This morning my brother and my stepsister woke up at five (am) to – and I quote – “work on their abs.” Because they’re going to a waterpark today, and they need to look good in their swimsuits.
I will refrain from comment. At least they didn’t wake me up. [Thank Maud for small mercies]
Anyways! Meanwhile, back at the ranch: Now that WisCon is over – and now that I’ve gotten a couple social-justice related rants out of the way – it’s time to move back to what really matters in life: giant lists of books.
Because why did I start blogging if not to inflict my bizarre reading taste on the public? [Let us ignore the fact that “the public” right now is my brother and a few devoted friends]
In spite of the fact that this month included: the return of the “four times a week” migraines (joy), a transnational move, a Feminist Science Fiction Convention and at least four gazillion doctor’s appointments (if one more person asks me for my family medical history, I’m going to throw myself off a cliff), I did manage to do some decent reading. HURRAH!
Twelve books! Woo! Five better than last month! (yes, yes in fact I am ridiculously competitive, why do you ask?)
Reviews follow the list:
1. A Local Habitation by Seanan McGuire
2. The Killing Moon by N.K. Jemisin
3. Discount Armageddon by Seanan McGuire
4. The Orphan’s Tales: In the Night Garden by Catherynne Valente
5. The Demon’s Lexicon by Sarah Rees Brennan
6. Shine, Coconut Moon by Neesha Meminger
7. The Orphans Tales: In the Cities of Coins and Spices by Catherynne Valente
8. The Cloud Roads by Martha Wells
9. Chicks Dig Time Lords ed. by Lynne M. Thomas and Tara O’Shea
10. Redwood and Wildfire by Andrea Hairston
11. The WisCon Chronicles Volume 6: Futures of Feminism and Fandom ed. by Alexis Lothian
12. Impolitic! by Andrea Hairston and Debbie Notkin
[Fair warning: the longer the summer goes on, the longer these lists are likely to get. I think my record last year was 22 books in a month]
This is a very WisCon inspired list – seven of the books (The Orphan’s Tales, Shine Coconut Moon, Chicks Dig Time Lords, Redwood and Wildfire, The WisCon Chronicles and Impolitic!) were read in anticipation of the convention.
I’ve talked about Redwood and Wildfire, The WisCon Chronicles and Impolitic! at other points during my WisCon recaps, so I won’t go over those again here. Because yes, I do take pity on my devoted readers. I will say that all three books are fantastic and well worth reading, particularly if you’re interested in WisCon, or the Tiptree Award.
WisCon also inspired a rare event at the House of Disorientation: two re-reads. Yes, in fact, I have already read both The Orphan’s Tales: The Night Garden and The Orphan’s Tales: In the Cities of Coins and Spices. But I presented a paper about the series at WisCon, so I needed to re-read them for research [I have over thirty pages of notes. Have mercy upon me]. If you’ve never read Catherynne Valente’s Orphan’s Tales, you really should. They’re some of the most beautiful and thought-provoking books I’ve read in the past few years. Plus, Valente is an incredible prose writer, and her style has never been better.It’s quite difficult to explain what the series is about, so I’m going to cop to the very-basic and somewhat-inaccurate description: it’s a feminist retelling of One Thousand and One Nights.
The Orphan’s Tales are also tailor-made to my interests – they explore gender, bodies, monstrosity, mythology, storytelling, and above all, the concept of belonging. And part of the reason I love them so much is that the books aren’t a critique of fairy tales – they’re a reconstruction of tales along feminist lines. The books show us how stories could be different – they’re rebuilding an entire tradition from the ground up – which I think is arguably harder than just deconstructing a genre.
And the last scene of the last book makes me cry every time. It’s – you know the last two scenes of Lost? When Jack walks into the church and sees all the castaways again, and he remembers? And if you’re me, you completely lose it? Yeah. It’s like that. *sniff*
Okay, let’s move onto a happier note, shall we? [Sorry – the final scene of Lost always gets to me]
Seanan McGuire! Seanan McGuire is always a happier note.
When I discovered Mira Grant’s work, I wanted to read all her books. ALL her books. Unfortunately, there was only one them out at the time. Whoops. [There are now three books. Yay!] So I was thrilled to discover that Mira Grant was a pseudonym for author Seanan McGuire, who had published LOTS of books.
After reading the first book of McGuire’s popular October Daye urban fantasy series, Rosemary and Rue, however, I was… underwhelmed. It was good, sure. But it didn’t quite work for me.
And then I read the second book, A Local Habitation.
HOLY FREAKING MAUD I MUST READ ALL THE BOOKS NOW! NOW! WHERE ARE THEY? WHEREEEE???? I NEED THEM NOW! NOW! NOW! NOW! I MUST HAVE THEM OR I WILL –
Hem. I, uh, really liked the second book. As in: forgoing food and sleep in order to finish reading it. As in: reading it on the plane (which is a terrible idea, since I get motion sickness). As in – okay, I need to stop with the fangirl SQUEE. Calm down, C.D. Remember that people read this thing. It’s public. Get a grip.
So, er, plot summary. Yes. I can write cogent thoughts.
The October Daye series centers on October “Toby” Daye, the only changeling (half-human, half-faery) to have earned Knighthood. She’s also a faery detective operating out of San Francisco. In A Local Habitation, Toby’s liege lord, Sylvester, sends her to the County of Tames Lightning (Fremont,CA), to check on his niece, the CEO of a computer games company.
And after Toby arrives, the county is suddenly cut off from other Fae domains, and employees begin to die, one by one.
I love these sort of tense, psychological, edge-of-your-seat narratives, and McGuire writes them like none other. Her characters are fantastic – Toby alone is a masterclass of a character, one of the best urban fantasy heroines I’ve ever encountered. Add to that McGuire’s portrayal of Faery politics, her exploration of the Faery world, and the computer-science-magic that emerges near the end (a dryad uploaded into a computer, for example), and A Local Habitation is sheer, frackin’ brilliance.
Oh, and it’s terrifying.
Also, as your resident Literature student nerd, I should point out that all the titles of the October Daye series are taken from Shakespeare’s Plays.
Rosemary and Rue – Hamlet
An Artificial Habitation – A Midsummer Night’s Dream
Literature nerd alert, everyone!
I also read Discount Armageddon, the first book of Seanan McGuire’s new urban fantasy series (Incryptid).
The protagonist, Verity Price, comes from a long line of cryptozoologists – people who study and protect creatures whose existence has not yet been proven (also known as monsters). But Verity only wants to do one thing in life: dance. So she moves to New York to pursue a ballroom dancing career.
But don’t let the sequins and the high heels fool you. Anyone who can high kick over their head is someone you don’t want to mess with. Verity straps guns and daggers under her dance costume, and she knows enough about the lifecycle of unicorns to scare off a ghoul.
So when a professional monster-hunter shows up in the city and monsters begin to disappear, Verity is ready.
And the result is awesome. Discount Armageddon is the most entertaining of McGuire’s work so far – it’s sheer, ridiculous fun.
One of McGuire’s best traits as a writer – both as Seanan McGuire, and as Mira Grant – is her humor, which laces throughout all her work. In Armageddon, McGuire’s humor isn’t a sidenote, it’s front and center. I could not stop laughing.
“When in doubt, play dead. Well, unless you might be dealing with a ghoul, or a basilisk, or something else that likes its meat a little ripe. Actually, when in doubt, just start shooting.” (44)
“I really don’t think you should put your hand inside the manticore, dear. You don’t know where it’s been” (1)
“Mother nature is a freaky lady who probably created pot so she could spend all her time smoking it.”
Verdict? Fantastic. Like Buffy the Vampire slayer on steroids – if Buffy were protecting the vampires. Can’t wait for the next book.
One of my most anticipated reads of the month was The Killing Moon, the first book of N.K. Jemisin’s new series (Dreamblood).
I became an instant fan of NK Jemisin after reading The Hundred Thousand Kingdoms last year, and I’m convinced that the Inheritance series is one of the most best and most original epic fantasy trilogies to come out in the past ten years. So naturally, when I saw The Killing Moon was available a few days earlier than expected in my local bookstore, I bought it.*
(and by “bought it,” I mean “I started caressing it and murmuring “my precious” over and over, until security asked what was wrong”)
Needless to say, I had very high expectations.
Blown. Out. The. Park.
Seriously, I need to start reading some bad books, or people are going to be convinced that I love everything. I really don’t.
But equally seriously: The Killing Moon is incredible. It’s quite different from the Inheritance trilogy, which is good – I do eventually get bored with authors who are too one-note.
[Spoiler: Ninja Priests. Ninja Priests in the city-state of Gujareeh, on a world with two moons]
In Gujareeh, peace is the highest law. The city worships Hananja, the goddess of dreams. The magic-system is based on dreams, which citizens tithe to the priests of the Hetawa. The priests, in turn, use these dreams to heal, to guide, to soothe and sometimes, to kill. Gatherers – the aforementioned Ninja Priests – bring death to those who are on the verge of dying – but also to those judged corrupt. You don’t die in your sleep in Gujareeh. You are Gathered.
But when Ehiru, a powerful, faithful Gatherer, is sent to Gather Sunnandi, a diplomat from Kisua, he discovers a corruption that taints everything from in Gujareeh.
The world N.K. Jemisin has created is so different, so rich, so well-thought-out, so vibrant and internally consistent, that it feels genuine. Alive. Real. There’s almost no suspension of disbelief necessary, Jemisin’s work is so thorough. And her world is one that isn’t, unlike 90% of epic fantasy secondary worlds, based on a pseudo-european-medieval setting. And hey, I love european-medieval epic fantasy, but damn if it’s not refreshing to see something else for a change. And damn if it’s not refreshing to see something so fantastically well-constructed. We’re so used to medieval settings, we stop noticing how flimsy a lot of the world-building is. Jemisin’s is so superior that it highlights the fault lines in other works. With this book, I have little hesitation in saying that Jemisin is the most original world-builder we have working currently. She’s also one of the most original writers of magic we have working currently – an entire system built on dreams and dream theory? Really? Whoa.
The characters and their trials are equally well-depicted. Although I don’t have space to discuss these in great detail, I would like to briefly highlight what for me was the heart of the book: the relationship between Ehiru and his gatherer-apprentice Nijiri. Although the two are deeply loyal to one another, there are dark elements to the relationship. Ehiru starts to lose control of his magic about halfway through the book, and asks Nijiri to Gather him – to kill him – before Ehiru himself becomes corrupt. Meanwhile, Nijiri is in love with Ehiru. Ehiru is aware of this, and relies on Nijiri’s love, despite not being able to reciprocate it (Gatherers are celibate). That Ehiru uses Nijiri’s love for him to (try) to convince Nijiri to kill him is a fascinating, and repelling, dynamic. This is one of the book’s great strengths – the characters (and the city’s) ambiguous, complex morality.
I’ll leave the final word to my brother, who read the book right after I did.
“God, I love N.K. Jemisin so much!”
This seems to be my month for fantasy – now that I’m looking over the list, it’s evident that I read almost no science fiction. The Cloud Roads is sort of science fiction, if you squint and look at it sideways. But everything else is fantasy (or just literary). With the possible exception of Chicks Dig Time Lords, which is about science fiction (although it’s nonfictional).
Chicks Dig Time Lords: A Celebration of Doctor Who by the Women Who Love It is a collection of interviews, essays and cartoons written by female fans of Doctor Who. The contributors examine their relationship with fandom, and their love of the series.
Now, I’ve never watched Doctor Who (I know, I know. It’s on the to-do list). And I still found this book immensely entertaining and insightful. As a fan, I love watching other fans indulge in SQUEE. As a female fan, I’m always interested in seeing how women engage with fandoms that are typically viewed as “male.” And as a science fiction fan, I always like looking at analysis of science fiction shows! So I was quite pleased. SQUEE, science fiction and gender analysis all wrapped up in one shiny package: it’s like my birthday came early.
The book is extremely well-edited – it varies in both tone and content, so it never feels repetitive or one-note. There are essays that are pure fannish SQUEE. There are essays that address the specific trials and tribulations of female fans. There are essays dissecting particularly Doctor Who companions. There are near-academic essays. There are fun stories. There are sad stories. There are interviews with Who Actresses and writers. There’s a discussion of costuming at Doctor Who conventions. There’s even a comic (from the creators of Torchwood Babiez)
Chicks Dig Time Lords won a Hugo Award last year – and now that I’ve read it, all I can say is: Well deserved.
Before I close, a quick shoutout to the books I’m not reviewing in depth, but that I still loved: Sarah Rees Brennan’s The Demon’s Lexicon (great, snarky, dark YA; fantastic narrator; cannot wait to read the next book) and Martha Wells’ The Cloud Roads (old-fashioned fantasy in the best possible way; wonderful prose; interesting social dynamics)
And that’s it for May! I’m already well into June reading, and I’ve tentatively titled this “The Month of All The Incest” – because seriously, three books, all with incest. What’s going on?
But the books are good, so there’s that!
Finally, my self-policing statistics (for gender and race):
14 authors (or editors)
14 women (I swear, this was not intentional).
10 white editors/authors
4 People of Color editors/Authors
(better than last month)