As some of you might know, for the last five months, I’ve been volunteering as a clinic escort for an abortion clinic. I live in New York City, a very blue part of a very blue state. You’d think this would be an easy gig.
It’s been… interesting! And by interesting I mean “hair-raising.”
I’ve been planning to write a post on my experiences since the first time I escorted. A month ago, I gathered up allll of my courage, and asked Melissa McEwan, one of my personal heroes, if she’d be interested in running the piece on Shakesville.
*freaks out for a five minutes*
So, if you’d like to read about my experiences volunteering as a clinic escort, you should go over to Shakesville and read the piece: The Truth About Buffer Zones and the Harassers Who Hate Them.
As a side note: I’m currently fundraising (alongside my fellow escorts) for the New York Abortion Access Fund through the National Abortion Access Bowl-A-Thon (whew, that’s a mouthful). Unfortunately, protesters aren’t the only deterrent to abortion access. Abortions are expensive, and are rarely covered by private insurances. A first trimester abortion costs upwards of $500, and anything beyond that can get up in the thousands.
So if you can, please consider donating to me/my team. Or donating to a local-to-you team (you can search the events to find teams in your area). If you donate to a local-to-you team, it would make me super-happy to know about it – leave me a comment, maybe? I will obviously know if you donate to my fund directly!
[Trigger warning for suicide ideation, depression, mental illness, stigmatization]
I am a proud member of Prozac nation.
I refuse to solve my problems and deal with unpleasant emotions. I don’t treat my depression with good ‘ol hard work and bootstraps. I take the easy way out. I medicate. My moods are chemical, my personality is a façade created by neurotransmitters.
Ah, manufactured happiness.
All jokes aside, I love it when I’m told that treating depression with medication is the “easy way out.” Nearly forty thousand people commit suicide every year in the United States, and approximately 60% of those people suffered from major depression. Moreover, 15% of the population will suffer from clinical depression at least once in their lifetime, and 30% of clinically depressed people attempt suicide.
I’m sorry, what, exactly, is the problem with using an “easy way out” of depression?
The idea that antidepressants are a lesser treatment is rooted in the narrative that depression is a personal failure rather than a disease. If depression is a personal failure, then you can correct it through hard work. Taking a pill to “solve” your mistake is a cheat, an unfair shortcut to redemption.
One of the consequences of ableism is our collective distaste for vulnerability, whether of the body or of the mind. We want to believe our bodies are under our own control. We especially want to believe that our minds are under our control. The idea that our brains could suddenly get sick, and we wouldn’t be able to switch them back to healthy is, frankly, terrifying.
So we lie to ourselves. We tell ourselves that depression doesn’t exist, that it’s an invented disease, that it’s just people complaining too much about bad moods, laziness or hard times. It’s easier than confronting the reality – than realizing that yeah, there are mental, and we can’t magically control them with the flip of a mental switch.
Unfortunately, the “make loud noises and hope the problem goes away” tactic isn’t exactly helping. In a 2011 study on why people with depression don’t seek treatment, sixteen percent said they perceived treatment as ineffective, while ten percent cited stigma. 21.2% of the people who drop out of treatment do so because of stigma, and 21.1% do it because of perceived ineffectiveness.
So yeah, when you start denying that antidepressants work at all, or when you say that depression is a made-up disease and the people who have it are weak… there are consequences to that.
This discussion isn’t theoretical for me. When I started taking antidepressants, I, like many people, didn’t believe they worked. I thought the “hard work” of therapy would fix my depression, not the “quick fix” of medication. Thus, when the antidepressants did nothing, I didn’t bother to alert my doctor.
It took a long courtship to reunite me with antidepressants. Our reunification took a the form of a classic, 19th century marriage plot: we had to go through misunderstandings, affronts, passions, separations and despair before we finally found each other.
1. Misunderstandings: Fluoxetine, part 1
It was my first year in college. I hadn’t wanted to go to my university – McGill – because I thought the school was too big and I would be isolated and alone.
And, since 17-year-old me was quite prescient, I was precisely right! I did feel isolated and alone.
I did have one small ray of light: I was in a play! Whooo! Unfortunately, the play had an end date. And on the aforementioned end date, I went back to my dorm, fell asleep, and didn’t come out for three months.
Okay, so I’m glossing over some details. I did leave to get food and go to the bathroom. But I didn’t go to class. I didn’t go outside. I stopped reading. I stopped contacting the outside world. I spent my days lying in bed, listening to music, and watching every single episode of America’s Next Top Model.
I wasn’t sad. I wasn’t filled with angst. I wasn’t even anxious – which, if you know me at all, is pretty rare. I was just numb. Numb, numb, numb, numb, numb. WHEEEEEEE, numb.
Sure, I was failing all my classes, ruining my academic career, spending my days in bed and doing absolutely nothing. But I wasn’t worried!
I wasn’t anything at all.
To me, nothing was wrong. I was just incredibly lazy. That was the problem. Any day now, I would snap out of my incredible laziness and start working again. Bootstraps! Yes sirree. (This strategy did not work)
Three months in, I finally told my mother that I might be a “little depressed.” Because my mother knows that I have an *incredible* gift for understatement, she interpreted this correctly as “I might be really really depressed, oh god help.”
The mental health clinic at my school had a three-week waiting list for an appointment, and my health care coverage in Quebec was crap, so my parents flew me back to the United States to see a doctor. I took the two-page test medical practitioners give you when they think you’re depressed (some of you know exactly what I’m talking about) and my doctor took one at it before he said: “Uh… yeah, you’re pretty fucking depressed.”
Except he didn’t use the word “fucking,” and he did use the phrase “major medical disorder.”
Then the Doctor recommended that I take a medical leave from school (before I failed allllll my classes) take antidepressants, and start therapy. I was worried that therapists wouldn’t think I was depressed enough to take a medical leave (remember, I still thought I was just a “little” depressed), but the two therapists I saw back home couldn’t sign the “This student should really take a medical leave of absence” sheet fast enough.
Meanwhile, my doctor put me on one of the most common antidepressants: Prozac, AKA Fluoxetine.
Fluoxetine is an SSRI – a Serotonin Selective Reuptake Inhibitor. The way SSRI’s work is by inhibiting the reuptake/ reabsorption of serotonin, a neurotransmitter that regulates mood. Because your brain isn’t “reuptaking” the serotonin, there’s more of it around, which leads to more ‘happiness.’ At least, that’s the theory.
I took a medical leave from McGill. I came home. I took antidepressants. I started therapy. Therapy was good. Not being in school was good. Being home was good.
Fluoxetine… was not so good.
“It works pretty fast,” people told me. “It was pretty instant when I took it.”
Well… I wasn’t feeling anything. Not after two weeks. Not after six weeks. Not after two months. Therapy and lack-of-school were making me feel better, but I didn’t feel like the numbness – the nothingness – was gone.
Then again, I’d never taken antidepressants before – and frankly, I didn’t really think they “worked.” Maybe the effect was really subtle. So I never brought the “not working” part up to my doctor.
When I went back to McGill at the end of the summer, I fell straight back into depression.
So much for fluoxetine!
Told you. It’s a complicated courtship.
This time I made it through the semester – somehow. It was a pretty terrible semester.
During the winter break, I found a new, less stressful, living situation. I decided to take only classes I thought I’d enjoy. And I stopped taking fluoxetine. I did not consult a doctor – I was in Montreal, and I didn’t have any medical authority to turn to. I just knew that the fluoxetine wasn’t doing anything. So I stopped.
Things got better. I lived in a good place; I went to interesting classes; I started making friends. By the end of the semester, I was in recovery.
So hey! you might be thinking. Doesn’t this story prove that antidepressants don’t really work, while therapy and changing your life circumstances does? You took antidepressants and things got worse, you stopped them and things got better. Case closed, right?
Here’s the thing about depression: we haven’t quite figured out how the fuck it works. Some of it has to do with brain chemistry, but some of it is definitely due to environmental or psychological factors. And we’re not sure how those three interact, or which ones to “treat” first.
Let’s look at those factors in the case of my depression.
1. Environmental: I was in a university I hated. I had no support system. I had no community. I had no friends. There was nothing to be happy about.
2. Psychological: Without getting into a ridiculous amount of details, one of my parents was emotionally abusive (or, to quote my first therapist: “your parent is a real bully, huh?”), and the emotional abuse caused me to adopt some pretty maladaptive lines of thought. Like blaming everything on myself; thinking I was worthless, hating myself etc. The usual.
So these environmental and psychological factors were definitely fueling my depression. And then we get to:
3. Weird brain chemistry stuff.
We know that depression changes a person’s brain (see above). We think it might have something to do with the neurotransmitters that regulate mood, like serotonin and dopamine. It’s not entirely clear whether your brain chemistry gets weird, so you get depression, or whether you get depression, and then your brain chemistry becomes weird. Maybe it’s both. Maybe it’s different for different people. Probably it’s different for different people.
But right now, science is still a bit baffled. Yes, we’ve got antidepressants, but no one’s quite sure how they work, or why they work. We know they’re doing something, because they help a lot of people. But they’re also totally useless for a lot of other people. Some people respond terribly to one antidepressant, but do great on another one. And nobody’s sure why! But we’re dealing with a pretty terrible illness, and if a tool works, we’re going to use it, even if we’re not sure exactly what it’s doing.
(This is, obviously, a massive oversimplification of the current state of depression studies)
So, to recap: since environmental and psychological factors were a big part of my depression, changing them – finding a better living situation, going through talk therapy, surviving the hell of my second semester – made a big difference. Enough of a difference that I went into depression-recovery even though the meds I was taking to target my brain chemistry weren’t working.
Here’s the flip-side: it took me over a year-and-a-half for me to recover from my first depression without the help of medication. And it was not a fun year.
Still, you think: all the medication and neurotransmitter stuff I just talked about? That’s all theoretical. The proof is in the pudding. You got better without antidepressants!
Just wait. You’ll see: there’s more to this story.
Affronts – Fluoxetine, part 2:
The next two years went pretty well. I switched my major, fell back in love with school, made friends, participated in a play, found my community. When I had the time and resources, I went to therapy.
And then: the migraines.
My migraines have always been problem, but in my junior year at McGill, they became a plague. I got them almost every day: blinding pain in the back of my skull, accompanied by dizziness and aching muscles.
I decided that the solution to my migraines was to overhaul my diet. Protein, I thought, was the key. Cut out all those carbs and sugars, and eat miles of protein instead. Oh, and I should start an exercise program. An hour at the gym every day.
I told myself these changes – the diet, the exercise – were for my migraines. But deep inside, I knew the truth: convinced I was too fat, I wanted to lose weight.
The migraines got a lot worse. Shockingly worse. Before I started going to the gym, my migraines would always go away with a good night’s sleep. Now, I would come out of the gym and have migraines that lasted for days. Nothing made them budge – not medication, not sleep, nothing.
And even though I knew the exercise was causing the migraines, and the diet was making it worse… I kept going.
That’s when the shit hit the fan: my migraines became light-sensitive.
I would go to school feeling fine, and after an hour under fluorescent lights, I would have a migraine bad enough that I’d need to go home immediately. I couldn’t handle any light – I closed all my shades, turned off all the lights, switched my computer off – and spent the day in the dark. I couldn’t do anything. When I tried, the pain would be so bad that I would start throwing up.
Not surprisingly, these circumstances took a psychological toll. Combine the pain from the migraines with the fact that I couldn’t do anything and you’ve got a recipe for a very unhappy Suzanne. Before I even realized what was happening, I’d landed back in the middle of the town of Total Numbington.
Once I stopped going to the gym, started eating better and kept spending all my time in the dark the migraines got better subsided. My residency in the town of Numbington, however, was far more permanent.
In a repeat of my first depression, I spent most of my time in bed, reading piles upon piles of X-Men: First Class fanfic. Fortunately, this depression didn’t seem as severe as my first, so I was still able to go to class and do work. My grades held steady.
I did not see a doctor in Montreal.
When I finally came home to Wisconsin, my parent had switched health insurance plans, and I could not longer access my long-term therapist or doctor. My new doctor asked me almost no questions before diagnosing me with depression again. Then she asked me if fluoxetine had given me any side effects when I’d first taken it.
“None that I noticed.”
“And did it help?”
“I’m not sure. I didn’t feel anything, but maybe it was subtle.”
She started me on fluoxetine again.….I am not a good advocate for myself in health situations. At all. Because I should have stopped her there and said “no, fluoxetine didn’t work, we need to try something else.” But since I still didn’t realize that you’re actually supposed to * feel * the effects of antidepressant, I just acquiesced to the fluoxetine. Again: telling people that antidepressants don’t work HAS CONSEQUENCES.
The doctor, of course, wins a gold medal in “wut” medicine for translating my “I’m not sure fluoxetine did anything” response into “let’s just throw more fluoxetine at the problem.” (In a shocking twist of events, fluoxetine did absolutely nothing. Who could have predicted that result, huh?)
Some good things did happen that summer. I found a great new therapist. I started a fairly effective migraine treatment. The lack of school-related stress from school also helped. I certainly wasn’t as depressed at the end of the summer as I was at the beginning.
Eventually, I saw another doctor. I brought up the fact that fluoxetine (still) wasn’t doing anything. She decided not to switch my medication since I was about to move back to Montreal.
“We don’t want too many changes at once.”
I was pretty much on the “FUCK ALL ANTIDEPRESSANTS FOREVER” train by this point.
Passion, or Wellbutrin Part 1
I returned to school, still on fluoxetine. Though the fluoxetine remained useless, my depression was under control.
It was a good semester. I found a low-cost therapist. I started dating the Feminist Philosopher. I worked on my honors thesis, I enjoyed my classes, I wrote some popular blog posts.
But even in those good moments, part of me was still stuck in Numbington. And I was sick of it.
The next time I went to Wisconsin, I made an appointment with a new doctor. This was the third primary care doctor I’d seen in less than a year, and I was not optimistic.
But this time, I did my research. I wrote a list of concerns. I found a website with lots of information about antidepressants (Crazy Meds), and I read the relevant information. I knew enough that I could advocate for myself.
And this time, the doctor actually listened to me. Our appointment was supposed to be fifteen minutes long, but she spent an hour with me. We went through my list of concerns, discussing the various things that could be contributing to my mood, making a plan. She asked my opinion on various medications.
I walk out with a list of concrete suggestions and a prescription for Wellbutrin.
Wellbutrin, otherwise known as Bupropion, is not an SSRI. And it’s not… entirely clear how it works (you may have noticed a trend here). Our best guess is that it inhibits the reuptake of dopamine and norepinephrine, two neurotransmitters that, like serotonin, work as mood regulators. Since I hadn’t responded well to an SSRI (fluoxetine), my doctor bet that targeting dopamine and norepinephrine would work better than moving on to another SSRI.
Wellbutrin works quite well with depression. It also has very few of antidepressants most infamous side effects: it doesn’t (usually) cause sexual dysfunction, weight gain or somnolence (feeling tired all the time). It occasionally leads to weight loss – which some people may feel is a plus, but which could be a problem for others.
Crucially, Wellbutrin works particularly well with people whose depression is coupled with social anxiety (*raises hand*) and people whose depression manifests through anhedonia – an inability to take pleasure from activities you usually enjoy (*raises hand*).
Wellbutrin, in other words, was an ideal antidepressant for me. It wasn’t an SSRI, it had few side effects, and it tended to work well for people whose depressions were similar to mine.
I felt so much better when I walked out of the doctor’s office, in large part because I wasn’t just taking a pill on faith. The doctor had explained her reasoning, and I felt that she was addressing my specific needs, rather than giving me a one-size-fits-all medication.
Thus, armed with a new antidepressant and a whole lot of hope, I returned to Montreal’s cold embrace.
Reader, Wellbutrin worked.
Two and a half weeks after I’d started the pills, I woke up at nine, lounged in bed for less than five minutes, got up and started making breakfast.
Wait. Pause. If there was something I’d never been able to do during my depressions, it was actually waking up. What the hell was going on?
It kept going. I started getting out of bed with energy in the morning. I was motivated to do things. I was procrastinating less. I’d finally started outlining my honors thesis. My appetite was back. My insomnia was gone. I planned for meals and sleep. And my anxiety, the electric beast perching on the back of my head day and night, seemed to have gone to sleep. I only felt occasional prickles.
Then, reader, I had to have a bit of a sit-down. Because if a medication could make my depression better so quickly and so radically, then maybe I wasn’t the problem.
Maybe I actually did have fucked-up brain chemistry.
You think I would have figured this out earlier. But even though I believed that depression was a disease, not a personal failure, and even though I knew the mechanics of depression, and even though I knew I couldn’t just “snap out of it – subconsciously? I was pretty sure it was my fault. I bought into the “depression as personal failure” model.
Wellbutrin knocked a couple legs off that theory.
Part 4: Separation, or Wellbutrin, part 2
A few weeks after Wellbutrin started working, I started fainting. Plus, I had a noxious combination of dizziness, nausea, constant-never-ending hunger and hypoglycemia.
… side effects.
I was in Canada, and I had no way to pop down to my doctor’s office in Wisconsin to figure out if Wellbutrin was indeed causing these symptoms. They weren’t on the list of common side-effects, but there weren’t a lot of competing explanations. At some point, my doctor stopped responding to my emails. I was cut off of medical advice. Any doctor I could have seen in Canada would have cost a whole lot of money, and would have zero knowledge of my medical history.
And meanwhile, I was dizzy/fainting/hungry/nauseated/ freaking out.
I stopped taking Wellbutrin. Cold turkey, no titrating. It seemed like the best option at the time.
I stopped fainting. The dizziness went away. And the depression, temporarily banished to the outer atmosphere, fell straight back home. With a vengeance.
Going from “doing good!” to “severely depressed” in a week was viciously painfulI spent a lot of the month of February and March curled up in bed, watching Elementary and drawing pictures of naked women (don’t ask).
But I did return to functionality. Depressed functionality, true, but functionality. All of my assignments got turned in on time. I missed minimal classes. I finished my honors thesis with time to spare. I graduated with first class honors. I made some big life decisions; I moved apartments; I dealt with bed bugs. I started playing video games.
I was depressed, but I was okay.
Part 5: Despair
Then I stopped being okay.
It was summer. I was no longer in school. I was facing a really massive change in my life: the end of college, the beginning of my adult life, a move to a terrifying new city etc. etc. etc.
And I was now entering year two of an untreated depression.
My depressions were usually characterized by numbness, exhaustion and lack of interest in the world. I did have moments of overwhelming sadness, but they were moments. They lasted twenty minutes to an hour at the most.
Now they lasted days. My numbness now translated into constant sadness and despair. I took frequent breaks during the day to lie in bed and cry. I cried myself to sleep most nights.
And then, for the first time in my near-five years of experience with depression, I experienced suicide ideation.
Feeling suicidal is Not Fun. Especially when it’s happening 2-3 times a week, and you’re too terrified by the feeling to tell anyone. I’d always been able to handle my depression. I didn’t know how to handle this. I didn’t know how to handle the overwhelming sadness and shame and guilt that made me want to die. I’d always felt like a burden; now I felt like so much of a burden that I just wanted to disappear, to make everyone’s life easier.
Yes, I wanted to live; I wanted to live desperately. I had so much to live for. But I also wanted desperately not to feel, to stop the pain of living, to end my constant guilt. In those moments, I felt trapped – I couldn’t see a stopping point to the pain. I didn’t believe there would be a stopping point. I just wanted it to end.
It never got bad enough that I started planning, or even considering options. But the “not bad enough” was more than bad enough for me.
I was so scared.
A friend and I were talking over facebook around this point, and she said, “I don’t understand. You have the Feminist Philosopher. You two seem so happy together. And you’re moving to NYC, and there’ll be lots of opportunities there. Why are you depressed?”
See, that’s what’s so terrifying about depression. It’s not necessarily a response to something. It can be caused by psychological and environmental factors, but it doesn’t need to be. It’s an illness.
It doesn’t need to be caused by anything.
Which, when you’re lying in bed thinking about death, is horrifying. Because if it isn’t caused by anything, how are you going to make it go away?
Reunification, or Paxil
To cut a long story short: I found a way to get back to Wisconsin (for a ridiculous amount of money). I saw my doctor and left her office with a prescription for a new antidepressant: Paxil, AKA Paroxetine
Even today, I have zero idea why I was prescribed Paxil. It’s one of the more prescribed antidepressants, but it’s not one of the most effective ones – in a lot of trials, it’s not even as effective as fluoxetine, which we’d established didn’t work for me at all. It’s also one of the worst, if not the worst, antidepressant for side effects – especially for sexual side effects.
I… was not happy about that. I really like sex. Sex was one of the things that remained wonderful despite the depression.
And, on top of the horrible side effects, Paxil has a notorious discontinuation syndrome. If Paxil didn’t work, not only would I have to find a new antidepressant, I might also have to deal with withdrawal.
At the same time… Wellbutrin was supposed to work great and cause zero side effects. But it didn’t. So maybe I wouldn’t know how Paxil would work for me until I tried it.
So I tried it! Very unhappily, but I did!
I really wasn’t expecting much.
But taking Paxil, my friends, was a good life choice, because two-and-a-half weeks later, the fog just – lifted.
I know this whole “fog-lifting” thing sounds like a figure of speech, but it did not feel that way at the time. It was as though every color in my brain had reset to a brighter setting. Two weeks.
I stopped feeling suicidal. I haven’t had a single episode of suicide ideation since I started taking Paxil. All my random crying jags ended. I mean, I still cry, but there’s always a reason – I’ve had a bad day, I’ve dropped a stack of books on my foot, I’m watching Catching Fire and I can’t handle the flashbacks to RUUUUUEEEE.
My moods made sense. I wasn’t randomly desperate or unhappy or mad. If I was sad, it was because something sad had happened. And my default was no longer “numb/sad,” it was “fairly happy.”
Yeah, when antidepressants work, they can really work.
A few weeks later, I moved to a new city – New York City, in fact. Unlike my first major move (to Montreal), this one did not provoke a new depression. In fact, I was pretty thrilled. I found a great job. I found a second job as a freelance book reviewer (!!!). I made friends. I explored the city. I spent lots of time with my boyfriend.
When people say that antidepressants squash creativity, I laugh and laugh. Sometimes I can stop laughing before they start talking about calming drinks.
Prior to Paxil, I was basically incapable of reading, much less writing. When I got to New York, I started writing again. I managed to publish a few blog posts – those had essentially disappeared during the Major Depressive Summer. I began writing fiction again for the first time in years. I taught myself how to spin yarn using a drop spindle. I started painting my nails. I took the GREs, I applied to graduate school, I got a 750 on the GRE in Literature. The three people who have taken that test are now suitably impressed.
I started volunteering.
… yeah, I’m pretty sure the antidepressants aren’t destroying my personality.
Okay, let’s talk about the bad news – the side effects.
I’ve got a couple. The usual vivid dreams – serotonin is notorious for this one – but vivid dreams don’t really bother me. I’m sleepier, although I can’t tell whether this comes from the paxil, or from all the migraines I’ve been getting. I now shake my leg when I’m working at my desk – again, I can’t tell if this is a side effect from paxil, or if I’ve just picked it up in the last few months.
I haven’t had any sexual side effects, which is BLOODY FANTASTIC. My sex life is great, thanks for asking!
I have gained a lot of weight. Side-effect fatty over here! Obviously, it is possible that this is an unrelated weight-gain, but the evidence seems to indicate that it stems from the Paxil. I’ve also been eating less and exercising more since I started Paxil (it’s amazing how not being depressed can help you get out of the house/cook food). And I gained weight on my other SSRI, fluoxetine, which I lost it when I stopped taking the drug.
I think I’ve gone up a couple dress sizes. Am I super-happy about this? Nope!
I am a product of our society, and although intellectually, I don’t think there’s anything wrong with being fat(ter), I struggle with a shit-ton of body issues. Plus, you know, having to buy new clothes sucks.
At the same time, I’d rather be bigger and happier than thinner and depressed. At least when I’m in recovery, I have the emotional resources to deal with body-image issues. When I’m depressed and thinner, I still hate my body, but I have no capacity to deal with it.
So. On balance, I’m quite pleased with Paxil. It took three medications, but I’ve finally found one that puts me in recovery, and where the side effect are tolerable.
Part 7: The end of the courtship
Having been through the whole courtship and marriage plot shindig, let me tell you, I’ve learned a lot about antidepressants. I know how to make a relationship with serotonin and other neurotransmitters work.
Let me share my secrets.
1. If you don’t feel antidepressants working, they’re not working
I wasted an incredible amount of time taking fluoxetine because I thought it might be working even though I didn’t feel any different. Now I know better: if you don’t feel an antidepressant working within six weeks, it’s not doing anything.
You definitely want to give it six weeks (although many doctors will want you to check in after three weeks to see if they should up the dose) because some antidepressants take time to work. But if you’re not feeling anything, or if what you’re feeling is so subtle that it’s meaningless, you have the right to bring it up. There’s nothing wrong with you because a treatment didn’t work. And you are not obliged to keep quiet about it to make the doctors feel better or to avoid inconveniencing anyone.
Moreover, just because one dosage of one antidepressant doesn’t work does not mean that antidepressants are wrong for you, full stop. After using fluoxetine, I was pretty sure antidepressants did nothing for me. Five years later, I can say with certainty that some antidepressants do a whole lot for me.
Is it a pain in the ass to deal with the trial-and-error of finding the right medication? Absolutely. Just like it’s a pain in the ass to do the trial-and-error of finding a new therapist.
But one experience with antidepressants does not seal your fate with psychiatric medications.
2. Doing your own research is a good idea.
Understanding how antidepressants work and having my own internal database of medications, their side effects and their efficacity went a long way to reconciling me to the idea of psychiatric medications after my bad experience with fluoxetine.
Obviously, it’s important to remember that what you find in your research doesn’t determine how you’ll react to any given antidepressant. See: my experience with Paxil. But it can help demystify the process and allow you to advocate for yourself in the doctor’s office.
You can also get an idea of what side effects are unacceptable to you. Heightened anxiety? Cognitive problems? Somnolence? Loss of libido? If you give doctors an idea of what you don’t want, they can try to tailor their prescription.
At the very least, if you’ve done your research, when your doctor says something you know is false, you can run.
(I’m personally a big fan of the irreverent and comprehensive website Crazymeds. It’s got a ridiculous amount of information on various psychiatric medications (not just antidepressants). It’s also run by crazy people, for crazy people, which I find reassuring))
3. Advocating for yourself is important, but is also paradoxically the hardest thing to do while depressed.
Finding the right antidepressant involved a whole of lot of me standing up for myself, demanding that doctors help me and refusing to believe that it was all my fault.
In other words, it took a lot of investing in myself.
But there’s a reason it took me five years to get to that point. Because when you’re depressed, you have nothing to invest in yourself. Your resources are gone.
And depression, meanwhile, is actively convincing you that there’s no problem at all… except you. You’re the problem. You’re not sick, you’re just lazy/stupid/etc.
Which is why:
4. Getting good treatment involves supportive, continuous healthcare.
You know when I started getting good treatment? When my doctor started listening to me. That’s how I got prescribed Wellbutrin. That’s how I got prescribed Paxil. Before then, I’d been through two separate doctors who either hadn’t listened to my problems, or hadn’t inquired further about my experience with antidepressants when I said they weren’t doing much. That… was not okay.
Mental illnesses are a chronic problem, and they need continuous care. A prescription is not the end. Often, problems will arise, the dosage will need to be adjusted, side effects will appear, or the medication won’t work at all. Healthcare here needs to be seen as a long-term process, both by the patients, and by the doctors. My biggest problem with recovery has been my lack of continuous healthcare. Even when I found medications that worked for me, I couldn’t go see my doctor for a regular check-in, because I was in Canada and she… wasn’t. I probably would have found the right antidepressant a whole lot faster if I were able to access healthcare more often.
But unfortunately, access to healthcare was geographically and economically impossible for much of my college life. (It’s still economically impossible for me at this point, which… is great! (not))
5. Who gives a shit if Antidepressants Are the Easy Way Out?
So, are antidepressants the easy way out?
Time for a rant: The idea that antidepressants are an “easy solution” to depression is such bullshit. The flip side of that coin – that therapy, exercise, diet change etc. and tackling the “root psychological problem” – are the “correct” way to solve depression is also pure BS.
Both these ideas are rooted in the narrative that depression is a personal failure, a mistake you can “correct.” Some people choose the “easy” way out and just take pills, which means they never “correct” their personal failures. Others pull themselves up by their own bootstraps by doing therapy and running 30 miles a day. Those people are actually “correcting” their personal failure by doing the hard work of personal redemption.
Yo, depression isn’t a tragic flaw in a shakespearian tragedy. It’s a disease that fundamentally changes the way your brain works. You do not “deserve” to be depressed. You aren’t depressed because you took the wrong path in childhood. You aren’t depressed because you’re lazy. You aren’t depressed because you’re weak. You’re depressed because you have an illness.
And since depression is an illness, not a character flaw, it responds to treatments like an illness. Which means that everyone’s depression will respond differently to therapies and treatments. No treatment is inherently better or worse than another. If therapy helps you, that’s great. If antidepressants help you, that’s great. If a combination of the two is an optimal solution, that’s fantastic.
Important side note: since depression is an illness that no one really understands, you won’t know what works for your depression until you’ve found it. There’s no great way to guess what’ll work for someone, which is why we shouldn’t assume that one treatment is better than another for any particular person (unless, obviously, there are allergies/side effect issues/other health factors).
Finally: Who the fuck cares about whether something is “easy” or not when you’re severely depressed? Seriously, this is life we’re dealing with, not an endurance contest. There is no prize at the end for the person who Worked The Hardest To Solve Their Brain Chemistry Problems.
Disclaimer: This was my long, long, long post about my personal experience with antidepressants. As a reminder, it’s… my experience, not anyone else’s. And there are a shit-ton of problems with antidepressants beyond the fake issues people invent. Hey, it’s harder for people of color to get correctly diagnosed! Doctors make all kinds of terrible mistakes based on stigma! We don’t have the healthcare structure necessary to make sure that people who need treatment *get* continuous treatment!
Tons of problems.
Antidepressants being “easy” isn’t one of them.
Content Note: Spoilers for Batwoman, discussions of homophobia, heterosexism, Bury Your Gays
I just moved into a new place (Stressful! Fun! Exciting! Terrifying!), and I’m trying to be more organized. Instead of putting ALL the books on my desk, most of them are going on a bookshelf. Radical, I know!
I’ve decided that only my most important reference books should live on my desk.
Oh, and I also put two comic books on my desk, to accompany the big serious boys of literary criticism, gender studies and racial deconstruction.
They were expensive – twenty dollars apiece. I bought them as gifts to myself.
… That’s a lie. I bought them as protection, not as gifts. I bought them the day after Amanda Todd, a victim of cyberbullying and slut-shaming, committed suicide. I’d just spent an hour on the internet, reading the horrible things people said about her both before and after her death, and I was devastated. Just – devastated. That Amanda Todd had to grow up in this world, where people treat women so despicably. That so many people would say such vile things to, and about, a child. That Todd was just one of many girls who experience this level of cruelty and bullying.
I needed something – someone – to remind that there is hope, and power, and possibility .
So I bought Batwoman.
Last week, Batwoman co-writers J.H. Williams III and W. Haden Blackman announced that, due to DC’s editorial interferences, they would be leaving the comic after issue 26. J.H. Williams III and W. Haden Blackman are largely responsible for Batwoman’s success over the last two years (with Greg Rucka, who wrote the initial Elegy storyline, and whose departure I still mourn). J. H. Williams III’s art defines Batwoman – he’s been with the comic since the beginning, and his work is so superb and distinct that I still find myself flipping through my trade books to look at the art. His artistic vision of Kate Kane made her an instant superhero.
Williams and Blackman cite several instances where DC overruled long-outlined plot events at the eleventh hour. But the one that is receiving the most attention – and that angered Williams and Blackman the most – was DC’s edict that Kate Kane (Batwoman) could never marry her fiancee Maggie Sawyer.
Batwoman is a lesbian superhero. She’s the only one in the DC or Marvel universe, as far as I know, to have her own book. She was kicked out of the military under Don’t Ask, Don’t Tell, she’s had several girlfriends (including my favorite, Renee Montoya), and she’s now engaged to marry a woman.
DC and Williams/Blackman all say that the marriage prohibition was due to creative reasons, not to Kate Kane’s sexual orientation. And I believe them – I think Dan Didio and the higher-ups at DC honestly didn’t want one of their superheroes to be married. They have a bizarre anti-marriage policy for their protagonists.
But creative decisions cannot be separated from their cultural context. And preventing a queer couple from getting married has a very different context from preventing a straight couple from getting married. As Susana Polo from The Mary Sue explains, gay characters have “a history of being disproportionately depicted in either no relationships, failed relationships, prematurely ended relationships, or terrible relationships.” Moreover, queer people in comics, movies and literature are rarely allowed to have happy endings – think Ennis/Jack from Brokeback Mountain, Willow/Tara from Buffy and Jack/Ianto from Torchwood.
Hell, DC made the original Green Lantern, Alan Scott, gay – and then promptly killed off Alan’s boyfriend WHILE ALAN WAS PROPOSING.
The “Bury Your Gays” trope isn’t an old narrative we’ve all outgrown. It’s well and alive. And harmful.
Yes, it sucks when straight couples can’t get married in the DC Universe. And yes, in my opinion, it’s shitty storytelling. But straight people can look out into a world where their relationships are validated, are legitimized and are common. They can go to literally any medium and find straight couples living happy lives and getting married. They will not find a whole pile of narratives where straight people die because of their sexuality.
Queer people, on the other hand, don’t have that luxury. They don’t get to shrug off the Batwoman marriage ban and say “okay, well, we’ve got so many other examples of happy queer couples in real life and in fiction, we’ll be fine.”
And it’s a fucked-up, oppressive and harmful trope. It makes queer people believe they have no chance at happiness – that their sexuality dooms them to failed relationships and death. It reinforces the idea that queerness is fundamentally tragic: it’s not something you want for your children, or your friends, or yourself.
There are many places in the USA where you can be fired for your sexual orientation (29 states, in fact). There are few places where you can get married to a same-sex partner. Yes, the Defense of Marriage Act was overturned this summer. But the end of DOMA didn’t magically solve the marriage problem. Charlie Morgan, an officer in the National Guard, died of breast cancer before she could see DOMA overturned. Her wife and daughter will not receive the federal benefits to which military spouses and children are entitled. Charlie Morgan spent the last few years of her life fighting to make sure her wife and child were recognized as her family. She had to fight – while dying of breast cancer – for that basic right. And she lost.
She’s not alone.
Queer children – and children who “seem” queer – are bullied, sometimes to death (MASSIVE trigger warning for that link – the stories of bullying are horrific). Some states have tried to pass anti-bullying laws, only to see them vetoed by conservative governors. Because apparently, children killing themselves due to bullying isn’t problem. Sometimes, teachers are barred by law from helping gay kids or talking about gay issues. Kids at my brother’s school still throw around the word “gay” as an insult. His gay friends are afraid to come out in Madison, one of the more progressive cities in the USA. In Russia, same-sex couples are facing a law that could take their children away from them. Their children could get taken away because of their sexuality.
So that’s the context in which Dan Didio and the DC executives decided that Kate Kane couldn’t marry her girlfriend.
That’s… not a neutral context. And that’s not a neutral choice. Even if it was well-intentioned. You can’t avoid playing into anti-queer tropes when you bar the queer protagonist of the only queer-headlined book in DC from getting married.
You just can’t avoid playing straight into those tropes. Your intentions do not matter. The tropes you are playing into reinforce the oppression that queer people have to navigate on a daily basis. I do not care about your intentions. You are now part of a long and proud tradition of grossness. Congratulations.
Now would be a good time to explain why Batwoman is the only trade I’ve ever bought. And why it’s the only piece of fiction on my desk. And why my computer background is a picture of Batwoman. And why this blog’s icon is Batwoman.
About a year ago, I announced on this blog that I would start a new project: I would read as many comics as I could so I could find some that were non-oppressive and female-friendly. My friend immediately recommended Batwoman: Elegy. And since I trusted her. I immediately ordered it from the library.
That summer we had a massive heatwave in Wisconsin. No rain at all, and sweltering temperatures every day – it was pretty miserable. And I’d volunteered to take care of my family friends’ garden, which was enormous and intricate and required an extraordinary amount of water. So I had to bike there every day around five (when it started to cool down), water for about three or four hours, and then bike home. In epic heat.
By the time I got home, I very rarely had energy to read. So I kept putting Batwoman off.
One night, I brought all the comics I’d ordered from the library with me to the garden. As the sun dropped slowly towards the west, I listened to Adele and and watered the roses, the tomato plants, the lilies. I put the sprinkler on, sat on the porch and pulled out Batwoman. The garden was lit with the orange-pink light of sunset.
I read for a long time.
I’m a fast reader – a trade comic usually takes me twenty minutes to read.
But I was in that garden for at least two hours.
I read until it was dark, and I had to turn the floodlights on – and then I kept reading. And reading. And reading.
I’m not sure I’ve ever had an experience with comics as absorbing as I did that night with Batwoman. I read pages over and over again, looking carefully at JH Williams’ artwork, flipping pages back to check relevant bits of dialogue, marveling at Kate Kane’s character and admiring Batwoman’s costume.
When I got home, I reread the entire comic.
I loved Batwoman. I love Batwoman. The art is incredible. The storytelling is engrossing and powerful and painful. Greg Rucka gives us information exactly when we least expect it, complicating our understandings of the characters and their motivations. When we feel like we can’t handle anymore, he pushes again, shattering our impressions and forcing us to reconsider everything we believed. Meanwhile, Williams’ artwork is such a perfect interpretation of Rucka’s plot: it’s arresting and beautiful and thematically resonant and disturbing all at once.
Batwoman: Elegy is a stunning, superb piece of work. I love it for many reasons, and I re-read it for many reasons.
But there’s one sequence that kept drawing me in. At this point in the story, Kate Kane is a military cadet at West Point. She’s called into her Colonel’s office and told that she’s been accused her of homosexual conduct. The Colonel tells her that if she apologizes – if she says it’s a mistake, a joke – she’ll face a disciplinary action, but she’ll stay in the army. The Colonel believes she’ll make a great officer, so he’s willing to bend the rules a little and let her stay on.
The next few panels are worth seeing in their entirety:
[Transcript: Kate Kane, a white woman wearing a cadet's uniform, stands in the Colonel's office. He's a white man wearing a military uniform.
Kate: "Sir, all I've ever wanted since my mother and sister were murdered is to serve."
Colonel: "Then it seems to me your choice is clear. You know what I need you to say."
Kate: "A cadet shall not lie, cheat or steal, or suffer others to do so. I'm sorry sir, I can't."
Kate: "I'm gay."
Kate removes her cadet's ring and places it on the Colonel's table.]
That sequence, for me, was Batwoman. Honor. Integrity. And a desire to serve without having to compromise herself.
That’s what Kate Kane achieved when she remade herself into Batwoman after being barred from military service. She could still serve, even if her country did not want her service. She could still protect her city and her people, even if her sexuality kept her out of the military. She could serve by her own code.
It was a message I needed to hear.
For the next few days, I was in turmoil. Was I living by my own code? Was I being honest about myself? Was I even being honest to myself?
I’d identified as straight for my entire life. My only relationship was with a man. I talked about crushes on boys all the time, and I certainly never mentioned crushes on girls. Sure, I always said I wasn’t 100% positive about my sexuality. Anything could change, and it was entirely possible that I could also be attracted to women. But I wasn’t attracted to women now. And I hadn’t been at any point in the past.
I acted like I wasn’t hiding anything.
But I was. I was lying, even to myself. I was deeply attracted to women. I’d had crushes on women – only I didn’t *call* them crushes, even in my mind, even when I thought about what it would be like to kiss them, to touch the and to hold their hands. I’d flirted with women. I’d wanted women.
Those crushes were so vivid in my mind. The incredible actress I met in high school. A friend I admired. Another friend I admired. A girl who flirted with me. I remembered them all perfectly, remembered the way they’d made me feel, the way I stared at them, and desired them. And the way I didn’t think of it as attraction at all.
The longest crush I ever had was on a woman.
And the most instant attraction I’ve ever had was to a woman. I sat down next to her in class, glanced over at her face, and it hit me right in the gut. My lips and my fingertips were tingling
I sat next to her all that semester. We became friends. My crush dissipated when she talked about her boyfriend, though my attraction never did.
But these weren’t crushes, even though I’d had them for just as long as I’d had crushes to men. This wasn’t attraction. I was still straight, to everyone else, and to myself.
I was scared to admit my desire towards women. Scared, because yes, queerness is dangerous. Scared of how my friends would react and what my family would think. And what it would mean for me to identify as queer, to openly admit to liking women. But I was also hopeful. I saw something in that comic – in Kate Kane’s strength, in her honesty, in the normalcy of her life as a gay woman and a gay superhero. The strength of my reaction to Batwoman – the way I kept reading and rereading it, the emotional force with which it gripped me – made me reconsider my identity. I questioned myself, questioned those memories, questioned my feelings.
A few days after reading Batwoman, I came out on my social networks as bisexual.
I told my brother when we took a trip to New Orleans. “Oh, cool,” he said, and we started talking about Octavia Butler. I’ve never really told my parents, although I’ve mentioned it on the blog, and at least one of them reads it. But even if I haven’t formally “come out” to everyone, I’ve exited that strange place of dissonance where I could be attracted to women on one level, and completely straight on the other.
And I feel… better. Much better. Much happier, and more comfortable with myself.
There’s a reason Batwoman is my avatar, and my icon.
There’s a reason the Feminist Batwoman lives on this blog.
Batwoman means a lot ot me. And part of the reason she means so much to me is because of the way she – and her writers – handle her sexuality. With honesty, integrity and simplicity.
Even though I’m a Renee/Kate shipper, I was excited for Kate’s marriage to Maggie. I knew it was a major milestone. It meant something to me, a bisexual woman, to see a queer relationship treated with so much respect. To see that Kate’s sexuality was still an integral part of her storyline , without the writers ever turning it into a token social justice commentary.
Kate Kane’s creators respected her.
I respected her.
Now we’ve got the DC executives nixing storylines at the last minute. We have them kicking off the creative team two issues earlier than they planned to go (JH Williams and W. Haden Blackman both planned to stay until Issue 26, but DC’s decided to put the book under new management starting on Issue 24). You have Dan Didio saying the company stands behind the character – while calling her Kathy Kane the whole time.
Hint, Mr. Didio: Kathy Kane is a totally different character. And Kate *never* goes by Kathy, which you would know if you’d read Batwoman: Elegy.
And the execs are acting like nixing Kate’s marriage isn’t problematic. At all.
Which shows how little they understand about their own creations.
This is not respect.
Batwoman inspired me to be honest about my sexual orientation. Her bravery gave me courage. Her relationships with women filled me with joy. I felt safe within the pages of those comics. I felt hopeful within the pages of those comics.
I will keep my Batwoman trades on my desk.
But I will not be buying any Batwoman comics after Issue 24.
I asked the Feminist Batwoman, who sometimes takes over my blog, what she thought of DC’s handling of Batwoman.
This was her response:
Not very mature, but what are you going to do? She’s a vigilante who sometimes steals my computer to write on my blog. She’s not exactly polite.
Second Note: DC is also responsible for the Harley Quinn debacle, which combines stereotyping of mental illness, casual use of suicide, mental illness/suicide as a pinup etc. DC comics is doing GREAT right now.
Comment note: please do not try to defend DC’s stance as “neutral” or non-oppressive towards queer people.
[okay, apparently wordpress published this post... and then unpublished it. I don't even know. If you're getting an update twice, let me know?]
Oh, hi everyone! Enjoying the beginning of March? (SNOW, URGH, PLEASE STOP)
Hey, what day are we? The tenth?
Why does that sound ominous?
OH CLAUDE, THE HUGO NOMINATIONS ARE DUE MARCH 10TH! TODAY! TODAY! TODAY!
Now would be a good time to panic!
MAYDAY! MAYDAY! MAYDAY!
I meant to put my recommendations up, oh… weeks before? But I’ve been having blog troubles (and real life troubles, which tend to lead to blog troubles), so you’re getting these much later than I would like. But hey, if you’re seeing this post, it means I managed to get my nominations written up before the deadline!
At this point, that’s a pretty major victory for me.
(we’re just going to forget the fact that it’s FOURTEEN HOURS before the deadline, okay? MAJOR VICTORY OVER DEPRESSION = forgetting how close the call was)
So! First things first! If you have no idea what these bloody awards are, let me explain!
The Hugo are arguably the most prestigious speculative fiction awards in the world. Sure, it says “Science Fiction Awards” on the tin, but let’s face it, these awards are as much for Fantasy as they are for SF, or authors like Neil Gaiman, NK Jemisin and Catherynne Valente would never be nominated.
(I do think it’s harder for fantasy material to win the Hugos, but that’s another post).
Here’s the crucial bit: the Hugos are a fan award, which means that Random Fans can, in theory, influence the process.
… Hey! Are you a fan? Do you care about awards? Do you complain about nominations for days after they’ve been announced? Consider voting (and nominating for the Hugos)! More voters = better.
Details! Important details! You need to be a member of WorldCon to nominate and vote . And the way you become a member is by paying $60.
No joke, $60 is a pretty hefty sum for the privilege of voting. At least it is for me, your friendly neighborhood
feminist batwoman student blogger. There are, however, some benefits that offset the cost. As a Hugo Voter, you get the voting packet, which contains almost all the novels, short stories, novellas, movies, shows, fanzines etc. nominated for the Hugo awards. It would cost you a shitload more than $60 to get all those books/movies/novellas etc. on your own.
Another fun fact! If you buy a membership for a WorldCon, you get to nominate for the next year’s Hugos. I was a member of last year’s WorldCon (ChiCon), so I get to nominate this year, even though I haven’t bought a membership for 2013 yet.
Reminder to any fellow ChiCon members: if you paid to nominate/vote last year, or if you paid to go to ChiCon, YOU CAN NOMINATE THIS YEAR. You can’t vote without a new membership, but you can nominate. So nominate! In the next fourteen hours! Because you only have until 11:59 EST.
For everyone else – it’s too late to sign up to nominate, but if you are interested in voting this year, there’s more information on how to sign up here.
Okay! Now, without further ado, the fun part: MY super-last-minute nominations for the Hugos.
(note: not all categories are filled out, because I am just one woman, and I have not read/watched everything in the SF/F field. I’ve tried to restrict my recommendations to fields that I actually know something about).
1. The Killing Moon by NK Jemisin
At first, I thought I only had one nominee in the novel category because I just hadn’t read enough 2012 books. But looking back over my reading log… nope. I actually have read quite a few 2012 books. I just haven’t been impressed by very many of them (oh, BURN) (sorry, China Mielville and Elizabeth Bear. Better luck next time!)
There was one (okay, two) notable exception.
NK Jemisin’s The Killing Moon, and the sequel, The Shadowed Sun.
Honestly, if NK Jemisin’s The Killing Moon doesn’t make it onto the ballot, I will side-eye fandom forever. For my money (if I had any money), it’s not only the best book Jemisin’s ever written, it’s the best novel published in SF/F last year. Jemisin’s worldbuilding and magical systems have never been better. And the plot. GAAAAH, THE PLOT.
A digression here: I think there’s a big difference between a book that should win the Hugo, and a book that CAN win the Hugo. Two years ago, I thought that Feed (Mira Grant) and The Hundred Thousand Kingdoms (NK Jemisin) SHOULD have won the Hugo over Blackout/All Clear. But I didn’t think The Hundred Thousand Kingdoms COULD win the Hugo (too much sex! Plus, politics).
Moreover, a someone fairly engaged in social justice, I’m always interested in seeing books nominated that deconstruct, or challenge the more conservative aspects of the SF/F genre. At the same time, I recognize that those books aren’t likely to win, precisely BECAUSE they challenge conservative (and popular) aspects of the genre.
The point of the digression? I think The Killing Moon is one of those rare books that both SHOULD and COULD win the Hugo Award for best novel.
Whenever I think about The Killing Moon, I keep coming back to one word: tight. The plot is tight. The worldbuilding is tight. The characters are tight. The prose is tight. Everything is crafted with such skill that I think the more challenging aspects of the book can just – slide by, unnoticed. Jemisin’s first book, The Hundred Thousand Kingdoms was a much more obvious confrontation and reconstruction of the epic fantasy genre, which is why I think it was so controversial. Don’t get me wrong – Jemisin’s Dreamblood books are just as engaged in challenging the epic fantasy genre. But it’s – quieter. The progressive politics of The Killing Moon can probably slide by more conservative voters in a way the politics of The Hundred Thousand Kingdoms could not.
It’s sneakily political.
The second book in the duology, The Shadowed Sun was also published in 2012 (and I also loved it), but NK Jemisin specifically asked that fans nominate The Killing Moon (so her books aren’t in competition with one another), and I’m following her wishes.
I would also be very interested in seeing Catherynne Valente’s The Girl Who Fell Beneath Fairyland and Led the Revels There and/or Frances Hardinge’s A Face Like Glass on the nomination ballot. I have not read either book, although I enjoy both authors and I’ve heard good things from people I trust about these particular works.
I’d like to see one of them on the ballot because they’re young adult fantasy novels written by women. While young adult novels occasionally make it onto the ballot (and win), it’s my impression that those Chosen Few tend to be by men (e.g. Neil Gaiman’s The Graveyard Book). Again, this is just a theory, but I think there’s a tendency to assume that young adult novels written by men can still be Serious Literature, while young adult novels written by women cannot, even if those women have written Serious Literature in the past.
Thus, I would not be surprised if China Mielville’s foray into YA, Railsea, made it onto the ballot, but I think Valente or Hardinge’s novel would be far more interesting choices.
Best Fan Writer:
Wait, that’s not the category after Best Novel!
…Except for me. Because Best Fan Writer is the category I care about the most. I love cultural criticism. YOU MAY HAVE NOTICED… since I started an entire blog for just that purpose.
Best Fan Writer is also a category that I’ve found drearily boring in past years – the same writers are usually nominated year after year after year. And, to the surprise of no one, the nominations tends to be dominated by white men (it’s been six years since the final ballot included more than one woman).
Point being: there are tons of brilliant, diverse, interesting writers talking about SF/F. More of them should be recognized.
1. Foz Meadows.
I want to be Foz Meadows when my blog grows up. Her work on racism, sexism, and other forms of oppression in SF/F is unparalleled. She’s articulate, passionate, and thorough: her arguments are brilliant, her research is impecable.
Oh, and she’s extraordinarily entertaining.
When someone suggested Mark Oshiro for this category, I went “Oh duh, why didn’t I think of him?”
How do you even describe Mark? He’s been reading – and watching – lots of the most important shows and books in SF/F for his two sites, MarkReads and MarkWatches. His reviews are simultaneously insightful and hilarious. He’s perpetually unprepared for plot twists, and perpetually prepared to fall madly in love with new books.
You have not lived until you’ve read – or watched – a Mark Oshiro review.
I can’t tell you how much I love him. He just brings such JOY to his work (while also calling out problematic shit!)
It’s a rare writer who can critique a genre while simultaneously reminding you of why you’re in love with it.
Examples: Mark Reads Revealing Eden (if you want to see Mark dying over terrible writing and racism), Mark Watches Doctor Who: The Angels Take Manhattan, Mark Watches The Legend of Korra: The Revelation, Mark Reads Wild Magic Chapter 3
Ana Mardoll’s website is filled with smart, thorough deconstructions of important genre books – Twilight, the Narnia Books, Buffy, The Hunger Games etc. Her coverage of disability in SF/F is particularly interesting. Like Mark Oshiro, she’s incredibly thorough with her analysis – her deconstructions often go chapter by chapter, and each post can go well over 2000 words.
I suspect she’s overlooked by the SF/F community because she doesn’t fit our model of a fan writer – she’s a feminist/social justice blogger who writes about genre fiction a lot. And that’s part of the reason I’d like to see her and Mark Oshiro on the ballot – their very presence would expand what we see as “fan writing.”
Plus, I am personally a fan of bloggers like Ana Mardoll, who talk about genre fiction in one post, feminism in the next, and the wives of Henry VIII in the third. Because fuck, that’s the kind of blogger I want to be – so I do love seeing it done well.
Examples: “L” is for Madonna-Whore Complex (deconstructing an article about Twilight that is, if possible, EVEN MORE problematic than Twilight), Twilight: Carried in the Arms of Assholes (fascinating exploration of the appropriation of disability in the Twilight series), Buffy: Freebird (talks the character of Joyce and emotional abuse, and WHOA, I DID NOT SEE IT BEFORE, BUT NOW I DO), The Hunger Games: A Question of Agency
I am a huge fan of Catherynne Valente as a fiction writer – but I am, if possible, an even bigger fan of her as a non-fiction writer. No joke, I’ve re-read her Guest of Honor speech for MythCon… five times?
Valente is particularly important as a commentator on fandom and fan writing itself. Yes, very meta of me! Christopher Priest ranted about the Clarke Awards; Catherynne Valente looked at the fan reaction to his post, and turned it into an entire discussion of sexism in fandom. Her post on the Readercon debacle reminded us that Genevieve Valentine’s experience was actually workplace harassment. And when people attacked Valente for refusing to repudiate Requires Hate, Valente wrote a post that simultaneously explored her own problematic behavior (cultural appropriation), and discussed a wider fandom problem.
Valente does not write often, but when she does, she is on fire.
Other examples: Girl Grit: Feminism, Westerns, Sherlock and Erasure
I almost didn’t put NK Jemisin on my final ballot, because I didn’t want more than two professional authors in the fanwriter category. And then I was all “What are you even doing, Suzanne?” because Jemisin’s voice is so critical to the way I think about the field. She, like Valente, has some of the best commentary on fandom on the interwebs. Her posts on sexism, racism and oppression in fan spaces are brilliant and provocative (example discussing racism in fandom)
Yes, it’s frustrating that Jemisin can simultaneously be both a brilliant fiction writer, and a brilliant fan writer. But she is, so I must recognize her.
Honorable Mentions: I read so many people who deserve a nomination, and sadly, not all of them can end up on my final ballot.
Abigail Nussbaum, for being the essayist and reviewer I wish I were, and for her spectacular, worldview-changing article Women and Horses, which asks: “Why are we, on the one hand, outraged by the deaths of horses on the set of Luck, and on the other, casually accepting of the potential mistreatment of human women on the set of Game of Thrones?” (particularly when those women are underage).
Best Related Work:
Chicks Dig Comics edited by Lynne M. Thomas and Sigrid Ellis. Has lots of very fun, very smart articles, and is responsible for introducing me to Kelly Sue Deconnick, Amanda Connor, Greg Rucka and Marjorie Liu.
Best Graphic Story:
1. Saga, Volume 1 by Brian K. Vaughn and Fiona Staples
Saga is… strangely unepic, for a story named “Saga” that opens with a tale of star-crossed lovers from warring civilizations. Rather than aiming for obvious epic themes, Vaughn makes the comic an intimate, almost domestic, story about an odd couple escaping from the forces that want them dead… all while trying to take care of their newborn (urgh, diapers!)
The plot is weird and brutal. The worldbuilding is ridiculous, and I mean that as a compliment. Staples and Vaughn’s worldbuilding strategy seems to consist of throwing random stuff at the wall, and seeing what sticks – but they’re talented enough that it works out beautifully. And the characters are both atypical and compelling.
2. Nimona by Noelle Stevenson
A ridiculously fun, well-drawn webcomic I stumbled on a few weeks ago. It chronicles how the adventures of Lord Balister Blackheart, the biggest name in Supervillainy, go terribly wrong when he takes on a sidekick: Nimona, a shapechanging teenager.
It’s hilarious and it has lots of fun meta-commentary about superheroes, epic fantasy and villains. I’m in internet love.
Also, Sir Ambrosius Goldenlion (Lord Ballister Blackheart’s greatest enemy) has The Best Hair. Nomination for that alone, quite frankly.
Best Dramatic Presentation, Long Form:
I’m not going to talk about my reasons for these, because they’re not strikingly different from what I’ve seen on other lists.
1. The Hunger Games
2. The Avengers
3. The Dark Knight Rises
5. The Legend of Korra, Season One.
Okay, about the last: I had some SERIOUS problems with the first season of The Legend of Korra (LOK). In fact, I just finished it last night, and spent a good hour ranting at my boyfriend. But I still think the series had incredible animation, some brilliant plots (alongside less-than-brilliant-ones) and wonderful characters (Tenzin! Chief Bei Fong! Korra! Asami!)
Is it perfect?
But I would like to see it on the ballot.
Best Dramatic Presentation, Short Form:
I have zero nominations here, because I am so not caught up on current SF/F television. I will say that I would be very happy to see episodes that AREN’T from Doctor Who on this list. Have you considered The Legend of Korra, My Little Pony, Community or Fringe for nominations? You should!
Best Professional Artist:
Listen, I’m not an expert on art, and usually, I wouldn’t care about this category. But because I am a professional misandrist and I hate all men* – and also because very few women are ever nominated in this category – I wanted to find women artists who deserved a nomination.
And yes, this is rather necessary. From my cursory research, I don’t think a single woman has been nominated for this category in the last DECADE.
*(May Not Be A Factual Statement)
1. Julie Dillon (AKA: Why The Hell Hasn’t She Been Nominated)
I regularly use her art as wallpaper for my computer. Can you blame me?
2. Fiona Staples
Stapes is responsible for both the interior illustrations, and the covers for Saga. I don’t usually notice the art in comic books, but Staples’ work is so richly, gloriously bizarre that I can’t NOT notice.
3. Kathleen Jennings
I’m a huge fan of Jennings’ lovely, whimsical book covers – I particularly love how she uses wraparound effects. Her illustrations for Eclipse Online are also wonderful.
4. Amy Reeder
I’ve been a fan of Amy Reeder’s for a very long time – even though I wasn’t aware of it. My wordpress icon? The Batwoman picture?
Yep! Drawn by Amy Reeder.
Although the Batwoman franchise tends to be known for JH Williams’ artwork, some of the most iconic covers come from Reeder’s pen (I am using one of them as my wallpaper right now). And her artwork on the creator-owned Halloween Eve is stunning. I wish I’d known I was a fan of hers before!
5. Ana Juan
Hat Tip to The Book Smugglers for this recommendation – I was trying to find a fifth nominee, to no avail, when their post on Hugo nominations came out. I’ve loved the artwork in Catherynne Valente’s Fairyland books, but I never looked up the artist. Juan’s work is beautiful, whimsical, and a bit off-kilter.
Best Fan Artist
1. Kathleen Jennings, for all her daleks on her blog – and specifically, for drawing Daleks into all of our favorite books and movies.
2. Noelle Stevenson for Nimona (not a professional work – she’s not, as far as I can tell, getting paid). Because her work is fun and beautiful and witty, and reminds me of nothing so much as Kate Beaton
The Mary Sue: A guide to geek girl culture. I love The Mary Sue, and they serve my primary source of SF/F news. The writers are funny and incisive, the coverage is wide-ranging, the politics are feminist and progressive.
Best Fanzine: The Book Smugglers: I am counting The Book Smugglers as a fanzine rather than as fan writers, because there are TWO writers on The Book Smugglers. And they deserve a nomination for all the work they do. My god, they publish a post a day, and although Ana and Thea don’t cover speculative fiction exclusively, they do write a whole lot about the genre. Their book reviews are wonderful and incisive, and their genre commentary is always on-point.
Ana and Thea also host an annual blog event called Smugglivus, when they invite authors and bloggers to talk about the year past. It is responsible for introducing me to waaaaaaay too many good books.
Galactic Suburbia (and not just because they put me on their award honors list!)
Galactic Suburbia is a feminist podcast, and thus I am contractually obligated to love them. Fortunately, they make it easy on me, by being perpetually wonderful, and funny, and outraged. Plus, they keep me up to date with all of the Australian Speculative Fiction news (important, since I am a provincial USian).
Last year, I said I was nominating them “because they are awesome. And they make me read ALL the good books.”
And they are still awesome, and making me read all the good books. I really hope they make the ballot again this year.
And with that, my friends, my Hugo Nominations are in!
A couple brief announcements, for those of you who haven’t fallen asleep yet!
1. For the purposes of me not getting super-confused ALL THE TIME, I’m now going by the name I use in non-internet life (Suzanne). I get SUPER-CONFUSED whenever anyone uses the name “CD” to refer to me. And although this is a pseudonymous blog, I don’t think using my real name will cause anyone to figure out my ultra-secret identity.
So yes, from now on, I am Suzanne (and my preferred pronoun is “she”).
Of course, you are also welcome to refer to the blog name, full stop (Culturally Disoriented), or to call me The Feminist Batwoman (even though I am NOT the Feminist Batwoman. LET’S BE CLEAR).
2. I have a tumblr! Which has absolutely zero original content. I just reblog a lot of kittens and GIFS. But if you’re interested, I’m over at Feminist Batwoman (although, again, I AM NOT THE FEMINIST BATWOMAN).
3. Content has been slow here! For lots of reasons. Mostly, but not solely medical. I switched antidepressants over winter break, and unfortunately, the new medications caused some pretty brutal side effects. So I am now OFF those antidepressants, which means I am off antidepressants completely, and the transition has been… rough. I also ended up at the ER twice for totally unrelated reasons, because my body hates me right now.
Anyway, content is likely to REMAIN slow for a bit. But I am still here, so bear with me! There’s a GIANT POST OF DOOM coming up. It has lots and lots of statistics! About women in SF/F television! IT IS GIANT! The research is DONE. So it is ALMOST READY.
“It’s a cliché but mostly true that while teenage girls will read books about boys, teenage boys will rarely read books with predominately female characters.” (Robert Lipsyte, “Boys and Reading: Is there Any Hope?“)
(I hear you, Toph)
I like giving my younger brother (R) books. Correction: I really like giving my younger brother books. And he loves reading, so we’re quite compatible. Well played, universe!
Anyway. The last time I took R on a book-buying expedition, it took us three hours to narrow down the choices. By the end, we were down to two options: Jo Walton’s Tooth and Claw, which I described as “Jane Austen if all of Jane Austen’s characters were dragons! Tea time meets DRAGONS” and Malinda Lo’s Huntress, which I described as “Adventure! Fairies! Hunting! Lesbian romance! More adventure! HORSES!”
(My eloquence: admire it)
At some point in R’s difficult decision, I swooped in with big-sister wisdom: “You know, I’m worried you won’t enjoy Tooth and Claw as much. Don’t get me wrong – I love it. But it’s not really an adventure story. It’s basically a family story, and about people’s relationships and marriages. Except with dragons.”
My younger brother gave me a Look: “No, but that’s what I like.”
Brother: “Those are my favorite kinds of books! I like reading about families, and about how people relate to each other.”
This would be the moment I massively facepalmed.
I’m a feminist. I think about idiotic gender roles a lot. I try to avoid perpetuating sexism as much as I can. I especially try to avoid perpetuating stupid gender roles around my brother. And I have always believed that there is no such thing as a “girl” book and a “boy” book.
Yet I assumed my brother would like an adventure book more than he would a family-drama book.
Because he’s a thirteen-year-old-boy.
Me, to brother: “… just ignore me, I’m an idiot.”
Conclusion of the story: I ended up buying R. both books, because I am the best sister on the planet
(Yes! yes I am aware of how awesome I am! But more accolades are always welcome!).
He loved Huntress, like I thought he would. But he loved Tooth and Claw even more. He sent me an email from his vacation where he told me it was now “one of his favorite books.” And when I saw him again, he asked me if I could lend him my Jane Austen novels.
Because Tooth and Claw had inspired him to read Jane Austen.
(I really love Jane Austen, okay?)
This post is not about how gender stereotypes are incredibly difficult to unlearn – although it could be, since that is a true and important topic. Gender stereotypes are incredibly difficult to unlearn! Even for feminists! Tell your friends.
It is, as all my favorite posts are, about my brother. My brother read a lot. And as it happens, a fair number of the books he reads either a) are written by women b) have female protagonists, or c) center on “girl” issues like “family” and “relationships.”
This fact makes him the Miracle Boy Foretold By the Prophecy. Because boys can’t read girl books. Didn’t you get the memo?
[Note: In this post, I will use the term "girl" books to designate books that are USUALLY ASSOCIATED with women, either because they were written by women, have female protagonists, or tackle subjects that are coded as feminine (gossip! pink!). I don't mean to imply that there are actual "girl" books and "boy" books. Books are for everyone! I promise! They don't have cooties!]
“It is a truth universally acknowledged that a young boy who desires to read must be in want of a “boy” book. However little known the feelings or views of such a boy may be on his first entering a bookstore, this truth is so well fixed in the minds of the surrounding adults that he is carefully kept away from any book with the slightest whiff of the feminine about it.”
Okay, that’s not the first line of Pride and Prejudice, BUT IT COULD BE.
One of the most frustrating myths floating around the world of reading is the “boys aren’t reading because there are too many girly books, and boys can’t read girly books because EVERYONE KNOWS boys can’t read girly books.”
And sadly, this narrative just keeps popping up out of the fertile internet ground every thirty seconds. Like zombies! Or DAISIES. or ZOMBIE DAISIES.
Robert Lipsyte’s self-congratulatory and entirely unimaginative article for The New York Times deplores the explosion of YA aimed towards girls because “while teenage girls will read books about boys, teenage boys will rarely read books with predominately female characters.” Meanwhile, YA author A. E. Rought called female protagonists a “trope” they hoped the publishing industry would get over. Then Sarah Mesle wrote an article for the LA Review of Books where she expresses concern at the proper lack of “male roles” for boys.
Hell, just yesterday, I was treated to an article that deplored the lack of male protagonists, because the author was sick of girls who only cared about gossip and instead wanted a boy protagonist who just wanted to put gas in his car.
SO MANY ZOMBIE DAISIES.
Okay, first off, I want to make sure our facts are straight. Because it is provably not true that there are no YA books “for boys.” In fact, there are still more male protagonists than female ones in YA. There are just about as many male authors as there are female ones. THESE ARE THE FACTS, PEOPLE (here is one study, among many). And it is depressing as hell that people look at women achieving parity in one field – ONE FIELD – and interpret it as men being blotted out.
By the time I was ten, I had a plan. I would make it a point to give him books with female protagonists. On his birthday, on Christmas, at random occasions – I would give him books with girls. I would give him books about girls. I would give him books by women. I would give him books about “girly” topics like family and gossip and clothes.
Not to mention books with kickass women being kickass!
I wouldn’t force him to read them. And I wouldn’t deprive him of books with male protagonists either. I would simply make sure he had lots of access to “girl” books.
It was a deviously simple plan.
And it worked.
Of the books my brother reads, I’d say somewhere near 50-60% have female protagonists. The first chapter book my brother ever read was Roald Dahl’s Mathilda. His stuffed hedgehog is named “Wizard Howl” after Dianne Wynne Jones’ novel Howl’s Moving Castle. He loves Lyra from The Golden Compass. He reads Tamora Pierce and Libba Bray and Meg Cabot and Diane Duane. He will talk for hours about Robin Mckinley and the Blue Sword novels. His stuffed hedgehog is named “Wizard Howl.” Right now, his favorite authors include NK Jemisin, Jo Walton, Octavia Butler and Mira Grant.
Don’t get me wrong, the brother reads a lot of “boy” books too (one of his other favorite authors is China Mielville, and his favorite novel is Chris Crutcher’s Whale Talk). But R. has never complained about a book with a female protagonist. To him, they’re just as normal as books with male protagonists. And it would never occur to him not to pick up a book because the author was female.
And now he’s even recommending books by female authors TO ME. It was my brother who first discovered Mira Grant, and who pestered me until I read her (and I never looked back).
THE GREAT FEMINIST EXPERIMENT WORKED!
YES I AM THE EVIL FEMINIST ALL YOUR FRIENDS WARNED YOU ABOUT.
I can’t stress how easy this “experiment” was. I mean, it was easy because I started early, before all the societal sexism could sink in. But it’s not like my brother’s Y chromosome was allergic to “girl” cooties. So whenever I read a Robert Lipsyte, say, spouting the old ” teenage girls will read books about boys, teenage boys will rarely read books with predominately female characters” line, I roll my eyes pretty hard.
You know what? I’ve got a teenage boy in my life, and he reads “girl” stuff just fine. My outlandish theory is that if boys aren’t belittled for reading books about girls, if they’re not taught that girls are lesser, if they’re not teased about cooties, if we don’t teach them to fear the feminine… they’d probably like more “girl” stuff.
Boys don’t read “girl” books because they’re taught, in a thousand small, subtle, insidious ways, that they’re not supposed to.
What if boys weren’t ashamed to read books that were coded “girly” because they didn’t think it was shameful to be a girl? (thanks, Iggy Pop!)
What if we taught them something else?
Think about it.
Quick story to wrap things up!
So, obviously I’m a feminist. And I read lots of feminist fiction. And since my brother steals all my books, he ends up reading quite a bit of feminist fiction himself.
On the other hand, I’ve never told my brother he *should* be a feminist, or that he needs to combat sexism or anything. Because I don’t want to tell him what to think.
One night at dinner a few years ago, my stepbrother started teasing my stepmother about the muscles in her arms. My father said: “Stepbrother! It’s rude to discuss women’s arm muscles.”
And I, the random feminist, replied: “I don’t think there’s anything wrong with discussing women’s arm muscles, since there’s nothing wrong with women having arm muscles. But teasing people about their appearance isn’t okay.”
My brother: “Yeah, Dad. Because you know what me and Suzanne are into? FEMINIST SCIENCE FICTION. So if you say sexist stuff, we’re going to get super-mad!”
After I finished dying of laughter, I knew that giving my brother “girl” books to read had been worth it. MY EVIL FEMINIST PLANS HAD ALL COME TO FRUITION.
THE FEMINIST BORG HAD ASSIMILATED HIM.
[No, but in all seriousness, I was super-proud of him. I mean, once I stopped laughing]
Scary Feminist Out!
1. I should note that as I got older and more aware, I also made a conscious effort to steer my brother toward books with protagonists of color and queer protagonists. Which worked out quite well!
2. I want to be clear that just because this “experiment” (such as is) worked for me, it doesn’t mean it would work for everyone. There was a whole lot of privilege and luck that went into it! Like the fact that I started when the brother was super-young. And that he turned out to love reading. And that both he and I had lots of time and opportunities to read, and were both encouraged to do so. This is not supposed to be a how-to for how to get boys to read more. Nor is it meant to be a critique of people who can’t get the boys in their life to read more. If that doesn’t comes across, let me know, and I will fix it!
3. My brother has been fully aware of the “experiment” since he was seven or eight. I promise, I’m not manipulating him behind his back. We’ve had conversations about it, where I ask whether he’s okay if I keep giving him books by women/with female protagonists and he’s like “So… you’re asking if I’m okay with you giving me books? Is this some kind of evil trick?”
4. Hey, notice all the Avatar: The Last Airbender GIFs? The Feminist Philosopher introduced me to the show, and I just finished watching it. IT IS AWESOME, and full of awesome male and female characters AND YOU SHOULD ALL GO WATCH IT. NO, SERIOUSLY, DROP EVERYTHING YOU’RE DOING AND GO WATCH THE SHOW.
Thank you, Feminist Philosopher. I will forever blame you when I tear up at GIFs of Zuko and Uncle Iroh hugging.
Psst! You! Readers! is CD around?
No? Oh, FANTASTIC. I’m just going to let myself in, then! You guys don’t mind if I take over blogging duties for the day, right? Right!
Yes, yes, it’s me. The Feminist Batwoman. Champion of Intersectional Feminism and Enemy of Restrictive Gender Roles!
I know. Very exciting. I keep meaning to drop in and blog, but C.D. is kinda paranoid, and she doesn’t want me around. Something about the police putting her in jail for
being harboring a vigilante blah blah blah.
Also, she’s convinced that people think SHE’S the Feminist Batwoman. Which is obviously not true. CD and I have actually never met! How can we be the same person if we’ve never met!
Anyway. I think the problem with C.D. is that she just doesn’t have trust. I mean, I love that woman, but… seriously. You guys aren’t going to turn me in, right? I’m the Feminist Batwoman! I fight for Intersectional Feminism and Gender Equality Throughout the Shadows of the Interwebs.
AND I have a fabulous mask. Why would anyone turn me in?
See what I mean about the fabulous mask?
So now that we’ve established that you aren’t going to turn me in, let’s turn back to CD.
Have you guys noticed that she’s a bit… off, recently? She keeps writing about all this UBER-depressing stuff, and going on long rants and freakouts. Now, as the Feminist Batwoman, I fully support long rants and freakouts, but…
I’m worried that CD has lost her joy.
I mean – did you SEE what happened two weeks ago? The American Election? SHE SHOULD BE OVER THE MOON ABOUT THAT! She should be blogging kitten GIFs and celebratory confetti and explosions ALL THE TIME.
The activist joy should be EVERYWHERE!
So, you know. I thought I would cheer up CD (and bring on the return of the Kitten GIFS!) by reminding her of all of our Great Victories this month.
Maybe if CD remembers all the happy things that happened, she’ll be happier! Can’t hurt, right?
Let’s start at the top:
#1: Mitt Romney, oppressive douchebag and plutocrat supreme… Defeated!
I will not have to spend the next four years tracking down and defeating his Legion of Anti-Roe judges! I will not have to fight his attempts to turn over Obamacare and get us in more wars and cut the budget for food stamps and medicare and medicaid and social security and education. And hey, we won’t have to deal with his racism and sexism and homophobia and transphobia and classicism and general… barfiness.
My costume is already SUFFICIENTLY covered in the Barf of Oppression just from fighting to defeat Mitt Romney’s campaign. I’ve had to go to the dry cleaners ten times this election cycle. They’re giving me REALLY weird looks.
Imagine what I would look like if he were president. *shudder*
2. President Obama (a somewhat too-conservative-for-my-taste but generally pretty-decent- president) won. And President Obama is someone I can work with. He’s the man who brought us Sonia Sotomayor and Elena Kagan and Obamacare and who ended Don’t Ask Don’t Tell and who passed the mini-dream act. He saved the economy and made insurance companies cover contraceptives and signed the Lilly Ledbetter fair pay law. He passed a bill that made it a hate-crime to commit an assault on someone based on their sexual orientation; he extended employment benefits to same-sex partners of federal employees and he became the FIRST SITTING US PRESIDENT to come out in favor of marriage equality. Oh, and he extended health insurance to four million uninsured kids (why, in the name of the Holy Batmobile, do we have FOUR MILLION uninsured kids in the richest country in the world? QUESTIONS).
Like I said. I can work with this guy.
All good news so far, right? All news that should make CD happy, right?
It gets better.
3. In Maryland, Maine and Washington, people voted to legalize same-sex marriage. YES THEY DID. We broke the 32-state losing streak (including a loss in my – I MEAN CD’s – home state of Wisconsin) with a three state victory! We finally got a popular victory for same-sex marriage!
(although I object to people’s fundamental human rights being put on the ballot, but if they’re going to be put on the ballot, this is the desired outcome)
Moreover, Minnesota had an amendment on the ballot that would have defined marriage as between one man and one woman. You know what happened? Voters said NO. AGAIN FOR THE FIRST TIME
I’d like to take this opportunity to congratulate my fellow Anti-Oppression Superhero Alliance member, The Queer Question (also known as Renee Montoya), who led the charge in the fight for same-sex marriage. The Question knows how to stop the Forces of Oppression, y’all.
Has CD cheered up by now? If she hasn’t, I have even MORE good news for her (because this election is just the gift that keeps on giving).
4. The next American congress will have the highest number of female senators in recorded history: twenty
(which: it is super-gross that 20 is a HIGH number of women in the senate. But we’re getting better).
And let’s talk about those women! Because it’s not just that we’ve got more women senators and representatives – it’s that the ones we’ve got are incredible.
Elizabeth Warren won a senate seat in Massachusetts. I’m quite fond of that woman. She scares Wall Street half-to-death, and is already fighting the Forces of Economic Oppression. Go Warren!
Tammy Baldwin WON A SENATE SEAT in Wisconsin! Tammy Baldwin is now Wisconsin’s first female senator – and the first openly gay member of the senate in US HISTORY.
I’m a huge fan of Tammy Baldwin’s. She’s been
my CD’s representative for years (since I’m CD is from Madison). Her work in the House was incredible; and I fully expect great things in the Senate.
CD, of course, was terrified that Tammy Baldwin – an openly gay woman from the hellmouth of hippie-liberalville (Madison) would have no chance of being elected in Wisconsin. And I do like proving CD wrong.
Claire McCaskill defeated Todd Akin (aka: “Mr. Legitimate Rape”). She won the Mississippi Senate seat – one that almost NO ONE thought a democrat could hang onto – by fourteen points. Because she is an incredible campaigner and she knew how to let Todd Akin hang himself by his own rope.
And to cap off our list of amazing women senators, Mazie Hirono won Hawaii’s open senate seat, thus making history as the USA’S first Asian American female senator. Whoo!
My good friend and fellow Anti-Oppression Superhero, the Anti-Racist Black Bat (Cassandra Cain) (who happens to be one of the few Asian members of the DC Universe) is REALLY excited about Mazi Hirono’s election.
Cassandra is also rather pissed that it took until 2012 for an Asian-American woman to be elected to the Senate.
The fun doesn’t even stop with senators! The great state of Illinois elected Tammy Duckworth to the House of Representatives. Duckworth served in the Iraq war, where she lost both legs. She is the first female war veteran with disabilities elected to the US House of Representatives.
You will not be surprised to know that Disability Rights Oracle (Barbara Gordon) was thoroughly pleased by Duckworth’s election!
And the great State of Hawaii elected Tulsi Gabbard, another female war veteran – AND the first Hindu member of the US House of Representatives.
But the best part of this election – and yes, we haven’t even gotten to the best part yet – wasn’t just that a League of Awesome Women were elected.
5. It was that the League of Awesome Women (in conjunction with the Anti-Oppression Superheroes) defeated the Evil Alliance of Rape Apologists.
Senate candidate Richard “Rape Babies are a Gift From God” Mourdock? DEFEATED.
Senate candidate Todd “If It’s A Legitimate Rape, the Female Body has ways to Shut That Whole Thing Down” Akin? DEFEATED!
House candidate John “The Rape thing” Koster? DEFEATED.
House candidate Joe “‘there is no such exception as life of the mother” Walsh? DEFEATED. By the way, Mr. Walsh, if pregnancy can’t actually kill women, what happened to Savita Halappanavar?
Vice Presidential Candidate Paul “Rape is just another method of conception” Ryan? DEFEATED.
All congratulations are due to The Consent Culture Batgirl (Stephanie Brown) who took point in the Anti-Oppression Superhero Alliance’s battle with the Evil League of Rape Apologists. I think we can agree she did a pretty fabulous job, no?
So, overall, I think the forces of Anti-Oppression did pretty well this election cycle, no?
We defeated the forces of oppression and darkness and plutocracy! We brought down the Evil Alliance of Rape Apologists! We elected a swath of Awesome Women!
Its definitely party time at the Anti-Oppression Superhero Alliance Headquarters, if you know what I mean!
(No, I don’t mean an orgy. Get your minds out of the gutter).
Party! Party! Party!
And I totally think CD should join us in this great party of activist joy, don’t you? Now that she’s undoubtedly been cheered up by all our good news!
I mean, come on. We won! Time to stop moping and stop ranting and smell the Victory Flowers, no? Or else CD is going to go all Batman, and be angsty 99% of the time, and no one wants that, do they?
It’s time to bring the joy to CD, ANTI-OPPRESSION PARTY STYLE!
I’m just going to check CD’s agenda book and see when she’s got a free slot for the party, shall I? Then we can all persuade her to go.
Huh. Can’t find CD.’s agenda, but… there’s this blog post draft on CD’s computer. I’ll just go ahead and read it (Hey, I’M not Consent Culture Batgirl. Privacy is not my only priority. Also, CD and I are
the same person friends!)
Well, this blog post is disturbing.
And by disturbing, I mean:
Montana voters passed a state ballot measure that puts in place a parental notification law: any person under the age of 16 who seeks an abortion needs to notify their parents. A PARENTAL NOTIFICATION LAW?
Well, HOW COULD THAT POSSIBLY GO WRONG?
OH GREAT, and IT KEEPS GOING.
After helping to pass Texas’ abortion sonogram law, Texas State Senator Dan Patrick is trying to cut off Rural Texans’ access to abortion. Because there’s nothing Dan Patrick cares about more than controlling women’s personal medical decisions!
The head of the Maine Republican party thinks there was voter fraud, because “dozens’ of black people showed up to vote, and no one in rural Maine knows any black people! Mitt Romney says Obama won because he gave “gifts” to women, young people, Latinos etc. Paul Ryan blames the urban vote (*cough* people of color *cough*).
Okay, I know I was complaining that CD seems really pissed off these days? BUT THIS? THIS IS PISSING ME OFF ALL OVER AGAIN.
Scott Walker is trying to end same-day registration in Wisconsin, because the best way to follow up an election full of voter suppression is MORE voter suppression.
In Kansas, the city of Selina passed a proposition that overturns the city’s protections from discrimination for gay, lesbian, bisexual and transgender people. The City of Hutchinson also overturned their city’s discrimination protections.
Proposition 35 passed in California. It raises the penalty for those convicted of sex trafficking to as high as life in prison, which SOUNDS great, until you figure out that survivor groups were against the proposition. Why? Because the bill conflates sex trafficking and sex work, which means that both sex workers and sex trafficking survivors could be penalized, put in jail, put on sex offender registries etc. The bill will probably have a much worse effect on sex workers and victims than it will on actual bad guys. Melissa Gira Grant wrote a smarter and longer analysis of the problems with Proposition 35.
… And Oklahoma passed a constitutional amendment that bans affirmative action practices in state government hiring, education and contracting. But that’s okay, because apparently they weren’t using affirmative action anyway! And it’s not like there’s institutional racism or sexism in the USA, because, as everyone knows, we live in a post-racist and sexist society.
… yeah, okay. Maybe there’s a reason CD is still angry. Hell, I’M ANGRY.
You know what? Victory party canceled. We can have a victory party later. I can use the streamers to tie up some misogynists. Kyriarchy-Blasting Wonder Woman can use the helium from the balloons to power her invisible jet. We can throw the confetti in the eyes of the racists.
CD’s right. Our activism isn’t over, not even after this victory. People are still being oppressive asshats. A woman’s ability to choose is still under fire. People of color are still being targetted. Homophobia is still ruining lives. Misogyny is still rampant.
Time to get back to work.
ANTI-OPPRESSION SUPERHERO ALLIANCE, ASSEMBLE!
Oh, uh – before I leave to go fight oppression, could you guys do me a favor?
Could you NOT tell CD that I was here?
Like, keep it all hush-hush?
Also, you really don’t have to mention that I changed my mind and actually, we can’t celebrate yet because there are so many other things wrong in the world we need to deal with.
She doesn’t need to know she was right. That woman is not a gracious winner.
Just keep it… quiet, is my point. Okay? Okay!
Great! I’ll be back soon, faithful readers! In the meantime, I will go forth into the Shadowy Corners of the Interwebs and Fight Against Restrictive Gender Roles and All the Other Forces of Oppression!
Until next time.
- Your Friendly Interweb Feminist Batwoman.
CD HERE. WHAT THE HELL DID YOU DO WITH MY BLOG, FEMINIST BATWOMAN?
… oh, fuck. I knew I shouldn’t have
had that half-glass of beer and put on the mask left my computer unattended. The Feminist Batwoman is devious. Super-devious. And in no way related to me. Ignore the shot of my shoulder in the last picture. That’s not my shoulder. I’m not the Feminist Batwoman. Yeah. I had nothing to do with this.
I need to change my passwords. AGAIN.
Anyway. Sorry about that, everyone. I’ll try to
stay away from the mask keep a better eye on my computer in the future.
Although I do agree with the Feminist Batwoman’s point. We did win a big victory this November, and we should celebrate. But we should remember that there’s still a war on. It’s not time to lay down our weapons yet.
As Consent Culture Batgirl always says:
- I’m not ready for this to be the end of the fight. There’s so much ground to cover still. More misogyny and racism and homophobia and ableism and transphobia and oppression to uncover and stop. A new, better society to build.
- What are you still fighting for?
- ETA 2: Okay, FINE, ONE CELEBRATORY KITTEN GIF. But only because of the marriage victories in Maryland, Maine and Washington and Minnesota. And because of Tammy Duckworth and Tammy Baldwin and Claire McCaskill and Elizabeth Warren and Maizie Hirono and Tulsi Gabbard.
Did you fear I would never address the Obama/Romney election on this blog? Fear no more! The day of reckoning is here, and my ranting powers are at their full potential.
After all, it’s election time in the USA! Will we manage to survive yet another racist-ass, anti-woman, queerphobic disaster of a Republican Candidate (Mitt Romney) and elect a moderately conservative dude instead (Barack Obama)? Only time will tell!
Is Mitt Romney as horrible a slimeball as he appears? … YES!
Now, I know you don’t need me to tell you that Romney is a slimeball. And I know you don’t need me to tell you that he’s a racist, queerphobic, classist misogynist with big entitlement issues. Those things are pretty damn obvious.
But there IS something I have to tell you. Hell, I put my entire blog schedule on hold for this huge insight into the character of Mitt Romney. It’s GAME CHANGING.
You should probably hold onto something.
Or sit down.
Is a runaway Jane Austen character.
Oh yeah, I just brought in Jane Austen.
I… I think I just lost half my readership there. SORRY GUYS! I LOVE YOU! I PROMISE I’LL STOP TALKING ABOUT REGENCY LITERATURE IN MY NEXT POST. I’LL STOP MAKING VERY BIZARRE SPECULATIONS! COME BAAAAACK.
Then again, the three literature/poli-sci geeks in the room just started fist-pumping. “Austen – Romney FTW!”
And as I am a literature/poli-sci geek… well.
So. Random fact: I am totally obsessed with Jane Austen. I became an English literature student because of Jane Austen. I’ve read every novel Jane Austen ever published. I’ve read Jane Austen’s juvenilia. I’ve taken classes on Jane Austen. I’ve planned book-length projects on Jane Austen. I think about Jane Austen a LOT.
And a couple weeks ago, I was walking to the library, thinking about Jane Austen (as you do), and how interesting it is that her marriage plot, which appears so stuffy to modern readers, was actually radical and revolutionary, because she gave her female characters the right to say “No” to marriage proposals. And isn’t it interesting how this “no” always shocked male suitors? The entire thing really exposes the way the clueless male suitors felt so damn entitled to getting women… wait… you know who else seems to have that massive sense of entitlement to getting people’s support?
And I was all “OH MY GOD, I’VE GOT IT.”
Mitt Romney is the clueless suitor.
I immediately raced to twitter. “Romney,” I said. “Is like every boorish male suitor in Austen’s novels – Mr. Elton, Mr. Collins, Henry Crawford. The suitor asks the protagonist to marry him, and is shocked she could say “no, because, after all, they have MONEY. Just like Mitt Romney runs for president, and is shocked that people won’t vote for him, because after all, he has MONEY.”
I spent the rest of the day tweeting about this. People needed to know. They needed to know that Mitt Romney is a runaway Jane Austen character.
Now, I imagine you aren’t convinced by my brilliant thesis yet. Neither was I, at first. But the evidence kept piling up.
Let’s have a checklist!
1. The Longing Gaze
Jane Austen’s clueless suitors are known for gazing longingly at their object of their affection. In fact, Mr. Darcy’s longing stares at Elizabeth Bennet are so epic, they’ve given rise to the term “Firthing” (longing, silent stares) in honor of Colin Firth, the actor who portrayed Mr. Darcy in the BBC version of Pride and Prejudice.
And Mr. Mittens Romney, Clueless Presidential Suitor?
ALSO known for his (vaguely disturbing) longing stares!
2. Sense of Entitlement
Austen’s Clueless Suitors are always shocked that the objects of their affection actually expect them to behave WELL. Notable in the Mr. Collins proposal scene, where Mr. Collins is all “what are you talking about with your “no thank you”? I have everything a woman needs!” Or, in Mansfield Park, Henry Crawford’s total confusion at the fact that Fanny doesn’t love him: “Sure, I behaved like a total manipulative douchebag for the past two hundred pages. But I’m hot! And thus entitled to your affections!”
Or the Mr. Darcy proposal scene, where Mr. Darcy finds it incredible that Elizabeth Bennet expects him not to act like an asshole. Yo, I’m already asking you to marry me, Lady. And now you want me to act like a decent human being?
Next thing you know, these pesky women will expect you to treat them like human beings!
The suitors, in other words, are very entitled.
And Mitt Romney has a very similar sense of douchebag entitlement.
“What, you mean campaigns involve work? And scrutiny? and QUESTIONS? Yo, I’m being nice enough to run, let’s not raise expectations too high, okay?”
The poor man gets increasingly annoyed every time voters or the media dare to presume to ask basic questions, like “where are your tax returns?” or “can we get a press conference over here?” or “would you mind clarifying your position, please?” He seems to expect that we should just go along with his whole “don’t look at my record! Don’t look at my business record! Just look at the parts I want you to look at, and only as long as I want you to look at them!” schtick.
Note Ann Romney’s infamous quote on the subject of Mitt Romney’s invisible tax returns:
“We’ve given you people all you need to know!”
3. Hating Poor People
Jane Austen’s clueless suitors tend to also be giant snobs who highly dislike anyone in a lower class.
Example: Mr. Darcy, to Elizabeth Bennet, the woman he’s proposing marriage to: “Could you expect me to rejoice in the inferiority of your connections? To congratulate myself on the hope of relations, whose condition in life is so decidedly beneath my own?”
“There are 47 percent [of Americans] who are dependent upon government, who believe that they are victims, who believe that government has a responsibility to care for them, who believe that they are entitled to health care, to food, to housing, to you name it. (…) My job is not to worry about those people. I’ll never convince them they should take personal responsibility and care for their lives.”
Or, translated into Austen speech:
Mr. Romney, courting the American vote: “”Could you expect me to rejoice in the inferiority of 47% of the country? To congratulate myself on the entitlement of Americans, whose conditions in life are so decidedly beneath my own?”
SEE THE SIMILARITIES?
4. Acting like people are lucky to be able to vote for/marry them?
Going along with the “sense of entitlement” thing: Austenian suitors usually act like the women they propose to are LUCKY to have someone so handsome/rich/competent asking for their hand in marriage.
Mr. Collins to Elizabeth Bennet, asking her to marry him: “It does not appear to me that my hand is unworthy your acceptance, or that the establishment I can offer would be any other than highly desirable. My situation in life, my connections with the family of De Bourgh, and my relationship to your own, are circumstances highly in its favor; and you should take it into farther consideration that in spite of your manifold attractions, it is by no means certain that another offer of marriage may ever be made you.”
And Mr. Mitt Romney? Does he ever show any of this “you people are so lucky I want to be President” attitude?
Surely not! That would be too ridiculous! And entitled and…
Ann Romney: “It is time for all Americans to realize how significant this election is and how lucky we are to have someone with Mitt’s qualifications and experience and know-how to be able to have the opportunity to run this country.”
(uh, HUGE CHECK) 3
5. Last, but not least: Super Awkward!
Indeed, Jane Austen’s clueless suitors tend to be catastrophically awkward and stiff (which makes them all the more hilarious).
Mr. Romney, what sayeth you to this? Are you stiff and awkward?
Well, he loves laughter. So much.
And he’s so genuine.
… Your honor, I rest my case.
… I’m telling you. It shocked me too, but it is TRUE. Mitt Romney is a clueless suitor. He has escaped from one of Austen’s novels to our world, and is now plotting his evil evil ways.
As Dani Alexis (@danialexis) reminded me on twitter: “It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a Presidency.”
Romney: “In vain have I struggled. It will not do. My desire to be President will not be repressed.” (credit for quote: @danialexis)
HIS DESIRE TO BE PRESIDENT WILL NOT BE REPRESSED!
… quite a scary concept, actually.
You know what else? If Mitt Romney is actually a Jane Austen character (which I believe I’ve thoroughly proved by this point), it also explains why Mitt Romney has so many problems with women!
Yes, indeed! For, as Mr. Collins tells us: “As I must therefore conclude that you are not serious in your rejection of me, I shall chuse to attribute it to your wish of increasing my love by suspense, according to the usual practice of elegant females.”
You see, women don’t have a problem with Mitt Romney because he’s from a party of giant misogynists who want to take us back to the stone ages. No! We’re just PRETENDING we’ve not going to vote for him, in order to increase his love by suspense, according to the usual practice of elegant females.
I JUST EXPLAINED THE GENDER GAP EVERYONE!
[She really loves him, she's just increasing his suspense]
So basically, we need Mittens Romney to ask women to vote for him a few more times, and we’ll totally change our minds!
… yeah, no.
I mean, I don’t want to make assumptions about anyone else’s political decisions, but… let’s just say I don’t think Mr. Romney’s “courtship” of my vote is going to end any better for him than Mr. Collins’ courtship of Lizzie Bennet’s hand.
Hey, Mittens, sorry, but I’m sending my absentee ballot off to the states just as soon as I find an American witness to… witness me voting.
And the name I checked?
But hey, good luck with your attempt to court all us elegant females!
And all you elegant females? And males? Be forewarned! Mitt Romney’s desire to be President will not be suppressed! He’s going to be courting you pretty hard!
And as a runaway Jane Austen character, I think there’s a good chance he’ll start organizing formal balls.
Mitt Romney Style!
** Before you ask, yes, I am aware that Mitt Romney is PROBABLY not a Jane Austen character. It’s a joke! I know it’s a joke! Moving on.