sword, or I’d go find a smarter friend.”

Edited To Add:

I’m keeping a running list of all the books/TV shows/whatever with prominent female friendships that I remembered AFTER writing the list. [I'm only adding things to the list that I've seen or read, just because it's the only way I can vouch for their...veracity. Doesn't mean I don't agree with other suggestions!]

1. Cold Magic and Cold Fire by Kate Elliot. How could I forget about this series? (which I love) Cat and Bee 4ever!

2. Sailor Moon. For obvious reasons.

Related Posts:

Why I Don’t Read Comic Books: A Call for Recommendations 

May Reading Roundup: Who Saw the Fantasy?

I Never Wanted to Be A Boy (A Tribute To Authors)

How the Power Rangers turned me into a Feminist


Follow

Get every new post delivered to your Inbox.

Join 1,111 other followers